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    Actor Spotlight

    History-making Dallas actress lays out her other dream roles

    Lindsey Wilson
    Nov 30, 2016 | 5:10 pm

    Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

    Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

    This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

    Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Sally Nystuen Vahle

    Role in A Christmas Carol: Scrooge

    Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

    Hometown: Menomonie, Wisconsin

    Where you currently reside: Junius Heights, East Dallas

    First theater role: Ngana, the little girl in the musical South Pacific

    First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

    Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

    Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

    Special skills: Audio prompting and whitewater canoeing.

    Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

    Current pop culture obsession: The Walking Dead

    Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

    Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

    Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

    Favorite song: "Annie's Song" by John Denver

    Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

    Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

    Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

    Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

    Favorite food: Pizza

    Must-see TV show(s): The Walking Dead

    Something most people don’t know about you: I would be very content to live off the grid.

    Place in the world you’d most like to visit: India

    Pre-show warm-up: Lots of stretching and focus work

    Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

    Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

    Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

    When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

    I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

    Career you’d have if you weren’t in theater: Psychologist

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

    Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

    It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

    ---

    Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

    Sally Nystuen Vahle is Dallas Theater Center's first female Scrooge in this year's A Christmas Carol.

    Sally Nystuen Vahle as Ebenezer Scrooge in A Christmas Carol
    Photo by Sergio Garcia
    Sally Nystuen Vahle is Dallas Theater Center's first female Scrooge in this year's A Christmas Carol.
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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

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