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    Actor Spotlight

    History-making Dallas actress lays out her other dream roles

    Lindsey Wilson
    Nov 30, 2016 | 5:10 pm

    Though A Christmas Carol has been a longstanding Dallas Theater Center tradition, the company is always on the lookout for ways to shake up the holiday classic. Last year it was with the show's first female director, DTC Brierley Resident Acting Company member Christie Vela, and this year it's with the first female Scrooge, played by Sally Nystuen Vahle.

    Vahle, also a member of the Brierley Resident Acting Company, takes on Charles Dickens' miserly, selfish, and cold-hearted main character from November 30-December 28 at the Wyly Theatre.

    This year directed by Steven Michael Walters, the production once again features Beowulf Boritt's industrial set and Jeremy Allen Dumont's choreography. A cast of DTC regulars, SMU students, and adorable youths use artistic director Kevin Moriarty's adapted and speedy — the show is only about 90 minutes — script.

    Before Vahle slips on Scrooge's famous nightcap and journeys to Christmases past, present, and future, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Sally Nystuen Vahle

    Role in A Christmas Carol: Scrooge

    Previous work in the DFW area: Co-founder of Kitchen Dog Theater, member of the Brierley Resident Acting Company at Dallas Theater Center. Most recent previous role: Medea in Medea at Dallas Theater Center.

    Hometown: Menomonie, Wisconsin

    Where you currently reside: Junius Heights, East Dallas

    First theater role: Ngana, the little girl in the musical South Pacific

    First stage show you ever saw: The first professional show was Foxfire at the Guthrie Theatre.

    Moment you decided to pursue a career in theater: Officially, my freshman year in college, when I decided to change my major from broadcast journalism to theater.

    Most challenging role you’ve played: This is a tough one. Each role is challenging in its own way, but it's probably a toss-up between Macbeth in A Macbeth or Medea.

    Special skills: Audio prompting and whitewater canoeing.

    Something you’re REALLY bad at: Saying “no” and learning choreography. It takes me 10 times as long as everyone else!

    Current pop culture obsession: The Walking Dead

    Last book you read: Head Hunters of the Amazon by Up De Graff (1925). It's a book I found at an estate sale that turned out to be a wild read.

    Favorite movie(s): Cool Hand Luke, Terms of Endearment, Where to Invade Next, Captain Fantastic

    Favorite musician(s): The Fray, Tupac, Frank Ocean, Prince, Drake, Dan Fogelberg

    Favorite song: "Annie's Song" by John Denver

    Dream role(s): Winnie in Happy Days by Beckett; Amanda in The Glass Menagerie by Tennessee Williams; Masha in Chekhov’s The Three Sisters; Martha in Albee’s Who’s Afraid of Virginia Woolf; King Lear in Shakespeare’s King Lear; Violet in Lett’s August: Osage County.

    Favorite play(s): Angels in America, Parts 1 & 2 by Tony Kushner and Clybourne Park by Bruce Norris

    Favorite musical(s): Cabaret, Chicago, Guys and Dolls, Hamilton

    Favorite actors/actresses: Meryl Streep, Sean Penn, Johnny Depp, Albert Finney, Cherry Jones, Jessica Tandy, Violet Davis, Chamblee Ferguson

    Favorite food: Pizza

    Must-see TV show(s): The Walking Dead

    Something most people don’t know about you: I would be very content to live off the grid.

    Place in the world you’d most like to visit: India

    Pre-show warm-up: Lots of stretching and focus work

    Favorite part about your current role: Getting to create and embody a character that I never imagined playing.

    Most challenging part about your current project: Scrooge spends lots of time listening, observing, and processing information — so, staying present and fully engaged in her journey of discovery as if it’s the “first time” is a fantastic challenge and exercise.

    Most embarrassing onstage mishap: When I was in third grade, I was in a class play called Terry and the Tooth-Fairy. I played Terry, a girl who was 16 who didn’t use fluoride and had to go back to being 8-years-old to learn how to take better care of her teeth.

    When I took off the costume of the 16-year-old Terry to reveal the clothes of the 8-year-old Terry, my shirt stuck to the dress and came off with it. I was in front of the whole school without my shirt on. I ran and hid under the teacher's desk.

    I grew up in a small town and the people I was in third grade with I graduated from high school with, so at least once a year from third grade on, someone would remind me of that stellar moment. Somehow, even after that experience, I still decided to be an actor. Go figure.

    Career you’d have if you weren’t in theater: Psychologist

    Favorite post-show spot: Lakewood Landing

    Favorite thing about Dallas-Forth Worth: The incredible people that make up the Metroplex and the growing cultural landscape.

    Most memorable theater moment: Dallas Theater Center produced Kushner’s Angels in America in 1996. Many people found the play to be controversial. On opening night there were protests outside the Kalita Humphreys Theater, and Dallas Police officers stood at the back of the theater during the entire show in case it needed to be stopped due to “indecency and inappropriate content.”

    It was thrilling to have been part of that play and that experience — the not knowing whether or not we’d get to finish the play as we were performing it was an experience unlike any other I have ever had as an actress. The show wasn’t stopped and turned out to be a blockbuster for DTC.

    ---

    Dallas Theater Center's production of A Christmas Carol runs November 30-December 28 at the Wyly Theatre.

    Sally Nystuen Vahle is Dallas Theater Center's first female Scrooge in this year's A Christmas Carol.

    Sally Nystuen Vahle as Ebenezer Scrooge in A Christmas Carol
    Photo by Sergio Garcia
    Sally Nystuen Vahle is Dallas Theater Center's first female Scrooge in this year's A Christmas Carol.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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