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    Theater Review

    Kitchen Dog's scary good premiere keeps Dallas audiences guessing and gasping

    Lindsey Wilson
    Dec 2, 2016 | 4:47 pm
    Kitchen Dog Theater presents Feathers and Teeth
    Matt Lyle, Morgan Lauré, Parker Gray, and Dakota Ratliff (seated) in Feathers and Teeth.
    Photo by Matt Mrozek

    Being a kid can be scary, but it's downright horrifying when a pack of flesh-eating monsters turns up at your house and your new stepmom-to-be might be a demon.

    In Charise Castro Smith's awesomely weird horror-comedy Feathers and Teeth, there's another layer of terror: suburban 1970s style. Kitchen Dog Theater mixes perky artificiality and sinister pacing for a regional premiere that keeps its audiences guessing (and laughing and shuddering and gasping) while an unusual family's dynamics go off the rails.

    This isn't just the regional premiere of Smith's new play; KDT is only the second company to produce it after its Goodman Theatre debut in Chicago last year. Why more companies haven't pounced on the material is a mystery. In its swift 90 minutes, the script manages to unfurl a tale that's both preposterous and wholly relatable, about an angsty pre-teen whose mother's recent death is made even more raw by her father's rapid engagement to the nurse, Carol, who cared for her.

    Or killed her, if you go with the girl's theory. Feathers and Teeth hinges on the role of young Chris, and KDT couldn't have found a better match than Dakota Ratliff. Sullen and sassy, Ratliff relishes Chris' "grieving daughter" status as an excuse to mouth off to the copper-haired Carol, but also allows us to see the girl's deep inner pain that's not even close to healing yet.

    Morgan Lauré, poured into '70s fashion so bootylicious she's one step away from a vintage porno (kudos go to costume designer Melissa Panzarello), gets Carol's annoyingly perfect facade just right. She's understanding and gentle when Chris lashes out, supportive and demur when manipulating her beau Arthur (Matt Lyle), and she-bot creepy when no one else is around. It's these quick personality changes that reinforce the Twilight Zone-aura director Lee Trull has constructed.

    So when Arthur hits an unidentifiable creature with his car at the top of the show, the poor beast's backyard funeral is just the excuse we need to watch this trio unravel. Lyle does nebbish well, especially when bolstered by a scraggly mustache and limp comb-over. His Arthur is most certainly not in charge here, but his utter conviction that he's still man of the house keeps him from being more than just scenery. (There's all the beige linoleum you could ever want in Clare Floyd DeVries' fine set, by the way.)

    But like in any good horror flick, the monster doesn't stay dead. In fact, it multiples, growing ever hungrier for flesh and demanding its feedings like a squeaky, garbled Audrey II from Little Shop of Horrors. John M. Flores keeps the jump-scares coming with well-relegated booms and bangs, which are complemented by Suzanne Lavender's lighting.

    The addition of neighbor boy Hugo, whom Parker Gray gives a hilarious German accent and the inability to understand nuance, might have felt like a left-field grab if Smith's script didn't incorporate him so deftly. He's our proxy, staring wide-eyed at this nightmare yet powerless to halt or escape from it. He's also our safe comic relief, reminding us that it's okay and even encouraged to laugh at the inappropriateness that's being laid out for our amusement. Because, sometimes, what else can you do but laugh through the screams?

    ---

    Kitchen Dog Theater's production of Feathers and Teethruns at Trinity River Arts Center through December 17.

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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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