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    Queen Nefertari reigns

    New DFW museum exhibition journeys to afterlife with ancient Egyptian queen

    Stephanie Allmon Merry
    Dec 4, 2020 | 10:49 am

    First things first: It's Nefertari, not Nefertiti.

    Her name means "the most beautiful of them all" and "the one for whom the sun shines." She was one of the most educated, influential, and celebrated queens of Egypt, and the beloved royal wife of Pharaoh Ramesses the Great. Most importantly, she is the heart of the Kimbell Art Museum's new exhibition, "Queen Nefertari's Egypt."

    The Fort Worth museum's first new special exhibition since re-emerging from its COVID-19 shutdown opens Sunday, December 6 for a three-month stay.

    The exhibit showcases 230 pieces — including statues, vases, jewelry, papyrus, steles, mummies, wooden coffins, and stone sarcophagi — and celebrates royal women during the height of Egyptian civilization, the New Kingdom Period (1550-1070 B.C.). It explores not just royal wives, but sisters, daughters, and mothers of pharaohs, and even women who were pharaohs themselves.

    The exhibition was organized by the Museo Egizio of Turin, Italy (from which all the pieces are drawn), in collaboration with StArt and the Kimbell.

    “Ancient Egypt has long fascinated the modern world,” says Kimbell director Eric M. Lee, in a release, “and we are thrilled to present this remarkable exhibition that is altogether alluring, grand, exotic, and captivating."

    As organizing curator Jennifer Casler Price emphasized in an exhibition preview, one reason ancient Egyptian women are an enchanting subject now is that they were considered equal to men, some 3,000 years ago. They could own property, operate businesses, and bring cases to court. Yet, they were largely still tasked with running the household and raising children.

    Exhibition pieces such as musical instruments, boxes and jars for cosmetic powders, bronze mirrors, and precious jewelry help illuminate women's roles in daily life, as well as in religion, life in the palace, and their beauty and adornment customs.

    "These astonishing treasures showcase the legacy of these amazing women, whose status often verged on divine," the Kimbell says in the release.

    Why, then, make Queen Nefertari the center of attention?

    Besides the fact that she is one of the most regaled queens of ancient Egypt (alongside Cleopatra, Hatshepsut, and the oft-confused Nefertiti), the discovery of her tomb by Italian archaeologist Ernesto Schiaparelli in 1904 was a monumental find that yielded a trove of ancient Egyptian treasures.

    Nefertari’s tomb was built around 1250 B.C. and contained two chambers connected by descending staircases. "The structure evoked a convoluted path that the deceased had to follow to reach the afterlife," the Kimbell says.

    Its elaborately painted walls earned it the nickname “the Sistine Chapel of Egypt." They depict Nefertari, along with gods and goddesses, animals, and insects and hieroglyphic magic spells, "illustrating the intricate process of passing through the underworld to eternal life," the museum explains.

    A historic wooden model was built following the discovery and is on view in the exhibition. Objects found inside the tomb — and showcased in the display — include fragments of Nefertari’s pink granite sarcophagus lid, a gold and faience amulet in the shape of a djed-pillar (a symbol of stability), wooden shabtis (small figures who could perform manual labor in the afterlife), and a pair of woven palm-leaf sandals (U.S. women’s size 9).

    Veering on the macabre, the exhibition also displays a pair of mummified knees considered Nefertari's only surviving mortal remains.

    The exhibition closes with elaborately decorated human-form coffins from tombs of two sons of Ramesses III, which Sciaparelli also discovered.

    “I hope visitors will appreciate the high level of artisanship in these works,” says Casler Price, “whether it is a majestic carved stone sculpture, an exquisite piece of jewelry, a precious perfume jar, a beautifully painted piece of domestic pottery, a humble painter’s brush, delicately painted papyri, intricately painted coffins, or even a queen’s pair of unassuming palm sandals.”

    ---

    "Queen Nefertari's Egypt" runs December 6, 2020-March 14, 2021 at the Kimbell Art Museum, 3333 Camp Bowie Blvd., Fort Worth. Admission is $14-$18; free for children under age 6. For more information, including a schedule of special events, visit www.kimbellart.org.

    A model of Nefertari's tomb, dating to the early 1900s, is a showpiece of the exhibition.

    Nefertari tomb
    Photo courtesy of Kimbell Art Museum
    A model of Nefertari's tomb, dating to the early 1900s, is a showpiece of the exhibition.
    museums
    news/arts

    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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