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    Queen Nefertari reigns

    New DFW museum exhibition journeys to afterlife with ancient Egyptian queen

    Stephanie Allmon Merry
    Dec 4, 2020 | 10:49 am

    First things first: It's Nefertari, not Nefertiti.

    Her name means "the most beautiful of them all" and "the one for whom the sun shines." She was one of the most educated, influential, and celebrated queens of Egypt, and the beloved royal wife of Pharaoh Ramesses the Great. Most importantly, she is the heart of the Kimbell Art Museum's new exhibition, "Queen Nefertari's Egypt."

    The Fort Worth museum's first new special exhibition since re-emerging from its COVID-19 shutdown opens Sunday, December 6 for a three-month stay.

    The exhibit showcases 230 pieces — including statues, vases, jewelry, papyrus, steles, mummies, wooden coffins, and stone sarcophagi — and celebrates royal women during the height of Egyptian civilization, the New Kingdom Period (1550-1070 B.C.). It explores not just royal wives, but sisters, daughters, and mothers of pharaohs, and even women who were pharaohs themselves.

    The exhibition was organized by the Museo Egizio of Turin, Italy (from which all the pieces are drawn), in collaboration with StArt and the Kimbell.

    “Ancient Egypt has long fascinated the modern world,” says Kimbell director Eric M. Lee, in a release, “and we are thrilled to present this remarkable exhibition that is altogether alluring, grand, exotic, and captivating."

    As organizing curator Jennifer Casler Price emphasized in an exhibition preview, one reason ancient Egyptian women are an enchanting subject now is that they were considered equal to men, some 3,000 years ago. They could own property, operate businesses, and bring cases to court. Yet, they were largely still tasked with running the household and raising children.

    Exhibition pieces such as musical instruments, boxes and jars for cosmetic powders, bronze mirrors, and precious jewelry help illuminate women's roles in daily life, as well as in religion, life in the palace, and their beauty and adornment customs.

    "These astonishing treasures showcase the legacy of these amazing women, whose status often verged on divine," the Kimbell says in the release.

    Why, then, make Queen Nefertari the center of attention?

    Besides the fact that she is one of the most regaled queens of ancient Egypt (alongside Cleopatra, Hatshepsut, and the oft-confused Nefertiti), the discovery of her tomb by Italian archaeologist Ernesto Schiaparelli in 1904 was a monumental find that yielded a trove of ancient Egyptian treasures.

    Nefertari’s tomb was built around 1250 B.C. and contained two chambers connected by descending staircases. "The structure evoked a convoluted path that the deceased had to follow to reach the afterlife," the Kimbell says.

    Its elaborately painted walls earned it the nickname “the Sistine Chapel of Egypt." They depict Nefertari, along with gods and goddesses, animals, and insects and hieroglyphic magic spells, "illustrating the intricate process of passing through the underworld to eternal life," the museum explains.

    A historic wooden model was built following the discovery and is on view in the exhibition. Objects found inside the tomb — and showcased in the display — include fragments of Nefertari’s pink granite sarcophagus lid, a gold and faience amulet in the shape of a djed-pillar (a symbol of stability), wooden shabtis (small figures who could perform manual labor in the afterlife), and a pair of woven palm-leaf sandals (U.S. women’s size 9).

    Veering on the macabre, the exhibition also displays a pair of mummified knees considered Nefertari's only surviving mortal remains.

    The exhibition closes with elaborately decorated human-form coffins from tombs of two sons of Ramesses III, which Sciaparelli also discovered.

    “I hope visitors will appreciate the high level of artisanship in these works,” says Casler Price, “whether it is a majestic carved stone sculpture, an exquisite piece of jewelry, a precious perfume jar, a beautifully painted piece of domestic pottery, a humble painter’s brush, delicately painted papyri, intricately painted coffins, or even a queen’s pair of unassuming palm sandals.”

    ---

    "Queen Nefertari's Egypt" runs December 6, 2020-March 14, 2021 at the Kimbell Art Museum, 3333 Camp Bowie Blvd., Fort Worth. Admission is $14-$18; free for children under age 6. For more information, including a schedule of special events, visit www.kimbellart.org.

    A model of Nefertari's tomb, dating to the early 1900s, is a showpiece of the exhibition.

    Nefertari tomb
    Photo courtesy of Kimbell Art Museum
    A model of Nefertari's tomb, dating to the early 1900s, is a showpiece of the exhibition.
    museums
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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
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