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#NotInThisHouse

Longtime Dallas theater practitioner dismissed for inappropriate behavior

Lindsey Wilson
Dec 5, 2017 | 11:03 am
Lee Trull
Lee Trull is no longer employed at Dallas Theater Center.
Photo by Michael Hiller

Lee Trull, a longtime employee at Dallas Theater Center, was terminated on December 4 for "inappropriate behavior," according to a statement from the theater company.

DTC states that it received a complaint about Trull's behavior and initiated an investigation. It was determined that the alleged conduct was in violation of company policies, and his employment was terminated. DTC says that it remains dedicated to taking any action necessary to ensure a safe workplace free of harassment for all employees.

"Theater is a collaborative art form that requires each person to bring his or her whole self to work and participate in the creative process," reads the statement. "Dallas Theater Center is committed to providing the type of environment necessary for the creative process to flourish. Anyone who contributes to an unsafe, unwelcome, or inequitable environment not only violates DTC's policies, but also undermines DTC's fundamental goal of creating the highest quality theatrical art that deeply engages our community."

Some of the complaints are detailed on Dallas performing arts blog TheaterJones.

Trull, who served as director of new play development, had worked for the company for more than a decade. In September, he announced his plans to leave the Tony Award-winning organization in summer 2018 to "to further his artistic work, both locally and nationally, as a playwright, actor, director, and dramaturg."

He began his career at DTC as a member of its acting ensemble, then was named artistic associate in 2008 at age 28. A promotion to casting director came next, and then director of new play development.

He is the director of this year's production of A Christmas Carol, which runs through December 28, and was set to be a producer of DTC's upcoming shows Fade, Frankenstein, and White Rabbit Red Rabbit, in addition to developing local playwright Jonathan Norton’s new play Penny Candy for 2018-2019 season. There is no word yet on who will assume those duties going forward.

In addition to being a producer of multiple world premieres (Fortress of Solitude; Stagger Lee; Moonshine: That Hee Haw Musical; Clarkston; Bella: An American Tall Tale; Hood: The Robin Hood Musical Adventure; and Miller, Mississippi), Trull was a co-playwright of Deferred Action with Cara Mia Theatre Co.'s David Lozano.

Trull was also scheduled to direct Second Thought Theatre's next production, Lucas Hnath's Hilary and Clinton. STT's artistic director is DTC resident acting company member Alex Organ. The company has since revoked the offer and released a statement:

Late last week, Second Thought Theatre learned of allegations of misconduct by Lee Trull. Due to the nature of those allegations, our leadership decided we could no longer entrust Mr. Trull with a position of authority, and this past Sunday we rescinded his offer to direct in our 2018 season.

Second Thought Theatre is committed to providing a safe and supportive environment where artists feel comfortable and confident creating alongside one another. We have a zero-tolerance policy for discrimination or harassment of any kind. It takes action by each of us as individuals and as a unified community to hold each other accountable, to have difficult conversations with each other, and to look inward at our own organizations so that we can make each other better and hold each other to higher standards. It's a conversation we as a community should have begun before the #metoo and #notinthishouse movements became necessary. While we are distraught that this conversation has to take place, we will not shy away from doing what is right. This is our community, and we want to do our part to make it better.

Our first priority is to ensure our artists feel secure and protected while working at Second Thought. In addition to removing Mr. Trull from our season, our staff and board of directors have already begun revisiting our harassment policy to re-confirm its efficacy, and we are working to improve procedures for better articulating the policy to company members at the beginning of every production process.

Kitchen Dog Theater, where Trull has been a longtime company member, initially suspended him pending a review, then issued an announcement his membership had been terminated. "Mr. Trull has been a company member at KDT since 2006 and there has never been a complaint about him in that time," reads the statement. "KDT has zero tolerance for harassment or discrimination of any kind and stands in solidarity with the women who have so bravely stepped forward and shared their stories to bring this behavior to light. KDT is committed to taking whatever steps necessary to make our house and our community at large a safe, nurturing environment to be an artist and create free from fear of sexual harassment, bullying, discrimination or retribution of any kind."

Stage West has also severed ties with Trull, who was set to direct A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City at the Fort Worth theater in March. A statement from artistic director Dana Schultes says, "Today, after reading the TheatreJones article in which the allegations were spelled out in detail, we are all shaken and stunned. He has collaborated with Stage West off and on for nearly 20 years. There has never been a complaint about him during his time in our house. We regard the newly published allegations very seriously and intend to sever our ties. We will announce hi

In the September announcement of Trull's originally scheduled departure, DTC artistic director Kevin Moriarty said, "Lee has been among my most valued colleagues, collaborators and friends since his arrival at DTC 10 years ago...I can’t imagine my artistic tenure at DTC without Lee’s immense contributions. He’s been an integral part of DTC’s many successes and we are already looking for opportunities to continue his artistic relationship with DTC in future years."

For his tenure at DTC, Trull responded with, "I have loved my time at Dallas Theater Center and it's hard for me to imagine not walking into the beautiful Wyly Theatre everyday. However, after a decade on staff at DTC, it’s time for me to move on to new artistic opportunities and make space for fresh voices at the theater."

There is a Town Hall to discuss inappropriate conduct and developing a code of standards across Dallas-Fort Worth theaters that was already scheduled to take place on December 11, from 8-10 pm at Arts Mission Oak Cliff. Laura T. Fisher, coordinator of Chicago Theatre Standards, will lead the discussion, which will be moderated by TheaterJones editor and CultureMap contributor Mark Lowry. Dallas Theater Center is one of the 11 TCG Member Theatres of North Texas that helped coordinate the meeting, which is free and open to the public.

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Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
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