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    Your Show of Shows

    Dallas-Fort Worth galleries have the goods to gift your artsy friends

    Kendall Morgan
    Dec 8, 2016 | 6:27 pm

    Intimate, personal, and completely unique, art is the ideal gift for the person who has everything. Luckily, Dallas gallerists make it easy to find present-able solutions for every taste and budget.

    The Public Trust owner Brian Gibb is offering the penultimate art and design aficionado gift in the form of the “Mystery Box,” a collection of an artist T-shirt; an editioned screenprint; one small original work; plus an assortment of zines, books, and other treasures — like collectible issues of his magazine Art Prostitute. Each box is completely unique and curated from Gibb’s gallery’s inventory, along with some personal favorites.

    Although Erin Cluley is taking a break from her annual Mercado pop-up (it’ll return in 2017 bigger and better than ever), she is offering a curated collection from her gallery stable, including screenprints by Zeke Williams, Rob Wilson, and Faile, and original works by Rachel Livedalen.

    And, finally, Frank Campagna’s Kettle Art Gallery is showing its annual “Holiday Presence" exhibition of small canvases and artisan-crafted gifts, all priced under $200. Open through December 24, it’s an ideal stop for last-minute shoppers.

    If your artistically inclined friends prefer experiences to possessions, these must-see gallery exhibitions also make the season bright — from a talented Dallas-Fort Worth partnership, thought-provoking sculpture, and naturally inspired works from a seasoned talent.

    “Outside/In,” Carol Benson at William Campbell Contemporary Art, Fort Worth
    Opening reception: December 8, 6-8 pm
    ​Exhibition dates: December 8-January 8

    Fort Worth has an intimate but healthy gallery scene, one anchored by the city’s oldest existing contemporary gallery, William Campbell. Founded in 1974, the space’s owners spearhead the Fort Worth Art Dealer Association’s biannual gallery night each fall and spring, but their holiday show also merits a trip west.

    Exploring the natural world in both two dimensions and three, local artist Carol Benson’s layered paintings and wire sculpture became “less defined and more of an idea,” as she melds shapes and colors. Eschewing realism for a more emotionally resonant approach, her pieces nonetheless have the same soothing effect one would receive when gazing at their real-life inspirations.

    “There is such surprising beauty in nature; the colors, shapes, textures, and compositions never ceases to amaze me,” muses the artist. “ The rejuvenation, energy, movement, and adaptability of the natural world are reassuring.

    “Perhaps the viewer will connect with my ideas, or they may see the work in a completely different way.”

    Sydney Williams at Cydonia Gallery
    Opening reception:
    December 10, 6-8 pm
    Exhibition dates: December 10-30

    Cydonia Gallery is closing out a year of all female artists with the first solo exhibition from ceramicist and sculptor Sydney Williams, who also hails from Fort Worth. Her concrete sculptures may have their foundation in the vocabulary of pottery (the “neck,” the “belly,” the “feet,” etc.) but instead of becoming specific, their meanings remain oblique, with a subtle reference to children’s toys.

    “Sydney is not interested in the 'crafts' designation that ceramics has historically held,” says gallery director Hanh Ho. “She was drawn to ceramics because she learns most naturally through her sense of touch. Instead of understanding the world primarily though virtual or technological advances, she values what is most innate to her: working and learning with her hands.”

    The 12 substantial works spill from the inside to the outside of the gallery, referencing Donald Judd and Claes Oldenburg with a specific Texan, female perspective.

    “Ro2ooth Gift Grab,” various artists at Ro2 Art
    Opening reception:
    December 23, 7-10 pm
    ​Exhibition dates: December 17-31

    When Dallas and Fort Worth get together, the result could never be anything less than eye-popping. Drawing on the talent of the latter city’s curatorial collective Art Tooth, Ro2 Art is presenting Ro2ooth Gift Grab, a gift-driven show that pairs the best of the gallery’s stable with pieces from the six-month-old group of art entrepreneurs. The exhibit’s roster includes sculpture, photography, painting, and prints from 57 participating artists.

    Says gallery co-owner Jordan Roth, “It’s Dallas-Fort Worth’s most talked about talent combined with emerging artists. It’s going to be rock solid. We’re thrilled for the opportunity to bring the two cities together to celebrate North Texas art for the holidays.”

    Holiday Mystery Box from Public Trust makes a great gift.

    The Public Trust
    Photo courtesy of the Public Trust
    Holiday Mystery Box from Public Trust makes a great gift.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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