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    Actor Spotlight

    Fun House actor Doak Campbell Rapp has some unexpected offstage skills

    Lindsey Wilson
    Dec 15, 2014 | 10:01 am

    Part of the fun of watching an actor perform year after year is seeing how they grow. In the case of Doak Campbell Rapp, it’s also seeing him literally grow up.

    The 16-year-old has been performing at Plano’s Fun House Theatre and Film since its founding in 2011 by his mother, Bren Rapp, and local actor and playwright Jeff Swearingen (who writes many of Fun House’s original works). The children’s theater that Fun House produces has an edgy, adult bent to it, and that unique combination of innocence and maturity has won the group mountains of critical accolades. (One actor, Lizzy Greene, is now starring in a show on Nickelodeon.)

    But there’s no nepotism involved. In roles ranging from Grunther (a Khal Drogo stand-in) in Game of Thrones, Junior to Adam in Neil LaBute’s The Shape of Things, Rapp has proven that he’s willing to put in the work with each character he takes on.

    He just wrapped Yes Virginia Woolf, There Is a Santa Claus, and he has three more shows in the next few months: Matt Lyle’s House Party, Holiday Edition: Adulthood, or How I Learned to Love Ken Burns (December 18-21); True West (January 15-18); and Romeo & Juliet (February 13-21).

    In advance of House Party, Rapp took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Doak Campbell Rapp

    Role in Matt Lyle’s House Party: Various. It is a sketch comedy show.

    Previous work in the DFW area: I have done more than 30 plays and one film.

    Hometown: Dallas

    First theater role: My first role was Captain of the Guard in Jeff Swearingen’s absurdist Aladdin.

    First stage show you ever saw: If You Give a Mouse a Cookie at Dallas Children’s Theater.

    What made you want to do theater: Easy to sum up: Jeff Swearingen.

    Most challenging role you’ve played: It is a tie between Claudius in Hamlet and Jerry in Edward Albee’s The Zoo Story.

    Special skills: Acting-wise, I am a good improviser. In life I am freakishly good at getting stuffed animals out of skill cranes.

    Something you’re REALLY bad at: At the moment, chemistry.

    Current pop culture obsession: Any conspiracy theory. My favorite is all the Disney Illuminati stuff. The truth is out there!

    Last book you read: I reread the graphic novel of The Watchmen.

    Favorite movie(s): Dead Poets Society and Donnie Darko. Interstellar has worked its way in there recently.

    Favorite musician(s): I am way into music, so there is too much I would list. Top three would be Outkast, Marvin Gaye and The Beatles, but I recently discovered the Bassanova and dug it.

    Favorite song: “What’s Going On” by Marvin Gaye

    Dream role: I really like originating roles, like Saul Solomon in Stiff. Anything no one has done before.

    Favorite play(s): Neil LaBute’s The Shape of Things, Edward Albee’s The Zoo Story

    Favorite musical(s): Man of La Mancha

    Favorite actors/actresses: Jake Gyllenhaal, Paul Rudd, Jason Bateman, Leonardo DiCaprio, Robin Williams

    Favorite food: Sushi. Any sushi.

    Must-see TV show(s): Cosmos

    Something most people don’t know about you: I really enjoy doing origami, and I’d like to think I am pretty okay at it.

    Place in the world you’d most like to visit: Portland. I watch a lot of Portlandia.

    Pre-show warm-up: There is a 7-Eleven by the theater where I usually perform. I like to walk there by myself with my headphones in and buy a Monster and a water. I try to match a playlist to the show.

    Favorite part about your current role: It is amazing to actually get to work with Matt Lyle after having acted in three of his plays: The Boxer, The Chicken Who Wasn’t Chicken and Hello Little Human Female.

    Most challenging part about your current role: Comedy takes a lot more precision than people realize. There is like a math to it. It is about beats and timing and keeping your actor mind calm and thinking even if you are being outwardly crazy.

    Most embarrassing onstage mishap: In Jeff Swearingen’s Ultimate Holiday Experience, I wore this Russian military uniform, and the fly on my pants broke onstage. It was wide open for an entire scene, and I knew it. Of course it was the scene where I had to rap and do a hip hop dance.

    Most memorable theater moment: You know when actors come out and greet people who stick around after a show? Well, what I loved was after doing Zoo Story, seeing the look on people’s faces who didn’t know anything about it beforehand, and other kid actors who had no clue such plays exist. The way they looked. Like their entire world had just been rocked, when they would come up to talk to me.

    With Lizzy Greene in Hello Little Human Female.

    Hello Little Human Female at Fun House
    Photo by Chuck Marcelo
    With Lizzy Greene in Hello Little Human Female.
    unspecified
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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