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Museum milestones

SMU's Meadows Museum marks milestone occasion with 2 new exhibitions

Stephanie Allmon Merry
Dec 16, 2020 | 11:31 am
Beach at Portici by Mariano Fortuny, Meadows Museum
Beach at Portici by Mariano Fortuny will be on display during Meadows' 20th anniversary exhibitions.
Photo courtesy of Meadows Museum

No one knows how to party like SMU, and this spring, Meadows Museum will celebrate 20 years in its Bishop Boulevard building with not one, but two special exhibitions.

The stately Collegiate Georgian, red-brick building, designed by Chicago architectural firm Hammond Beeby Rupert Ainge, opened to the public in 2001. Over the last 20 years, "the new building," as some still call it, has become a prominent landmark near the campus entrance off Mockingbird Lane. It has also grown to house one of the most significant collections of Spanish Art in the United States.

"It's a major milestone," says Mark A. Roglán, the Linda P. and William A. Custard Director of the Meadows Museum in a release. "In 20 years, we have doubled the size of our collection and assembled groundbreaking international loan exhibitions in collaboration with distinguished collections from around the world ... achieving the vision of our founder, Algur H. Meadows, to create a 'small Prado for Texas.'"

The anniversary will be marked with two commemorative exhibitions: "Building on the Boulevard: Celebrating 20 Years in the Meadows Museum's New Home" and "Fossils to Film: The Best of SMU's Collections." Both will be on view March 14-June 20, 2021.

"Building on the Boulevard: Celebrating 20 Years in the Meadows Museum's New Home" will be a tribute to the achievements made possible by the vital structure, the museum says. Included will be architectural drawings and renderings, commemorative installations, and "materials celebrating the impressive international loan exhibitions, innovations in educational programming, and other significant milestones."

The permanent collection of Spanish masterpieces will be reinstalled for the occasion. Highlights from the 250 exceptional works the Meadows has acquired over the last two decades will include Goya’s Visions, 1819-23; Fortuny’s Beach at Portici, 1874; Dali’s The Fish Man, 1930; and the earliest work in the collection, Pere Vall’s Saint Benedict and Onophrius, 1410.

A complementary special exhibition, "Fossils to Film: The Best of SMU's Collections," will celebrate the museum's relationship with the university. It's the first time Meadows will host highlights from nine distinct campus collections at the same time: the Underwood Law Library, G. Williams Johns Film and Video Collection, Bywaters Special Collections, Hamon Arts Library, the Shuler Museum of Paleontology, DeGolyer Library, the Department of Anthropology, Bridwell Library, and the noted University Art Collection (made up of works donated by alumni and friends of SMU, including influential painters Jerry Bywaters and David Bates).

"Over 100 exquisite works of art, intriguing artifacts, and rare specimens will be on display, many of which will be exhibited outside their home departments for the first time," the museum says. "From the Pleistocene epoch to the present, these diverse holdings include the earliest surviving crocodile skull, the only surviving footage of Martin Luther King Jr.'s visit to Dallas, and the earliest illuminated manuscript in the state. These items are comprised of donations, as well as university acquisitions and groundbreaking discoveries uncovered at excavations by SMU faculty, staff and students."

Although the current building is just 20 years old, Meadows Museum dates back to 1962, when Dallas businessman and philanthropist Algur H. Meadows donated his private collection of Spanish paintings, as well as funds, to SMU to start a museum. The museum opened to the public in 1965.

The current structure is six times larger than its previous home and not only houses the largest collection of Spanish art outside of Spain, but its collection spans the 10th to the 21st centuries and includes medieval objects, Renaissance and Baroque sculptures, and major paintings by Golden Age and modern masters.

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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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