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    Something Wonderful

    Star of The King and I touring show is getting to know Dallas for the holidays

    Meredith Rainey
    Meredith Rainey
    Dec 18, 2017 | 9:35 am
    The King and I
    Jose Llana and Laura Michelle Kelly in The King and I. The show runs in Dallas on December 19-31 at Winspear Opera House.
    Photo by Matthew Murphy

    Laura Michelle Kelly won’t be home for Christmas this year. But not to worry — she’ll still be with family. Kelly and the cast of The King and I will spend the holidays in Texas in the midst of their Dallas run (December 19-31 at Winspear Opera House). “We’re like one big family, and I miss them when I’m away from them,” she says of her castmates.

    After more than 15 years of performing on stage (with credits that include originating the role of Mary Poppins in the musical of the same name), she decided she wanted to pack her bags and experience life on the road. When the chance to play Anna in The King and I came up, she knew the time was right.

    Now that she's spent almost a year on tour, the self-proclaimed "seasoned traveler" has created many great memories. "I’ve loved the adventure of trying a different city every week ... it’s been a big learning curve, fun, and just a great opportunity to grow."

    Kelly says she was drawn to the production because of the director, the production team, and the timeless tale. "It’s a really good story," she says. "Like Shakespeare, people want to experience it over and over again."

    Set in the 1860s, The King and I, which is based on a true story, explores the relationship between a British widow named Anna and the King of Siam, who brings Anna on board to tutor his many children and wives, as Western influences threaten his kingdom. "The king is a powerful titan and Anna’s a goddess in her own world and it’s hard for him to accept," explains Kelly.

    As the story develops, the two develop an unspoken admiration for one another. "It’s not something they could ever tell one another — it would be highly inappropriate. So it’s very sad in that way," she says.

    The musical boasts a score that features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.”

    Rodgers and Hammerstein’s The King and I first opened on Broadway in 1951, and it has been reinvented in many revivals over the years. Kelly has experience both in helping develop characters in new productions (Mary Poppins, and Sylvia Llewelyn Davies in the world premiere of Finding Neverland) and in playing long-established rolls such as Anna.

    "It’s already an award-winning production and I get to come in and play within the boundaries already set, which I love," explains Kelly. "I would tell anyone who’s not seen it that if they want to create a memory that will last a lifetime, bring people you love and you’ll leave singing and with a new perspective on a different culture."

    So even though Kelly won’t be home with her family in New Orleans during the holidays, she’s excited to be ringing in the New Year with her castmates and some good friends in Dallas. For this veteran performer, 2017 has been a year of firsts. She admits being on the road can be daunting, but well worth it to be able to share such a beautiful story and mesmerizing production with a new city each week.

    "We love what we do," she says. "There are tough days when you’re away from family and you’re not sleeping in your own bed, but that’s part of the adventure and it helps us learn to get back to what we love."

    ---

    Tickets for the Dallas run of The King and I start at $29 and are available through AT&T Performing Arts Center.

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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