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    Something Wonderful

    Star of The King and I touring show is getting to know Dallas for the holidays

    Meredith Rainey
    Meredith Rainey
    Dec 18, 2017 | 9:35 am
    The King and I
    Jose Llana and Laura Michelle Kelly in The King and I. The show runs in Dallas on December 19-31 at Winspear Opera House.
    Photo by Matthew Murphy

    Laura Michelle Kelly won’t be home for Christmas this year. But not to worry — she’ll still be with family. Kelly and the cast of The King and I will spend the holidays in Texas in the midst of their Dallas run (December 19-31 at Winspear Opera House). “We’re like one big family, and I miss them when I’m away from them,” she says of her castmates.

    After more than 15 years of performing on stage (with credits that include originating the role of Mary Poppins in the musical of the same name), she decided she wanted to pack her bags and experience life on the road. When the chance to play Anna in The King and I came up, she knew the time was right.

    Now that she's spent almost a year on tour, the self-proclaimed "seasoned traveler" has created many great memories. "I’ve loved the adventure of trying a different city every week ... it’s been a big learning curve, fun, and just a great opportunity to grow."

    Kelly says she was drawn to the production because of the director, the production team, and the timeless tale. "It’s a really good story," she says. "Like Shakespeare, people want to experience it over and over again."

    Set in the 1860s, The King and I, which is based on a true story, explores the relationship between a British widow named Anna and the King of Siam, who brings Anna on board to tutor his many children and wives, as Western influences threaten his kingdom. "The king is a powerful titan and Anna’s a goddess in her own world and it’s hard for him to accept," explains Kelly.

    As the story develops, the two develop an unspoken admiration for one another. "It’s not something they could ever tell one another — it would be highly inappropriate. So it’s very sad in that way," she says.

    The musical boasts a score that features such beloved classics as “Getting To Know You,” “I Whistle a Happy Tune,” “Hello Young Lovers,” “Shall We Dance” and “Something Wonderful.”

    Rodgers and Hammerstein’s The King and I first opened on Broadway in 1951, and it has been reinvented in many revivals over the years. Kelly has experience both in helping develop characters in new productions (Mary Poppins, and Sylvia Llewelyn Davies in the world premiere of Finding Neverland) and in playing long-established rolls such as Anna.

    "It’s already an award-winning production and I get to come in and play within the boundaries already set, which I love," explains Kelly. "I would tell anyone who’s not seen it that if they want to create a memory that will last a lifetime, bring people you love and you’ll leave singing and with a new perspective on a different culture."

    So even though Kelly won’t be home with her family in New Orleans during the holidays, she’s excited to be ringing in the New Year with her castmates and some good friends in Dallas. For this veteran performer, 2017 has been a year of firsts. She admits being on the road can be daunting, but well worth it to be able to share such a beautiful story and mesmerizing production with a new city each week.

    "We love what we do," she says. "There are tough days when you’re away from family and you’re not sleeping in your own bed, but that’s part of the adventure and it helps us learn to get back to what we love."

    ---

    Tickets for the Dallas run of The King and I start at $29 and are available through AT&T Performing Arts Center.

    theater
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts
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