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    Opera on the big screen

    Dallas Opera goes big for 2013-14 season, with another Cowboys Stadium simulcast

    Alex Bentley
    Feb 13, 2013 | 12:58 am

    The Dallas Opera, which is in the midst of a reduced season that will see only three main operas, announced Tuesday its return to a full slate for its 2013-2014 season. Their choice of setting for the announcement, Cowboys Stadium in Arlington, was no accident, because the stadium will once again host a simulcast of an opera, an April 2013 performance of Turandot.

    The opera's 57th season, collectively titled "By Love Transformed," will feature four mainstage operas at Winspear Opera House, starting with Carmen on October 25. Carmen, which will run through November 10, is one of two classic operas the company will present; the second is The Barber of Seville, running March 28-April 13, 2014.

    The simulcast of Turandot at Cowboys Stadium on April 13 will be the second time TDO has presented one of its operas there.

    The two classics will be joined by the fourth-ever set of performances for the new Death and the Powers, a one-act opera that will extend its reach beyond the walls of the Winspear. As the opera, running February 12-16, 2014, delves into the world of science fiction and robots, TDO will work in conjunction with the Perot Museum of Nature and Science to produce a variety of related works. These will include a special exhibit at the museum and a series of lectures, demonstrations and workshops, among other things.

    The final mainstage production will be the Dallas premiere of the German opera Die Tote Stadt (The Dead City), running March 21-April 6, 2014. TDO will also cater to those who prefer their operas in English with four English-language performances of this important 20th century work running April 14-28, 2014.

    The simulcast of Turandot at Cowboys Stadium on April 13 will be the second time TDO has presented one of its operas there, following a March 2012 performance of The Magic Flute that drew more than 15,000 people. The event will be free and open to the public, and it will be preceded by the classic Warner Bros. cartoon, What's Opera, Doc?

    One can only hope that TDO will simulcast a performance of The Barber of Seville at Cowboys Stadium in 2014, as that will allow them to tie in yet another Bugs Bunny classic, Rabbit of Seville.

    The Dallas Opera will present a simulcast of Turandot at Cowboys Stadium on April 13.

    Dallas Opera's Turandot at Cowboys Stadium
    Photo by Megan Meister Dallas Opera
    The Dallas Opera will present a simulcast of Turandot at Cowboys Stadium on April 13.
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    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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