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    Nerd Alert

    Pop culture, meet classical music: The Legend of Zelda comes alive at AnnetteStrauss Square

    Alex Bentley
    Oct 9, 2012 | 9:27 am

    For children of the '80s, there are two video game franchises that stand above all others: Super Mario Bros. and The Legend of Zelda. Their soundtracks were the soundtracks of our childhoods, and although most of us have long moved on to other things, anytime we hear that music, it brings back a rush of nostalgia.

    Concert producer Jason Michael Paul is counting on that nostalgia, among other things, when he brings The Legend of Zelda - Symphony of the Goddesses to Annette Strauss Square on October 12, with a little help from the Dallas POPS Orchestra.

    The concert is a complete four-movement symphony played by Dallas POPS live and synced up with footage from the multiple Zelda games Nintendo has put out over the past 25 years. This is actually the second time the show has been in Dallas this year, as the Dallas Symphony Orchestra also presented the show at the Meyerson Symphony Center back in January.

    Paul has a long history with the video game industry. He has also produced a Final Fantasy-themed concert and one called Play! that incorporates multiple video games. He sat down with CultureMap Dallas to discuss his inspirations and what to expect Friday night.

    CultureMap: What made you decide to bring together video games and classical music in the first place?

    Jason Michael Paul: I had been working in the opera and classical music genres with Luciano Pavarotti and the Three Tenors, while also maintaining my [involvement in] video games. When the opportunity came to present a show with Final Fantasy, another wildly popular franchise, I just thought that it was the perfect hybrid of a show — great classical music combined with video games. A dream show, if you will, of all of my passions.

    CM: What made The Legend of Zelda an obvious choice for this treatment?

    JMP: It has over 25 years of history, something that resonates with me personally. I've been a Zelda fan since it first came out, and the music that [Nintendo composer and sound director] Koji Kondo has written for this game lends itself perfectly to a symphony.

    CMD: Do you find working with different orchestras pretty smooth in general?

    JMP: I've been doing this for over 10 years, so I've kind of got it down to a science at this point. My experience is getting easier and easier; the caliber and the musicianship of the orchestras that we do hire is excellent. A lot of the people in the orchestra world are starting to see what benefits they can get from presenting such shows as mine.

    CMD: This concert seems like an obvious draw for video game/Zelda fans, but what could you say to your typical classical music fan to convince them to come out?

    JMP: You don't have to be a Zelda fan to appreciate the quality of musicianship, nor do you have to be a Zelda fan to appreciate the arrangements that have been written or the music we perform. We present a four-movement symphony devoted to The Legend of Zelda and essentially it's a retelling [of that saga] through the music and the visuals. It really speaks to pop culture, and it's giving credit where credit is due.

    CMD: Because this will be outside at Annette Strauss Square instead of inside the Meyerson, how do you think that will affect the acoustics or performance?

    JMP: In my opinion, I always like outdoor shows better, provided the weather permits. I think it's always more special when it's under the stars; it just adds to the moment and the mood.

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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