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    Celebrity Skin

    Two x Two honoree Richard Phillips captures the multiple meanings of modernicons

    Kendall Morgan
    Oct 16, 2012 | 8:19 pm
    • Artist Richard Phillips is being honored at the 2012 Two x Two for AIDS and Art.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Lindsey V will be auctioned off during Two x Two.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Vote Romney by Richard Phillips.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Red, Blonde, and Blue by Richard Phillips.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Ariana by Richard Phillips.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Nuclear by Richard Phillips.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery
    • Mask by Richard Philips.
      Photo courtesy of Richard Phillips Studio and Gagosian Gallery

    You might have seen them on the pages of the New York Times and Interview. Or on the walls of MOMA, Tate Modern or the Modern Art Museum of Fort Worth. You may have even seen one on Gossip Girl.

    If you’ve ever viewed a painting by Richard Phillips, you’d know it. Super-sized and hyper-realistic, his distinctive works lodge in the viewers’ minds long after they turn away from the wall. This weekend, the artist himself takes center stage at the annual Two x Two for AIDS and Art, where he will be honored with the amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS.

    Phillips started his career in the early ’90s as a sculptor and line artist. He refined his iconic style of oil painting shortly before his first Dallas exhibit at Deep Ellum’s Turner & Runyon Gallery in 1997.

    “The support I got from the people of Dallas has stayed with me throughout my career,” Phillips says.

    “It was a really ultra-important moment for me,” Phillips recalls. “John and Kenneth [Runyon and Turner] saw my show at [New York’s] Edward Thorp Gallery in 1996 and took that risk on me. I was completely unknown at the time, but many of those paintings I did for them are truly the most iconic paintings I’ve ever done. It was very prescient, and the support I got from the people of Dallas at the time has stayed with me throughout my career.”

    In fact, Dallasites have swayed the artist’s focus, however inadvertently. A fortuitous studio visit by Two x Two co-host Howard Rachofsky led to Phillips’ donation of his Lindsay Lohan portrait Red, Blonde, and Blue — which sold in 2010 for $360,000 — as well as becoming the catalyst for all the work Phillips has created since.

    “Dominic Sidhu, who became eventual creative director on my films, was on a shoot with Lindsay and showed her a picture on his cell phone of Red, Blonde, and Blue,” Phillips says. “She was quite surprised, so he suggested that we work together.”

    The result was a collaboration between Phillips and legendary surf filmmaker Taylor Steele starring Lohan, which premiered at the 2011 Biennale di Venezia before going viral on YouTube, garnering millions of hits.

    When certain stills of the film became placeholders on blogs and websites, it drove the singular images Phillips would choose for his next set of paintings. Moments from shorts he directed of Lohan and the actress Sasha Grey became paintings for his recent critically debated show at New York’s Gagosian Gallery, inverting the artist’s usual process. One of these — Lindsay V — will be auctioned off Saturday night at the Rachofsky House during Two x Two.

    Although his recent work may seem a continual exploration of the meaning of celebrity, Phillips says it’s less about the famed and more about how “art aligns itself with different structures of influence.” His recent painting of Mitt Romney for the We The People exhibit at the Robert Rauschenberg Foundation is one of the largest in his career and no doubt his most multilayered.

    “The value of how we look at it changes on a day-to-day basis,” he says. “When we first hung it, [Romney] was down in the polls, and the next day he won the debate. It’s not an ironic or satirical political painting used to denigrate a candidate; it’s a straightforward presentation of the political image, how it engenders trust and desire and competency. All of these things can only be brought forward if you leave aside the binary gesture of ‘this is bad’ or ‘this is good’ and see things as they are.”

    unspecified
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
    news/arts
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