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    Closure News

    Dallas-based art store chain is calling it quits after 71 years

    Teresa Gubbins
    Oct 28, 2022 | 3:43 pm
    asel art supply

    They were a local institution for art supplies.

    Asel

    After 71 years, a revered Dallas-based art store chain is calling it quits. Asel Art Supply, first founded in downtown Dallas in 1951, is closing all its stores as of December 31.

    That includes locations in Richardson, Arlington, Fort Worth, two in San Antonio, and one in Lubbock.

    The chain previously closed its Plano store as well as its erstwhile flagship location on Cedar Springs Road in Dallas in September.

    A spokesperson said the closures were due to a variety of reasons.

    "There were a lot of factors, it was not just one thing," the spokesperson said. "COVID for sure. It started with COVID, and the impact that had on supply chain issues and manufacturing problems. But also the consolidation of the industry overall."

    Asel was founded by Kenny Asel and his brother Herb, who then sold the business in 1973. In 1987, a trust was created to transfer the company to employee ownership. There are 60 employees.

    "It was a decision made by our management team, with advice from our accountant," the spokesperson said.

    The closure feels reminiscent of the demise of record stores, another industry whose physical environment had the potential to stimulate inspiration.

    Asel was heaven for stationery addicts — a treasure trove of colored pens, Parisian sketching crayons, woodless graphite pencils, modeling clay, tracing paper, soft pastels in a rainbow of colors, rulers with cork backing, sketch pads with a fine-tooth surface, chalk, nice wooden easels, so much to like.

    The chain is offering 40 percent off all merchandise.

    In its heyday, Asel was a source not only for artists and schools, but also commercial customers such as ad agencies and printing companies. At one point, it had 10 locations.

    Art Simmons worked as an art director at Bozell Advertising back in the 70s, when graphics production was done by hand and required an artillery of paste-up materials like rubber cement, Bestine thinner, Spray-Mount, waxers, gum erasers, and blue pencils.

    "We used to have two good art stores back in the '70s: Asel and the Rush Company, where you could buy art supplies," he says. "Rush was more on the commercial side, for art studios, with mounting boards, Exact-O blades, that kind of stuff. This was in the day when you did everything by hand. With computers, most of that work went online."

    "Asel was more for traditional painting and drawing," he says. "They had a good painting section with oils, acrylics, drawing paper, tablets, and a good selection of art books. I think that helped them hang on as long as they did."

    Simmons says that Kenny Asel would go the extra mile to encourage purchases. "Kenny would call on the agencies, he was a good salesman and a nice guy," he says.

    Asel's departure seems likely to benefit Jerry's Artarama Art Supplies & Framing, a North Carolina chain that opened a store at Preston Valley Shopping Center, in 2021, selling art supplies and materials, custom framing, canvas-stretching, demonstrations, and special events.

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    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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