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    You're Hired

    Dallas Children's Theater hires artistic director after national search

    Lindsey Wilson
    Feb 25, 2025 | 12:51 pm
    Emily Ernst

    Emily Ernst.

    Photo courtesy of Dallas Children's Theater

    There's a new artistic director at Dallas Children's Theater: Emily Ernst, who will officially step into the role March 3, 2025.

    Ernst's hiring comes after a nationwide search in which DCT partnered with Arts Consulting Group, an executive search firm specializing in the performing arts. The theater reports that the opportunity attracted more than 100 candidates from across the U.S. and internationally, who met with the search committee, board, and staff members during the course of several interviews.

    She will lead artistic programming (including the as-yet-announced 2025-26 season), development of new work, educational initiatives, production, and staffing alongside associate artistic director Artie Olaisen, who is winding down a nearly 40-year career at DCT.

    “We are thrilled to welcome Emily Ernst as our next artistic leader,” says DCT board president Leah Mora in a release. “We are especially delighted that she has deep connections to the Dallas artistic community in addition to her experience creating theater both nationally and across the globe.”

    A graduate of Southern Methodist University’s Meadows School of the Arts, Ernst brings more than 13 years of experience in nonprofit arts leadership. Ernst is a co-founder Dallas theater group Fair Assembly and was a core part of Junior Players' youth-focused Shakespeare program for incarcerated girls, along with leadership roles at Cara Mía Theatre Company, Teatro Dallas, and Cry Havoc Theater Company.

    Outside of Texas, Ernst was managing director at Theater for a New Audience in New York, led educational programming for Lincoln Community Playhouse in Nebraska, and most recently served as associate artistic director for River & Rail Theatre Company in Tennessee.

    “Emily Ernst will be a phenomenal addition to our team at DCT,” says executive director Samantha Turner. “The search committee was so impressed by her skill for storytelling, deep commitment to arts education, and innovative vision. Emily’s ability to ignite passion and excitement in those around her makes her the perfect person to guide DCT’s artistic vision as we enter this exciting new era.”

    Co-founded by Robyn Flatt in 1984, Dallas Children's Theater serves over 95,000 young people and their families annually with professional productions and a robust arts-in-education program. The only professional theater in North Texas focused exclusively on children and families, DCT's offerings also encompass student matinees that serve nearly 40,000 each season, the DCT Academy, and community programming that includes sensory-friendly performances.

    “I’m honored to join DCT, which has long been a cornerstone of creativity and storytelling in our community,” says Ernst. “The impact this theater has on young audiences to spark imagination, build confidence, and foster a lifelong love for the arts is immeasurable. I look forward to collaborating with the incredible team to honor DCT's legacy and to bring new, inspiring productions to our stage and into our community. We will work to ensure that children of all ages in Dallas — and their families — encounter the transformative magic of live theater.”

    dallas childrens theateremily ernstfair play assemblytheater
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts
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