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You're Hired

Dallas Children's Theater hires artistic director after national search

Lindsey Wilson
Feb 25, 2025 | 12:51 pm
Emily Ernst

Emily Ernst.

Photo courtesy of Dallas Children's Theater

There's a new artistic director at Dallas Children's Theater: Emily Ernst, who will officially step into the role March 3, 2025.

Ernst's hiring comes after a nationwide search in which DCT partnered with Arts Consulting Group, an executive search firm specializing in the performing arts. The theater reports that the opportunity attracted more than 100 candidates from across the U.S. and internationally, who met with the search committee, board, and staff members during the course of several interviews.

She will lead artistic programming (including the as-yet-announced 2025-26 season), development of new work, educational initiatives, production, and staffing alongside associate artistic director Artie Olaisen, who is winding down a nearly 40-year career at DCT.

“We are thrilled to welcome Emily Ernst as our next artistic leader,” says DCT board president Leah Mora in a release. “We are especially delighted that she has deep connections to the Dallas artistic community in addition to her experience creating theater both nationally and across the globe.”

A graduate of Southern Methodist University’s Meadows School of the Arts, Ernst brings more than 13 years of experience in nonprofit arts leadership. Ernst is a co-founder Dallas theater group Fair Assembly and was a core part of Junior Players' youth-focused Shakespeare program for incarcerated girls, along with leadership roles at Cara Mía Theatre Company, Teatro Dallas, and Cry Havoc Theater Company.

Outside of Texas, Ernst was managing director at Theater for a New Audience in New York, led educational programming for Lincoln Community Playhouse in Nebraska, and most recently served as associate artistic director for River & Rail Theatre Company in Tennessee.

“Emily Ernst will be a phenomenal addition to our team at DCT,” says executive director Samantha Turner. “The search committee was so impressed by her skill for storytelling, deep commitment to arts education, and innovative vision. Emily’s ability to ignite passion and excitement in those around her makes her the perfect person to guide DCT’s artistic vision as we enter this exciting new era.”

Co-founded by Robyn Flatt in 1984, Dallas Children's Theater serves over 95,000 young people and their families annually with professional productions and a robust arts-in-education program. The only professional theater in North Texas focused exclusively on children and families, DCT's offerings also encompass student matinees that serve nearly 40,000 each season, the DCT Academy, and community programming that includes sensory-friendly performances.

“I’m honored to join DCT, which has long been a cornerstone of creativity and storytelling in our community,” says Ernst. “The impact this theater has on young audiences to spark imagination, build confidence, and foster a lifelong love for the arts is immeasurable. I look forward to collaborating with the incredible team to honor DCT's legacy and to bring new, inspiring productions to our stage and into our community. We will work to ensure that children of all ages in Dallas — and their families — encounter the transformative magic of live theater.”

dallas childrens theater emily ernst fair play assembly theater
news/arts

Theater News

Dallas' Kitchen Dog Theater unveils powerful 2026-2027 season lineup

Alex Bentley
Aug 12, 2026 | 10:01 am
Kitchen Dog Theater in Dallas
Photo by Cameron Cobb
Kitchen Dog Theater in Dallas will put on three mainstage productions for their 2026-2027 season.

Kitchen Dog Theater in Dallas has revealed the lineup for the 2026-2027 season, featuring a slate of plays that boasts power players like kings, prime ministers, space force commanders, and would-be presidents.

According to a release, the theater company's 36th season — their "most powerful yet" — will consist of three mainstage productions at its new permanent home in the Design District, as well as the annual New Works Festival, featuring a readings series and the 26th annual D-PAC PUP (Playwrights Under Progress) Fest.

The season will start with The Absentee by Julia Doolittle, running September 10-October 4, 2026. The play was the winner of the 2019-2020 Woodward/Newman Drama Award.

Far out in the Milky Way, “Beacons” serve as lighthouses for warping spaceships around the galaxy. When a U.S. Space Force ship explodes in the galaxy, the Operator finds herself alone in deep space, with only her ship’s AI for companionship. That is, until a persistent canvasser calls, desperate to convince her to vote absentee in the 2088 election.

As the Operator waits for the clean up to be over, she finds she has to come to terms with her isolation, grief, and her political voice.

The season's second production comes four months later, with Equivocation by Bill Cain, running February 4-28, 2027. In 1605 England, a terrorist plots to assassinate King James I and blow Parliament to kingdom come. Shagspeare (after a contemporary spelling of the Bard's name) is commissioned by the prime minister, to write the “true historie” of the plot. And it must have witches — the king wants witches.

But as Shag and the acting company of the Globe investigate the plot, they discover that the king's version of the story might, in fact, be a coverup. Shag and his actors are confronted with the ultimate moral and artistic dilemma. Speak truth to power and perhaps lose their heads? Or take the money and lie? Is there a third option? Equivocation?

A high-stakes political thriller with contemporary resonances, Equivocation gallops from the great Globe to the Tower of London to the halls of Parliament to the heart of Judith, Shag's younger daughter, who finds herself unexpectedly at the very heart of the political, dramatic and — ultimately — human mystery.

The final mainstage production of the season comes at the 2027 New Works Festival with Black Republican by KDT Artistic Company Member Jamal Gibran Sterling, running June 3-27, 2027.

Originally featured as a Staged Reading in the 2026 New Works Festival, the ambitious first play by Sterling centers on a Black Republican candidate on the national stage who finds his campaign threatened by an activist who challenges everything he claims to stand for. Their battle exposes uncomfortable truths about race, politics, and the stories we tell ourselves.

In addition to Black Republican, the 2027 New Works Festival will showcase four staged readings of some of the newest and most exciting Texas-based playwrights. Each reading will feature accomplished Dallas-Fort Worth actors and directors to highlight the breadth of talent in the area.

The final part of the festival is D-PAC PUP (Playwrights Under Progress) Fest, featuring six staged readings of jury-selected plays written by Dallas-Fort Worth high school students and featuring student actors directed by area professionals. PUP Fest is the culmination of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

Kitchen Dog Theater offers two season subscription packages for their inaugural season in their new facility. The Kitchen Dog package includes a ticket to all three mainstage productions for any performance date for $90+ $8 fees for adults and $75 +$8 fees for students and seniors (ages 65+). The Saver Dog package includes a ticket to all three mainstage productions for Thursdays, Fridays, and Sundays only. It is $60 + $8 fees for adults and $45 + $8 fees for students and seniors.

Both packages grant full access to the Staged Reading Series and PUP Fest. Subscribers also receive premium reserved seating for in-person performances, as well as subscriber-only discounts on additional single tickets, 2026 special events, and KDT merchandise.

Subscription packages are on sale now, and single tickets for each show will go on sale on Monday, August 24, at kitchendogtheater.org.

design district kitchen dog theater new works festival performing-arts plays theater
news/arts
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