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    Welcome to the Stage

    Dallas Children's Theater names new executive director after nationwide search

    Lindsey Wilson
    Jun 15, 2023 | 11:50 am
    Samantha Turner

    Samantha Turner is DCT's new exectuive director.

    Photo courtesy of Dallas Children's Theater

    Less than a year after announcing that co-founder Robyn Flatt was stepping down as executive director, Dallas Children's Theater has named her replacement.

    Samantha Turner, who formerly led Ballet Arizona for six years, has assumed the position, effective June 12, 2023.

    “I am honored to be a part of this storied and nationally recognized organization of artists that has been providing the highest levels of professional theater to children, families, and students for four decades,” Turner states in a press release. “What Robyn has built here is an integral part of the Dallas arts and education landscape, and I am excited to get to know this thriving community of theater enthusiasts and to build on the success that is so evident at DCT.”

    During Turner's tenure in Arizona, the professional ballet company achieved its greatest levels of financial health and creative expression. Before being appointed executive director there, she served three years as Ballet Arizona’s director of marketing, achieving record earned revenue for several productions.

    Prior to joining Ballet Arizona, Turner held leadership roles in both nonprofit and Fortune 500 companies. She served as head of business operations and finance for CAP21, a New York-based musical theater conservatory and company. Turner moved into that role after a year-long sabbatical immersed in acting, singing, and dance training that allowed her to gain a deep understanding of the arts and artists.

    Turner’s for-profit career includes high-level marketing and business management roles at Aflac, Assurant, and other organizations of national and regional scope. In addition to her professional experience, she holds MBAs in marketing and international business/ecommerce, and an undergraduate degree in broadcast journalism.

    Turner made Dallas her home earlier this year, and begins her new role as DCT is serving thousands of students in its popular summer camps, and will be a part of the continued planning for DCT’s 40th season.

    “The search committee was highly impressed with Samantha’s business acumen as well as her understanding of the dynamics associated with a performing arts organization," says DCT board of trustees president Jim Markus. "After a very thorough nine-month process, we are pleased to have such a strong leader inherit the leadership responsibility from our founder, Robyn Flatt.”

    Flatt applauds her successor, as well: “Samantha’s 20 years of business leadership experience and her dedication to understanding the arts in an immersive way led Ballet Arizona through the COVID-19 pandemic and on to record growth during her tenure. It is clear she is exactly the right choice to lead DCT into this next chapter. We are profoundly fortunate Samantha has come our way.”

    Flatt, who co-founded and led DCT for 40 years, plans to continue to direct specific projects of national significance, write arts-based curriculum, and will take on special projects for Dallas Children’s Theater.

    She intends to devote much of her creative energy to a book and film about her father, Paul Baker, through the nationally oriented Baker Idea Institute, a DCT incubator initiative for creative thinking and imagination in ways that benefit business, education, and individuals in general.

    In 2023, Flatt received the Jac Alder Award, recognizing effective and inclusive arts advocacy. Further in 2023, she was honored at the Dallas Theater Center’s 2023 gala with the Linda and Bill Custard Award, in recognition of her many years of transformational artistry at DTC and at Dallas Children's Theater.

    Founded in 1984, Dallas Children’s Theater features professional actors performing for an annual audience of 150,000 young people and their families through mainstage productions and an arts-in-education program.

    As the only major organization in Dallas focusing solely on youth and family theater, DCT builds bridges of understanding between generations and cultures, instilling an early appreciation of literature, art, and the performing arts in tomorrow’s artists and patrons.

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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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