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    Bluer than Blues

    Texas-tied Blues for Willadean tackles a tough subject for its Dallas premiere

    Kendall Morgan
    Oct 25, 2012 | 9:28 am
    Texas-tied Blues for Willadean tackles a tough subject for its Dallas premiere
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    Mining some of the same territory as the “women’s pictures” or “weepies” of the ’30s and ’40s (Imitation of Life, Mildred Pierce),Blues for Willadean explores the limited world of Willadean Winkler (Beth Grant of The Artist and Little Miss Sunshine), a Mesquite housewife who is trapped in a passionate yet abusive relationship with her trucker husband (David Steen).

    Her new neighbor in the trailer park, cocktail waitress Rayleen (True Blood’s Dale Dickey), adds comic relief, while an unnamed “blues singer” (Debby Holiday) acts as a Greek chorus of sorts, arriving periodically to lend a musical soundtrack to Willadean’s hopes and dreams.

    Based onDel Shores’ (Daddy’s Dyin’, Sordid Lives) critically acclaimed play The Trials and Tribulations of a Trailer Trash Housewife, Willadean is a personal effort for Shores and his producer, Dallas nativeEmerson Collins.

    All actors from the play reprised their roles for the film, and Olivia Spencer’s newly minted status as Oscar winner (The Help) draws attention to a story based on an admittedly difficult subject.

    “I had a boyfriend with a sister who got involved with a man who started beating her,” says Shores, whose plays have been performed numerous times by the Uptown Players. “He would isolate her from her family to the point of locking her phone in a glass case with a key.

    “She became a huge activist and started speaking at conferences about her story. I was fascinated by the psychology of someone who would stay [in an abusive relationship].”

    “It’s the powerlessness of the bystander that’s one of the worst elements,” Collins adds. “The entire nation watchesRihannawith Chris Brown, and we all wish we could talk to her. It’s one of the most powerful women in the world, but no one knows what he says when they’re alone in a room together.”

    Shores had a “light bulb” moment during an episode of Oprah, when a guest convicted for killing her husband confessed the making up is what kept her around. “She said, ‘I would be beaten, but afterwards he loved me hard and he loved me true.’ She needed validation, and the sexuality unlocked the character for me.”

    The result was 2003’s The Trials and Tribulations, which garnered multiple awards during its six-month Los Angeles run. During rehearsals, Shores had the foresight to cast both Grant and Dickey, as well as the then up-and-coming Octavia Spencer as Willadean’s best friend, LaSonia.

    All actors reprised their roles almost a decade later for the film version, and Spencer’s newly minted status as an Oscar winner (The Help) draws attention to a story based on an admittedly difficult subject.

    Willadean’s producer and director hope to address that subject during a series of screenings and Q&A’s this weekend at the Angelika Dallas. The duo will be joined by Jan Langbein, executive director of the Genesis Women’s Shelter, for the “Discussing Domestic Violence” Q&A October 27.

    “We feel it’s important for us to get the film out there to provide it as a tool for conversation,” Collins says. “The more awareness we can create, the more we can contribute to real dialogue about domestic violence and have a real impact on lives.”

    ---

    Blues for Willadean premieres in Dallas at the Angelika in Mockingbird Station October 26 and runs through November 12. Join Del Shores, Emerson Collins, composerJoe Patrick Ward and several Dallas actors featured in the film during Q&A sessions October 26 and October 27.

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    news/arts

    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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