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    Arts News

    10 must-see art exhibits make their Dallas-Fort Worth debut in April

    Kristina Rowe
    Apr 13, 2023 | 10:43 am
    The Offing, Jennifer Pritchard

    The Offing, Jennifer Pritchard, on exhibit at the Dallas Center For Photography.

    dallascenterforphotography.org

    With the Dallas Art Fair and Fort Worth's Main Street Arts Festival both taking place in April, the mood this month is nothing short of celebratory. Visual artists are well represented at Dallas Arts Month events, and local galleries and museums have special treats in store for art lovers, as well.

    Given the abundance represented on our events calendar, it might be a challenge to see everything you want to see this month. Still, if you're ready to attempt it, put these 10 must-see exhibits and events on your list.

    New Art Reveal Parties
    Giddens Gallery, April 14-15

    This charming fine art gallery in historic downtown Grapevine has recently begun hosting bi-monthly art reveal parties in the gallery. Enjoy wine and hor d'oeuvres while you get a first look at new works from one of the artists represented by the gallery. Attend the VIP Prosecco Preview Party on Friday, April 14 or the Art Reveal Party on Saturday, April 15. Both events are from 6-9 pm and are free.

    "Transcending"
    Visit Fort Worth Gallery at Fort Worth Arts, through April 29

    University of Dallas student and Irving resident Mikey Hernandez creates large-scale works on paper incorporating a selection of traditional watercolor, gouache, ink, chalk, colored pencils, and charcoal. He also uses time as a medium as the paintings meld and dry in an act of surrender. Hernandez says his process as well as the finished works are comparable in some ways to a meditation. "Both in my meditations and artwork, I intuitively work on areas in hopes for growth and a better outcome by the end."

    Join the artist for a guided meditation in the gallery at 10 am on Saturday, April 15. "Transcending" is on view at Fort Worth Arts through April 29.

    "Japan, Form & Function: The Montgomery Collection"
    Crow Museum of Asian Art, April 15-April 14, 2024

    The collection of Jeffrey Montgomery is a landmark exhibit for the Crow Museum, as it marks the first time they'll host a sole presentation throughout the entire museum. Featuring Japanese folk art across a wide range of media, format, influence, and style, the exhibit will present one or more themes from a specific region of Japan in each gallery.

    The museum has been closed and reopens to the public on Saturday, April 15. Entry is free but they welcome donations online. Join guest curator for the exhibit, Luigi Zeni, at a Curator’s Conversation event from 12-5 pm on Saturday, April 15; space is limited.

    "Memory is a Verb: Exploring Time and Transience"
    Dallas Center for Photography, April 15 - May 13, 2023

    This major photographic exhibit features the work of 11 female photographers exploring the profound subjects of time, transience, and loss. While the creators come from different geographic regions and backgrounds, their photographs collectively express the universal desire to be connected and remembered.

    An opening reception will be held from 6-8 pm on Saturday, April 15.

    Dallas Art Fair
    Fashion Industry Gallery, April 21-23

    One of the premier Dallas art events for collectors, arts professionals, and the public, the Dallas Art Fair consists of three days, April 21-23, of curated exhibits from national and international galleries at Fashion Industry Gallery (F.I.G). A preview benefit takes place on April 20.

    A single-day pass is $25, or $20 for seniors and students. A three-day pass is $55. Tickets are for sale on the Dallas Art Fair website.

    Spring 2023 Exhibition Opening
    Dallas Contemporary, Wednesday, April 19 · 7-9 pm

    An El Come Taco pop-up and music by nosocial + Al G are on the agenda at the spring exhibition opening at Dallas Contemporary. Preview upcoming shows cerámica suro: a story of collaboration, production, and collecting in the contemporary arts and eduardo sarabia: this must be the place. Admission is free, with complimentary drinks for those over 21.

    "Eyeboretum"
    The Eyeball (across the street from The Joule hotel), April 21-23

    In celebration of the Dallas Arts Fair, Headington Companies and The Joule are hosting of series of garden parties surrounding the trippy giant eyeball in downtown Dallas. Choose a day and timeslot to attend, stroll some surreal gardens, and quench your thirst at the bar. Proceeds benefit education programs of the Dallas Art Fair. Tickets are $10 and can be purchased online.

    Main St. Fort Worth Arts Festival
    Downtown Fort Worth, April 20-23

    Now in its 36th year, this festival has been recognized as one of the top arts and music festivals in the nation. Art on display is from more than 200 juried artists. Food stands of all kinds abound and you can catch about 50 music and entertainment shows on two stages. City Center Fort Worth is hosting the Chloe Collection Wine Pavilion and Tarrant County College is presenting TCC Makers Zone, with demonstrations and activities for the whole family. Entrance is free.

    The Dallas Pancakes & Booze Art Show
    Deep Ellum Art Company, April 29

    Popular pop-up is back this year at Deep Ellum Art Co. with all-you-can-eat pancakes, DJ music, live body painting, adult beverages, and more than 750 works of art on display. This is not your parents' art show: Plan on rocking to the music and viewing art from talented emerging artists till midnight. Tickets are $10-$20 and available on Eventbrite.

    "Avedon's West"
    Amon Carter Museum of American Art, through October 1, 2023

    In 1979, the Museum commissioned a project, In the American West, from celebrity photographer Richard Avedon. The famed photographer took photos of everyday people in states from Texas to Idaho in 752 sittings over a period of six years. There are only two full sets of the series of photographs, and the Amon Carter Museum owns one of them. A select 13 of these photographs will be on display throughout the Museum’s collection galleries through October 1. Admission is free.

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    A good listen

    Dallas Symphony and Fabio Luisi release landmark Wagner 'Ring Cycle' set

    Associated Press
    Jun 10, 2026 | 2:00 pm
    Fabio Luisi conducting the Dallas Symphony Orchestra
    Photo courtesy of Dallas Symphony Orchestra
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    Fabio Luisi wanted his Ring Cycle to be heard and not seen.

    Wagner’s four-opera epic Der Ring des Nibelungen, approaching the 150th anniversary of its premiere in 1876, has been reinterpreted and deconstructed by directors finding various meanings in the conflicts among gods, humans, giants and dwarfs.

    While most new recordings are on video, Luisi led his Dallas Symphony Orchestra in concert performances that were released on 13 compact discs by Delos on May 22 and are available on streaming services.

    “Wagner conceived this as a total immersion in visual and acoustic, but I could focus really only on the music, and this was the point actually — not to be distracted by staging and not to have to cope with maybe strange ideas of staging,” Luisi said. “I think the music tells everything.”

    Luisi became DSO music director in 2020 and broached the idea while dining two years later with (the now late) Morton H. Meyerson, a longtime board member.

    “Fabio came back from lunch sort of giddy but sort of sheepishly saying: `Do you think that this would ever be possible?” recalled Kim Noltemy, the Dallas CEO at the time. “So, I said, well, let’s give it a try. So, we called around to see if there were people who wanted to support it and did a budget.”

    After securing a waiver from the orchestra allowing for the needed rehearsals and performance length, recordings were made during four concerts from May 1-5 and six more from Oct. 5-20. Each opera was performed two or three times.

    Americans in cast fill big roles
    American singers featured prominently, with Mark Delavan as Wotan, Lise Lindstrom as Brünnhilde and Sara Jakubiak as Sieglinde, part of a cast that included Christopher Ventris (Siegmund), Daniel Johansson (Siegfried), Deniz Uzun (Fricka), Tómas Tómasson (Alberich), Michael Laurenz (Mime) and Stephen Milling (Hagen).

    Delavan sang Wotan at New York’s Metropolitan Opera in 2013 after Luisi took over from an ailing James Levine in Robert Lepage’s much-maligned production staged on a 45-ton set of 24 rotating planks.

    “We’re accessible and they know that we’re hungry and we have a chip on our shoulders,” Delavan said. “What conductors like about American singers is their technique is sound. Even a European conductor would say: Well, I’m going to give up some of the communication skills, only one degree of separation with the language, but I’m going to get a solid technique, and I’m going to get pretty good acting chops.”

    Lindstrom has been in Atlanta to sing in its production of “Götterdämmerung,” the concluding night of the tetralogy, leading to what is being billed as the first complete Ring Cycles in the America South in 2029.

    “The wonderful thing about it is the intimacy between the orchestra and us, because we’re not separated by a chunk of stage or a chunk a scenery or a chunk of concept,” she said of the Dallas performances. “And for people like me, who have had the opportunity to perform the role before, I have all those iterations to rely on for my portrayal that I can sort of filter myself through.”

    A younger Luisi listened to famous renditions
    Luisi, 67, first heard a Ring recording in Georg Solti’s famous studio set with the Vienna Philharmonic from 1958-65. He also admires Karl Böhm’s live recording from the 1967 Bayreuth Festival and Marek Janowski’s 1980-83 studio version with the Staatskapelle Dresden.

    He first conducted Ring when he was music director of Dresden’s Semperoper from 2007-10. Luisi’s Dallas performances include more legato and softer sound than his rendition a decade earlier at the Met. He tries to keep an arc from the first notes of “Das Rheingold” to the final strains of “Götterdämmerung.”

    “I have a deeper understanding about the meaning of this piece,” he said. “I consider the ring to be a big Bruckner symphony. So we have the introduction, then we have the first movement, this is “Walküre,” which happens to be a slow movement, and then we have the scherzo, which is “Siegfried,” of course, and then the long, long, last movement. There is a unity.”

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