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    Season Announcement

    Mainstage Irving-Las Colinas drafts farces + famous names for 2024-25 season

    Lindsey Wilson
    Apr 12, 2024 | 4:30 pm
    Noises Off on Broadway

    A scene from the 2016 Broadway revival of Noises Off.

    Photo by Joan Marcus

    MainStage Irving-Las Colinas' 2024-25 season is here, and it borrows a line from the master himself, Stephen Sondheim. "Art Isn't Easy" may be from the musical Sunday in the Park With George, but it's A Little Night Music that starts off the season, followed by four plays.

    Set in 1900 Sweden, A Little Night Music explores the tangled web of affairs centered around actress Desirée Armfeldt and the men who love her: a lawyer by the name of Fredrik Egerman and Count Carl-Magnus Malcom.

    When the traveling actress performs in Fredrik's town, the estranged lovers' passion rekindles. This strikes a flurry of jealousy and suspicion between Desirée; Fredrik; Fredrick's wife, Anne; Desirée's current lover, the Count; and the Count's wife, Charlotte. Both men — as well as their jealous wives — agree to join Desirée and her family for a weekend in the country at Desirée's mother's estate. With everyone in one place, infinite possibilities of new romances and second chances bring endless surprises. It runs November 1-16, 2024.

    Ira Levin's 1978 play Deathtrap is next. Comfortably ensconced in his charming Connecticut home, Sidney Bruhl, a successful writer of Broadway thrillers, struggles to overcome a dry spell which has resulted in a string of failures and a shortage of funds.

    A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college — a thriller that Sidney recognizes immediately as a potential Broadway smash. Sidney’s plan, devised with his wife’s help, is to offer collaboration to the student for co-credit. Or is it? It runs January 17-February 1, 2025.

    Next, Into the Breeches! by George Brant gives women the spotlight.

    It’s 1942, and Oberon Playhouse’s director and leading men are off at war with the Axis. With the men overseas, it appears that the season must be canceled. Until, that is, the women of the company see their chance to move from the sidelines to center stage and mount the first all-female production of Shakespeare’s Henry V. Will their show be a victory in the battle for equality or a target for tomatoes? It runs March 7-22, 2025.

    Amadeus by Peter Shaffer is set in the court of the Austrian Emperor Joseph II, where Antonio Salieri is the established composer.

    Enter the greatest musical genius of all time: Wolfgang Amadeus Mozart. Salieri has given himself to God so that he might realize his sole ambition, to be a great composer. Mozart is a foul-mouthed, graceless oaf who has that which is beyond Salieri’s envious grasp: genius. How far will Salieri go to achieve the fame that Mozart disregards? The show received the Tony Award for Best Play in 1981. It runs May 2-17, 2025.

    The season concludes with crowd favorite Noises Off by Michael Frayn. Called “the funniest farce ever written,” Noises Off takes a fond look at the follies of theater folk, whose susceptibility to out-of-control egos, memory loss, and passionate affairs turn every performance into a high-risk adventure. This play-within-a-play captures a touring theater troupe’s production of Nothing On in three stages: dress rehearsal, the opening performance, and a performance toward the end of a debilitating run. A side-splitting backstage farce with slamming doors, falling trousers, and flying sardines, it runs July 18-August 2, 2025.

    All productions will take place at Irving Arts Center’s Dupree Theater at 3333 N. MacArthur Blvd.

    Season tickets and flex passes range from $106-$136 and will be available for purchase on July 9 at the Irving Arts Center box office, at www.IrvingArtsCenter.com, or by calling 972-252-2787. Single tickets will go on sale September 17. For more about MainStage, visit www.MainStageIrving.com.

    mainstage irvinglas colinastheater
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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