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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop

    Bull in a China Shop, now playing at Amphibian Stage in Fort Worth, will run in Dallas from April 1-18.

    Photo by Evan Michael Woods

    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
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    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

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