Prime Time For Pumpkins

See Kusama’s pumpkins before they disappear from the Dallas Museum of Art

The installation closes January 18, 2026.

Photo courtesy of DMA

If you haven’t yet experienced Yayoi Kusama’s dazzling pumpkin room at the Dallas Museum of Art, your window of opportunity is closing fast.

The return engagement of the immersive installation All the Eternal Love I Have for the Pumpkins has enchanted visitors since it opened in May 2025 (it was last here in 2018).

But this celebrated Infinity Mirror Room — one of Kusama’s most famous works — will vanish when the exhibition ends on January 18, 2026. With just weeks left, demand for tickets is higher than ever.

Inside the small mirrored chamber, glowing yellow, dotted pumpkins stretch endlessly in every direction, creating an almost dreamlike sense of infinity. To preserve the intimacy Kusama envisioned, only two people are admitted at a time and each viewing lasts a fleeting 90 seconds. The result: a once-in-a-lifetime experience that's as personal as it is unforgettable.

Because of its popularity, tickets disappear almost as quickly as they’re released. The DMA opens sales on the third Monday of each month, releasing tickets for the following month. Mark your calendar — if you want to secure your spot before the pumpkins fade away, advance reservations are essential.

Cameras are welcome so long as you leave the flash, tripod, and selfie stick at home. A simple phone camera is all you’ll need to capture the kaleidoscopic magic and score one of the most coveted photos in Dallas right now.

Don’t miss your chance to step into Kusama’s world before the doors close. All the Eternal Love I Have for the Pumpkins is still on view at the Dallas Museum of Art — but only for a little while longer.

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GIFTED AND TALENTED

SMU historian Ariel Ron wins prestigious $800k MacArthur genius grant

Photo courtesy of the John D. and Catherine T. MacArthur Foundation

SMU historian Ariel Ron will receive $800,000 — no strings attached.

Three Texans have been named 2026 MacArthur Fellows, one of the most prestigious honors in the U.S. for artists, scientists, and scholars. Among them is Dallas historian and author Ariel Ron, who directs the Clements Center for Southwest Studies at Southern Methodist University.

San Antonio's Vincent Valdez and San Marcos-based anthropologist Kate Spradley were also on the 2026 list of 20 recipients of the “genius grants” given by the John D. and Catherine T. MacArthur Foundation. Each fellow will receive $800,000 over five years, with no strings attached.

Individuals do not apply for the honor. The grants are awarded via a confidential, multi-step process managed by the foundation, and many recipients express surprise that they were considered for the fellowship.

“While individuals will have a track record of significant achievement, the fellowship is not a lifetime achievement award — it is an investment in a person's originality, insight, and potential,” wrote MacArthur on its website. “The Fellows Program is proactively working to foster and enable innovative, imaginative, and ground-breaking ideas, thinking, and strategies.”

Ron's research focuses on how Northern agriculture shaped economic growth and federal power in 19th-century America. Grassroots Leviathan: Agricultural Reform and the Rural North in the Slaveholding Republic, his 2020 book, challenges the notion of an industrial North versus an agrarian South.

"My approach is to identify and look carefully at things that everyone knows to be important but are somehow too obvious-seeming to look at closely," Ron says in a video on the MacArthur Foundation's website. "If you scratch the surface a little bit, you discover that there are a lot of interesting things that might change the way we think about bigger questions."

Valdez, who splits his time between San Antonio and Houston, is known for large, hyperrealistic drawings and paintings of Mexican American life. More recently, he has turned his focus to broader sociopolitical issues in works like The Strangest Fruit, a series of paintings confronting the lynching of Latinos.

At Texas State University in San Marcos, forensic anthropologist Spradley founded Operation Identification in 2013 — a program that identifies and repatriates the remains of migrants who died along the Texas-Mexico border. She is also a cofounder of the Forensic Border Coalition, which pushes for policy changes at the local and national levels. Spradley is the school’s first MacArthur Fellow.

A full list of the 2026 MacArthur Fellows can be found online.

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