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    Theater Critic Picks

    These are the 13 must-see shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 2, 2024 | 1:16 pm
    Aidan Wharton and cast from the North American tour of Girl from the North Country

    Broadway Dallas presents "Girl from the North Country."

    Photo by Evan Zimmerman for MurphyMade

    Once again, two Broadway greats are gracing us with their concert presence this month. But there are also some classic plays, touring musicals, and exciting regional premieres based on historical figures.

    In order of start date, here are 13 local shows to watch this month:

    The Bubbly Black Girl Sheds Her Chameleon Skin
    Jubilee Theatre, through May 5
    What's a black girl from sunny Southern California to do? White people are blowing up black girls in Birmingham churches. Black people are shouting "Black is beautiful" while straightening their hair and coveting light skin. Viveca Stanton's answer? Slap on a bubbly smile and be as white as you can be.

    Chicago
    Broadway at the Center, April 4-6
    There’s never been a better time to experience Chicago, Broadway’s razzle-dazzle smash and now the No. 1 longest-running American musical in Broadway history. It's a universal tale of fame, fortune and all that jazz with one show-stopping song after another and some of the most astonishing dancing you’ve ever seen.

    The Seagull
    Theatre Three, April 4-28
    In an isolated home in the countryside, an ensemble of family, artists, and unsatisfied people gather to experience Konstantin’s new play on an outdoor stage. Known famously as one of Chekhov’s greatest plays, The Seagull reveals the truth in devastation of living somewhere between the person you are and the life you dreamed for yourself.

    Mis-Lead
    Verdigris Ensemble, April 5-7
    Mis-Lead is an inspiring multimedia work amplifying the resilient voices of the West Dallas community. Through choral music, poetry, real-life footage, and industrial percussion, the experience showcases a neighborhood’s triumph over environmental injustice.

    Dial M for Murder
    Dallas Theater Center, April 5-28
    In this new version of the celebrated murder mystery that inspired Hitchcock’s masterpiece, Tony is convinced that his wife Margot has been cheating on him. Now it seems that the affair is over, but in his jealousy Tony spins a web of suspicion and deception that will tighten around them and ensnare them both in danger, recrimination, and murder. Will the killer get away, or will justice be served?

    Marie & Rosetta
    Amphibian Stage, April 5-28
    Gospel and rock will collide as Dallas-Fort Worth favorite Denise Lee embodies the incomparable “Godmother of Rock ‘N’ Roll,” legendary Sister Rosetta Tharpe. The play chronicles Tharpe’s first rehearsal with protégée Marie Knight in 1947, setting the stage for a historic tour that would establish them as one of the most significant music duos of the 20th century.

    Diosa
    Cara Mia Theatre, April 6-21
    Created in collaboration with Manifesto Poetico: International Laboratory of Theatre Research and Productions, Diosa is a new play inspired by Coatlicue, the mother of all Aztec Gods. Featuring live music and physical theater, Diosa explores a world in what would happen if you angered Mother Nature.

    Kristin Chenoweth in Concert
    Winspear Opera House, April 7
    Broadway, movie, and TV star Kristin Chenoweth comes to Dallas for a retrospective of her long and storied career. The singer has released eight albums in her career, most recently 2021's Happiness is... Christmas!.

    Girl From the North Country
    Broadway Dallas, April 9-21
    In Duluth, Minnesota, in 1934, a group of wayward travelers whose lives intersect meet in a guesthouse filled with music, life, and hope. Girl From The North Country reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before, including “Forever Young,” “All Along The Watchtower,” “Hurricane,” “Slow Train Coming,” and “Like A Rolling Stone.”

    An Evening with Bernadette Peters
    AT&T Performing Arts Center, April 11
    Best known for her work onstage and one of Broadway’s most critically acclaimed performers, Peters has starred as Dolly Gallagher Levi in the hit musical Hello, Dolly!. She also starred in City Center’s Encores! production A Bed and a Chair: A New York Love Affair featuring the music of Stephen Sondheim and orchestrations by Wynton Marsalis. Prior to that, she starred in Stephen Sondheim’s A Little Night Music and Follies.

    Dixie's Tupperware Party
    Performing Arts Fort Worth, April 11-14
    Dixie Longate is the fast-talking, gum-chewing, ginger-haired Alabama gal who is bringing your grandma’s Tupperware party into the 21st century. Filled with outrageously funny tales, heartfelt accounts, audience participation, and a little bit of empowerment and homespun wisdom, Dixie’s Tupperware Party leaves your heart a little bigger and your food a little fresher.

    Murrow
    AT&T Performing Arts Center Elevator Project, April 11-21
    The words belong to American icon Edward R. Murrow. The events belong to history. The circumstances they can help to change are ours. The regional premiere of Brenn Rapp's Murrow is a powerful, multimedia, one-man show that explores Murrow’s life and work, becoming both a lens to examine where people are now as a nation of media consumers, and a mirror providing reflections of much needed lessons from modern history.

    Satchmo at the Waldorf
    WaterTower Theatre, April 17-28
    Satchmo at the Waldorf is a one-man, three-character play in which the same actor portrays Louis Armstrong, the greatest of all jazz trumpeters; Joe Glaser, his white manager; and Miles Davis, who admired Armstrong’s playing but disliked his onstage manner. It takes place in 1971 in a dressing room backstage at the Empire Room of New York’s Waldorf-Astoria Hotel, where Armstrong performed in public for the last time. just four months before his death.

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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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