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    Movie Review

    Sex Appeal looks for actual chemistry in teen sex comedy genre

    Alex Bentley
    Jan 12, 2022 | 9:25 am
    Sex Appeal looks for actual chemistry in teen sex comedy genre
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    While the genre of teen sex comedies has been around since the 1980s, making the characters in those films actually respect themselves and the objects of their lust affection is a relatively new phenomenon. It’s no small coincidence that some of the recent successes in that regard, including Blockers, Booksmart, and Yes, God, Yes, are ones where women take the lead both on-screen and off.

    While not as polished as those films, the new Hulu film Sex Appeal has much the same goal. Its lead is high school senior Avery Henson-White (Mika Abdalla), who brings a scientific and perfectionist mind to everything in her life, even sex. With an almost singular focus on academics and getting into M.I.T., Avery has no time for relationships, and she wears her status as a virgin not so much as a badge of honor, but with blasé indifference.

    But when Stemcon, an academic competition for which she is the reigning champion, calls for contestants to create an app that solves a problem in their personal lives, the best she can come up with is one that would make having sex for the first time less awkward. She enlists longtime friend Larson (Jake Short) to help her with “experiments” so that she has firsthand knowledge of things that she has never experienced.

    Directed by Talia Osteen and written by Tate Hanyok, the film walks a fine line in terms of how explicit it gets. When it comes to dialogue, the sky is the limit, with Avery and her fellow students unafraid to talk openly about everything they know – or don’t know – about sex. To say that Avery is repressed would be a misstatement. She has no problem talking about sex; the problem is that she has no sense of the appropriate time or place to bring it up, much to the chagrin of Larson, who has a crush on another student.

    But the filmmakers draw the line at actually showing anything graphic. Any moments between Avery and Larson that go beyond kissing are represented by fantasy sequences that explain every movement without showing it, making the scenes both funnier and somehow more vivid in the process. The closest the film comes to nudity is showing Avery in her bra and a funny scene where her head blocks out an adult film on a TV behind her, which seems appropriate since the film is dealing with teenagers.

    In spite of the film’s strengths, Osteen and Hanyok struggle a bit with their characterization. The film remains heightened throughout, with few characters acting like real-life people. There’s a difference between a scene being funny because of something organic that happens, and filmmakers trying to force the humor with characters acting like caricatures. This film never crosses the line between broad comedy and relatable comedy.

    Abdalla, who grew up in Plano and has a growing filmography, inhabits the role well. She has the charm and intelligence the role requires without coming across as false. Short has the personality that fits his part, but he doesn’t elevate it at all. Fortune Feimster and Margaret Cho play Avery’s two mothers, but the progressive pairing doesn’t add much to the film as a whole. The best supporting character is one played by Paris Jackson (yes, Michael’s daughter), who comes off as extremely confident and charismatic.

    Sex Appeal is the latest film to honor the female perspective when it comes to sexuality, although it’s ultimately merely a pleasant watch instead of one that inspires repeat viewings. With its nice balance in addressing teenage sex issues, it should be welcomed by its target audience.

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    Sex Appeal debuts on Hulu on January 14.

    Rebecca Henderson, Margaret Cho, and Fortune Feimster in Sex Appeal.

    Rebecca Henderson, Margaret Cho, and Fortune Feimster
    Photo by Jade Brennan/Hulu
    Rebecca Henderson, Margaret Cho, and Fortune Feimster in Sex Appeal.
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    Movie Review

    Dallas gets showcased in witchy new movie Forbidden Fruits

    Alex Bentley
    Mar 26, 2026 | 3:24 pm
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits
    Photo courtesy of IFC
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits.

    There was a time when Dallas was a prime location for movies, whether it was for films set in and around the city, like Tender Mercies, or ones that used it to stand in for other locations, like Robocop. Dallas is getting its first notable shoutout in a long time thanks to the new film, Forbidden Fruits.

    Set mostly in a NorthPark Center-like location called Highland Place Mall, the film centers on a group of young women known as the Fruits. Apple (Lili Reinhart), Cherry (Victoria Perfetti), and Fig (Alexandra Shipp) all work at a clothing store called Free Eden, with the three of them essentially lording over everyone else in the mall. That includes Pumpkin (Lola Tung), who works at the pretzel store Sister Salt’s and who wants to join their group.

    Pumpkin soon discovers that, apart from being an entitled clique, the group also claims to be a coven of witches, with Apple especially using their combined power to get back at anyone who’s wronged them. When Pumpkin starts noticing Cherry and Fig going astray of the group’s code, she uses this knowledge to get in tighter with Apple, although she’s unprepared for how far Apple will go to protect her interests.

    Written and directed by Meredith Alloway (who grew up in Dallas and graduated from both Lake Highlands High School and SMU) and co-written by Lily Houghton, the film seems to have the aim of combining movies like Mean Girls and The Craft. The peer pressure of being part of an exclusive group is evident from the start, as Apple essentially forces the others to live by her code or be ostracized (or worse).

    One of the biggest problems the film runs into, though, is that any conflict comes from within the group itself. With no pressure coming from other friends, family, or co-workers, the group has to create its own drama. The story quickly gets redundant and stagnant, with almost no plot movement until the final act of the film, when it’s almost too late.

    Alloway is clearly aiming for a campy vibe with the film, but the execution leaves something to be desired. The four characters are established in a perfunctory manner, and even as they get fleshed out as the film goes along, there’s nothing to compare them with, so it’s as if they’re just acting off-the-wall in a vacuum.

    Those who know the Dallas area well will enjoy the local references (the women hail from Plano, Irving, Grapevine, and Highland Park), and Alloway makes sure to include the looming threat of a tornado into the plot. But since the film was actually filmed in Toronto, there are no visuals that make it feel like Texas, and so any goodwill she gets from setting the film in the city is muted by that lack.

    While Reinhart (Riverdale) and Shipp (Storm in X-Men movies) have been around longer, both Pedretti (You) and Tung (The Summer I Turned Pretty) have made big impressions on streaming shows in recent years. The foursome play off each other well even when the story is not that compelling.

    If there was a message in Forbidden Fruits that Alloway wanted to get across, she didn’t communicate it clearly enough. Her solid cast can only do so much to sell a story that doesn’t have enough on the bone to be filling. It would have been nice for the movie to be filmed in Dallas, but such is the way of the world in modern Hollywood.

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    Forbidden Fruits opens in theaters on March 27.

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