Deep Ellum News

Noise task force recommends breaking Dallas' Deep Ellum into tiers

Shh, Traveling Man, keep it down.

Photo by Joseph Haubert

Following an incomprehensible crackdown on noise in Deep Ellum — Dallas' biggest entertainment district — a task force has come up with a list of recommendations that include breaking the neighborhood into tiers where different noise levels would be allowed.

Noise became an issue in April 2021 when residents and businesses in the district started filing noise complaints to Code Compliance. These were noise ordinances that already existed, but had not been enforced diligently.

Deep Ellum venues banded together to defend their right to be noisy, and in July, the Deep Ellum Noise Task Force was created, comprised of the Deep Ellum Foundation, Deep Ellum Community Association, Code Compliance, Dallas Police Department, and live music venue owners.

After five months surveying residents and businesses, taking and monitoring decibel readings, and assessing international best practices, they issued a report which is online.

Recommendations include:

creating an overlay district featuring several tiers of allowable noise
expanding band loading zones
clarifying and streamlining the Department of Code Compliance Services' practices
ramping up education on noise within the district

There are three tiers, as follows:

Tier 1 will be a core in Deep Ellum that allows noise levels up to 92 decibels until midnight on weekdays and 2 am on weekends.
Tier 2 will be a commercial and entertainment corridor that allows up to 78 decibels until 10 pm on weekdays and 12 am on weekends.
A third tier, the Deep Ellum Cultural District, will follow regular city of Dallas noise levels.

As a point of comparison: For "office, retail, and parking districts," 63 decibels is the maximum permissible daytime decibel limit allowed. In "light and heavy commercial districts," it's 65 decibels. In "industrial districts," it's 70 decibels.

Their report also recommends not pointing speakers towards the right of way.

The task force's surveys found that it wasn't just music venues and bars, but also restaurants.

And here's an interesting tidbit: "The majority of complaints were received in relation to venues operating on Good Latimer Expressway." Someone has it in for Bottled Blonde.

"This Noise Task Force worked diligently to really understand the needs of all stakeholders who come to be a part of this community, and we are proud to present a set of recommendations that will allow Deep Ellum businesses and residents to continue to grow and thrive together," said Stephanie Keller Hudiburg, Executive Director of The Deep Ellum Foundation.

The task force included resident and musician Trey Carmichael who says in a statement that, "after a few decades playing and/or living down here, I’m happy to see a more comprehensive ordinance developed. Noise is a problem in any busy neighborhood, but it’s a complex matter in our live/play areas. The standard ordinance was simply too broad for all stakeholders to be treated fairly. The task force worked hard to find solutions that work for everyone in Deep Ellum."

Business owner Allen Falkner says in a statement that it's important to preserve Deep Ellum's role as an entertainment district.

"It’s been a very difficult couple of years with COVID-19," Falkner says. "All the businesses in Deep Ellum have suffered greatly and are doing their best to recoup losses and return to some form of normalcy. "The one thing that has remained the same is that Deep Ellum has been known as an entertainment district for a century. For many, it’s the heart and soul of Dallas with music being the cornerstone to its success and survival. These recommendations on the noise ordinance support music, entertainment and small businesses. They will not only help Deep Ellum, but will keep Dallas the cultural icon of Texas that it deserves to be."

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Movie Review

Fairly typical biopic Christy rides on buzz of star Sydney Sweeney

Photo courtesy of Black Bear

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Sports fans of a certain age will remember the name of boxer Christy Martin (née Salters), who became one of the first big female names in the sport in the 1990s. Her moment in the sun resulted in a lot of wins, but her legacy has not been as lasting as some other female sports pioneers. The new biopic Christy attempts to change that, as well as tell a fuller account of her life.

As we meet Christy (Sydney Sweeney) in 1989, she’s in her early twenties and still living in her hometown in rural West Virginia with brother Randy (Coleman Pedigo), mom Joyce (Merritt Wever), and father Johnny (Ethan Embry). After developing a reputation in local “toughman” contests, promoter Larry Carrier (Bill Kelly) recruits her for small-time boxing matches. Success there leads to her starting to be trained under Jim Martin (Ben Foster), who initially resists coaching a woman.

As Christy starts to prove her worth against almost all-comers, Jim starts to believe more in her talent, although that belief also includes a side of control issues/jealousy. As Christy rises up the ranks, including getting promoted by Don King (Chad L. Coleman) himself, her relationship with the much older Jim remains fraught even after they get married. Her winning wins her the respect of the public, but her private life stands in stark contrast with the feeling of victory.

Written and directed by David Michôd, and co-written by Mirrah Foulkes, the film plays out in a very typical biopic kind of way, with the protagonist achieving a good bit of fame before being brought back down to earth thanks to a complicated personal life. The filmmakers do a decent job of navigating through the tropes, although early fight scenes lean hard into the idea that Christy is a rare talent who can knock out people of both sexes with ease. Still, the fight scenes themselves are staged well, with Sweeney and the other actors ably embodying the athleticism of pro boxers.

The depiction of Christy’s personal life is similarly up-and-down. Struggles with a controlling and/or abusive partner and substance addiction issues are regrettably common in these types of stories, and so it’s up to the filmmakers to show them in a way that doesn’t feel trite. While the film does a decent job of digging into why Christy makes the choices she does, it never reaches the level of being completely compelling.

Christy’s sexuality plays a relatively big part in the story, as she’s forced to tamp down her being gay in order to please others in her life and to further her career. The sacrifice she has to make is clear, especially when she marries Jim out of convenience (and maybe more). The idea of her appearing more feminine, including wearing bright pink while boxing and styling her hair differently, is brought up to her on multiple occasions, weighing on her even as she goes along to get along.

Sweeney follows the playbook of other actors like Charlize Theron in Monster and Hilary Swank in Boys Don’t Cry, making herself less glamorous to play up the drama of the role. She succeeds for the most part, with her best scenes coming during the multiple fights. Foster has played similar slimeballs before, and - with the help of a heinous haircut and more - he inhabits the role completely. It’s a little disappointing to see Wever reduced to a one-note part, however.

The story of Christy Martin is one filled with everything you could want for an engrossing sports movie, but even though it has its high moments, it ultimately fails to deliver the knockout punch it needed. Sweeney deserves credit for portraying the boxer in an interesting way, but the story around her could have used some more oomph.

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Christy opens in theaters on November 7.

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