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    A Serviceable Thriller

    Jack Ryan: Shadow Recruit effectively reboots character for new era despite flaws

    Alex Bentley
    Jan 17, 2014 | 12:00 am
    Jack Ryan: Shadow Recruit effectively reboots character for new era despite flaws
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    Once upon a time, the character of Jack Ryan — the creation of recently deceased author Tom Clancy — was a hot commodity. Books featuring Ryan were adapted into four separate films starring three A-list actors: Alec Baldwin, Harrison Ford and Ben Affleck.

     

    But the last attempt to continue the franchise came way back in 2002; 12 years later, do enough people remember Jack Ryan fondly enough to justify the latest reboot, Jack Ryan: Shadow Recruit?

     
     

      Chris Pine, Kevin Costner and Kenneth Branagh play their respective roles with enough verve to keep the film humming even through its more preposterous segments.

     

     

    Aside from the name, little about the character will be familiar to fans this go-round. Played by Captain Kirk Chris Pine, he’s now reimagined as a post-9/11 whiz kid who’s recruited by Thomas Harper (Kevin Costner) of the CIA after a stint with the Marines in Afghanistan.

     

    Inserted into a Wall Street firm to track financial dealings that could potentially indicate a future attack, Ryan discovers some massive hidden accounts held by the company of Russian oligarch Viktor Cherevin (Kenneth Branagh). Soon Ryan is jetting off to Moscow to figure out if there’s a threat and how he can help stop it.

     

    Story-wise, the film is mostly innocuous. Potentially complicated elements are made simple, for the most part, but that approach also leads to confusion. Branagh, who also directs, and writers Adam Cozad and David Koepp seem to forget various plot points that they brought up, making the survival of certain characters one of convenience as opposed to logic.

     

    Branagh pulls a smoke-and-mirrors trick when it comes to action scenes, especially ones involving hand-to-hand combat. Instead of letting the actors or stunt people have at it, Branagh employs furious edits that imply violence without ever actually showing anything. Some may be fooled, but it’s actually a lazy technique that lessens the excitement instead of heightening it.

     

    Even with its faults, Shadow Recruit remains a serviceable thriller to the end, thanks to the performances of Pine, Costner and Branagh. Each plays his respective role with enough verve to keep the film humming even through its more preposterous segments.

     

    Not so successful is Keira Knightley, who plays Ryan’s girlfriend, Cathy. She was shoehorned into the plot and affects a dreadful American accent that is distracting every time she appears on screen.

     

    The movie comes out during a time of year when mediocrity is expected of films, but Jack Ryan: Shadow Recruit manages to rise above expectations. It may not be enough to make Ryan the next James Bond or Jason Bourne, but he was probably never going to be anyway.

    Kenneth Branagh in Jack Ryan: Shadow Recruit.

    Kenneth Branagh in Jack Ryan: Shadow Recruit
      
    Photo by Larry Horricks Paramount Pictures
    Kenneth Branagh in Jack Ryan: Shadow Recruit.
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    news/entertainment

    Movie Review

    The Naked Gun reboot boasts sparks between Liam Neeson & Pam Anderson

    Alex Bentley
    Jul 31, 2025 | 4:08 pm
    Liam Neeson in The Naked Gun
    Photo courtesy of Paramount Pictures
    Liam Neeson in The Naked Gun.

    The Naked Gun series holds a place in the hearts of certain comedy fans, as the three films - made in the late ‘80s/early ‘90s - continued a tradition started by Airplane and This is Spinal Tap of spoofing more serious types of movies. It also inspired a new generation of comedy filmmakers, which is why it’s being revived over 30 years later by writer/director Akiva Schaffer, one-third of the comedy group The Lonely Island.

    This version of The Naked Gun stars Liam Neeson as Frank Drebin, Jr., the son of Leslie Nielsen’s character from the original trilogy and Police Squad!, the short-lived sitcom upon which the series is based. Like his father, Frank has a combination of skills that make him look both impressive and inept in equal measures. Early on, he seems to thwart a bank robbery, only to learn that billionaire Richard Cane (Danny Huston) has gotten away with something called the P.L.O.T. Device.

    As if it’s not clear by the name of the mystery item, the bare-boned plot is merely an excuse to have Frank bumble his way around Los Angeles. Along the way he discovers a murder; acquires a love interest in Beth Davenport (Pamela Anderson), the dead man’s sister; continually raises the ire of Police Chief Davis (CCH Pounder); and generally causes chaos wherever he goes.

    Co-written by Doug Gregor and Doug Mand (Chip ‘n Dale: Rescue Rangers), the film gets off to a solid start, not least because it’s front-loaded with a lot of the jokes they showed in the trailer. As fans of the series will expect, it’s packed with multiple sight gags, plays on words, and other stupid-but-comical bits. The goal is to pack as many funny things as possible into each minute, hoping the resulting laughs will overshadow any faults.

    Which is why it’s surprising that, after the opening barrage, the filmmakers dramatically slow things down. Even at a brisk 85 minutes, the film starts to drag as some sequences go on far longer than they should. Schaffer and his team can’t seem to settle on the balance between too much and not enough; they let a joke about Frank’s bad experiences with chili dogs go on and on while not letting other better ideas breathe a bit longer.

    The romantic subplot between Frank and Beth yields some solid results, like a sexually-suggestive sequence misinterpreted by an onlooker and another weird one involving a snowman who comes to life. But humor is harder to come by as Frank pursues Cane, with even the obvious jokes missing the mark. Frank, Jr. is even more oblivious than his father, a trait that should lead to great comedy but somehow fails to land for much of the last half of the movie.

    Neeson works in fits and starts in the lead role. Spoofing his own screen image, it’s fun to see him stay dead serious while doing ridiculous things, but the illusion doesn’t last. Anderson and Huston play characters in the same vein, as does Paul Walter Hauser as Frank’s partner Ed Hocken, Jr., who could have used more screentime. What the film needed was a character like O.J. Simpson's Nordberg in the original trilogy, who could be brutalized for laughs and little else.

    The makers of the new film have the comedy chops to reinvigorate a property like The Naked Gun, but they ultimately can’t maintain the rhythm that a movie like this needs. Even stupid comedy can be difficult to pull off correctly, and even though this film is full of inanity, there are not enough memorable moments to make it worth recommending.

    ---

    The Naked Gun opens in theaters on August 1.

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