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    Movie Review

    The Naked Gun reboot boasts sparks between Liam Neeson & Pam Anderson

    Alex Bentley
    Jul 31, 2025 | 4:08 pm
    Liam Neeson in The Naked Gun

    Liam Neeson in The Naked Gun.

    Photo courtesy of Paramount Pictures

    The Naked Gun series holds a place in the hearts of certain comedy fans, as the three films - made in the late ‘80s/early ‘90s - continued a tradition started by Airplane and This is Spinal Tap of spoofing more serious types of movies. It also inspired a new generation of comedy filmmakers, which is why it’s being revived over 30 years later by writer/director Akiva Schaffer, one-third of the comedy group The Lonely Island.

    This version of The Naked Gun stars Liam Neeson as Frank Drebin, Jr., the son of Leslie Nielsen’s character from the original trilogy and Police Squad!, the short-lived sitcom upon which the series is based. Like his father, Frank has a combination of skills that make him look both impressive and inept in equal measures. Early on, he seems to thwart a bank robbery, only to learn that billionaire Richard Cane (Danny Huston) has gotten away with something called the P.L.O.T. Device.

    As if it’s not clear by the name of the mystery item, the bare-boned plot is merely an excuse to have Frank bumble his way around Los Angeles. Along the way he discovers a murder; acquires a love interest in Beth Davenport (Pamela Anderson), the dead man’s sister; continually raises the ire of Police Chief Davis (CCH Pounder); and generally causes chaos wherever he goes.

    Co-written by Doug Gregor and Doug Mand (Chip ‘n Dale: Rescue Rangers), the film gets off to a solid start, not least because it’s front-loaded with a lot of the jokes they showed in the trailer. As fans of the series will expect, it’s packed with multiple sight gags, plays on words, and other stupid-but-comical bits. The goal is to pack as many funny things as possible into each minute, hoping the resulting laughs will overshadow any faults.

    Which is why it’s surprising that, after the opening barrage, the filmmakers dramatically slow things down. Even at a brisk 85 minutes, the film starts to drag as some sequences go on far longer than they should. Schaffer and his team can’t seem to settle on the balance between too much and not enough; they let a joke about Frank’s bad experiences with chili dogs go on and on while not letting other better ideas breathe a bit longer.

    The romantic subplot between Frank and Beth yields some solid results, like a sexually-suggestive sequence misinterpreted by an onlooker and another weird one involving a snowman who comes to life. But humor is harder to come by as Frank pursues Cane, with even the obvious jokes missing the mark. Frank, Jr. is even more oblivious than his father, a trait that should lead to great comedy but somehow fails to land for much of the last half of the movie.

    Neeson works in fits and starts in the lead role. Spoofing his own screen image, it’s fun to see him stay dead serious while doing ridiculous things, but the illusion doesn’t last. Anderson and Huston play characters in the same vein, as does Paul Walter Hauser as Frank’s partner Ed Hocken, Jr., who could have used more screentime. What the film needed was a character like O.J. Simpson's Nordberg in the original trilogy, who could be brutalized for laughs and little else.

    The makers of the new film have the comedy chops to reinvigorate a property like The Naked Gun, but they ultimately can’t maintain the rhythm that a movie like this needs. Even stupid comedy can be difficult to pull off correctly, and even though this film is full of inanity, there are not enough memorable moments to make it worth recommending.

    ---

    The Naked Gun opens in theaters on August 1.

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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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