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    The CultureMap Interview

    Deborah Norville spills Inside Edition secrets and what she learned from Joan Rivers

    Clifford Pugh
    Jan 18, 2015 | 4:46 pm

    Deborah Norville is a TV survivor. In March, she’ll celebrate her 20th anniversary of hosting Inside Edition and recently extended her contract for another two years.

    During a trip to Texas a few months ago, we met with Norville for a breakfast interview at the Four Seasons in Houston, where she covered topics ranging from why the show has a following among randy young men to what she learned from Joan Rivers.

    In person, Norville has the same down-home conversational style she exhibits on the show (which airs daily at 2:30 pm on WFAA), along with impeccable Southern manners (she periodically thanks the waiter) honed from growing up in Georgia. The 56-year-old news veteran co-hosted the Today show, hosted a radio show and was a CBS News correspondent before replacing Bill O’Reilly as host of Inside Edition in 1995.

    CultureMap: What have you discovered on this Texas tour to promote Inside Edition?

    Deborah Norville: When I come to Texas, it’s a lot like being at home, because I’m from north Georgia. And I think Texans and Georgians are very similar. We share the same views on guns. Living in New York, you can’t really talk about it very loudly.

    It’s the same friendliness. For me it’s very cozy. It’s just like being in a big giant hug because people in Texas, they just can’t do enough for you.

    There’s such a good food culture here. My biggest beef is I’m not here long enough to really enjoy it.

    CM: Why has the show been successful?

    DN: You have to recognize that if you don’t evolve, you become extinct. It’s like a dinosaur. If you look at the shows on the air when I came on board, A Current Affair was still on TV, Hard Copy, American Journal. These shows are all gone now. One of the reasons we’re still here is we’ve evolved in a way that we think the audience has evolved.

    When I first came in they did a lot of these very tabloid — I call them, “Beach Blanket Bingo” stories. There wasn’t a spring break they didn’t cover, and they’d zoom in on the cleavage and the drunken children on the beach.

    We know that happens, but how is my life being enhanced or my knowledge base being increased by this? And it just wasn’t. It was gratuitous and it was kind of stupid. The audience might have been interested in that at the beginning, but they had their fill of it.

    And so we moved beyond that. What we tell people now is you can get the highlights of what the celebrities are doing by watching Inside Edition because we will give you just a little tidbit of what that is. But what you’ll get from us is stories that make you laugh, that touch the heartstrings, a lot more lifestyle stories.

    CM: But some people still think of Inside Edition as a tabloid show. What do you tell advertisers?

    DN: We tell them we’re the best vehicle to get to clients you want to reach: women. And we do very well with men 18-34. That’s a tough demo to reach.

    CM: Why do young men watch the show?

    DN: I’ve been told I’m a MILF. I think it’s the MILF factor. My son is 19; he says that’s what he hears from his friends. It’s disgusting, but I’ll take it. And we do enough jazzy stories that appeal to a lot of demographics.

    We’re very strong with women 25-54 that advertisers want to reach. We do stories that touch your heart and have some sort of deeper meaning that you will have for your life.

    And we almost always end the show with some stupid animal moment. Whether it’s a roller skating squirrel or Skeeter the Narcoleptic Dog — every time he got excited, he would conk out. Skeeter had a very timely end. He was crossing the street and got excited and feel asleep and got hit by a car. I don’t think we put that on TV, but that was actually what happened.

    CM: I didn’t realize you were such close friends with Joan Rivers until I learned you gave one of the eulogies at her funeral. The outpouring of affection for her was amazing.

    DN: Joan would have been blown away by this. I don’t think she had any idea of the depth of that affection. Joan Rivers was one of the biggest celebrities in the world and yet there was something about Joan, about her honesty, about her candor, the ups and downs of her life that everyone could relate to, even though they’ll never be at Buckingham Palace with Prince Charles.

    CM: Prince Charles liked her so much.

    DM: She is so honest. She doesn’t care if you are prince. She said all kinds of terrible stuff in front of him and he just laughed. In fact I will show you a picture. [She locates a photo on her cellphone of her and husband Carl with Prince Charles and Camilla.]

    I wanted to have something close. We were at Clarence House and she was saying something ridiculous. Carl and I are falling over laughing, and the Prince is thinking this is the funniest thing in the world.

    CM: When was it taken?

    DM: Maybe seven or eight years ago. It was several faces ago. She used to joke when [grandson)] Cooper was little he called her “Nana Newface.”

    People saw Joan struggle and they saw their own struggles in Joan and they saw how she rebuilt herself. And she wouldn’t take any crap from anybody. She lived life according to her own terms. I think we would all like to do that.

    CM: What did you learn from her?

    DN: More than anything else, Joan was a teacher. She taught us how to live life fearlessly. She taught us how to live life by our rules. She taught us how to dust ourselves off and pick ourselves up and keep on going again.

    But she also taught us to make sure that at the end — whenever that end should be — that there will be no question about what you want. Joan was very specific about what she considered a quality of life. And she gave a great deal of thought to it and she made sure that many people knew what she considered a better quality of life. And if it was clear [to daughter Melissa] there was no question that this is what mom wants.

    And that is a gift that family members can get. And now I’ve learned that from Joan.

    Deborah Norville (right) was close with Joan Rivers.

    Deborah Norville and Joan Rivers
    Photo courtesy of InsideEdition.com
    Deborah Norville (right) was close with Joan Rivers.
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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