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    The CultureMap Interview

    Deborah Norville spills Inside Edition secrets and what she learned from Joan Rivers

    Clifford Pugh
    Jan 18, 2015 | 4:46 pm

    Deborah Norville is a TV survivor. In March, she’ll celebrate her 20th anniversary of hosting Inside Edition and recently extended her contract for another two years.

    During a trip to Texas a few months ago, we met with Norville for a breakfast interview at the Four Seasons in Houston, where she covered topics ranging from why the show has a following among randy young men to what she learned from Joan Rivers.

    In person, Norville has the same down-home conversational style she exhibits on the show (which airs daily at 2:30 pm on WFAA), along with impeccable Southern manners (she periodically thanks the waiter) honed from growing up in Georgia. The 56-year-old news veteran co-hosted the Today show, hosted a radio show and was a CBS News correspondent before replacing Bill O’Reilly as host of Inside Edition in 1995.

    CultureMap: What have you discovered on this Texas tour to promote Inside Edition?

    Deborah Norville: When I come to Texas, it’s a lot like being at home, because I’m from north Georgia. And I think Texans and Georgians are very similar. We share the same views on guns. Living in New York, you can’t really talk about it very loudly.

    It’s the same friendliness. For me it’s very cozy. It’s just like being in a big giant hug because people in Texas, they just can’t do enough for you.

    There’s such a good food culture here. My biggest beef is I’m not here long enough to really enjoy it.

    CM: Why has the show been successful?

    DN: You have to recognize that if you don’t evolve, you become extinct. It’s like a dinosaur. If you look at the shows on the air when I came on board, A Current Affair was still on TV, Hard Copy, American Journal. These shows are all gone now. One of the reasons we’re still here is we’ve evolved in a way that we think the audience has evolved.

    When I first came in they did a lot of these very tabloid — I call them, “Beach Blanket Bingo” stories. There wasn’t a spring break they didn’t cover, and they’d zoom in on the cleavage and the drunken children on the beach.

    We know that happens, but how is my life being enhanced or my knowledge base being increased by this? And it just wasn’t. It was gratuitous and it was kind of stupid. The audience might have been interested in that at the beginning, but they had their fill of it.

    And so we moved beyond that. What we tell people now is you can get the highlights of what the celebrities are doing by watching Inside Edition because we will give you just a little tidbit of what that is. But what you’ll get from us is stories that make you laugh, that touch the heartstrings, a lot more lifestyle stories.

    CM: But some people still think of Inside Edition as a tabloid show. What do you tell advertisers?

    DN: We tell them we’re the best vehicle to get to clients you want to reach: women. And we do very well with men 18-34. That’s a tough demo to reach.

    CM: Why do young men watch the show?

    DN: I’ve been told I’m a MILF. I think it’s the MILF factor. My son is 19; he says that’s what he hears from his friends. It’s disgusting, but I’ll take it. And we do enough jazzy stories that appeal to a lot of demographics.

    We’re very strong with women 25-54 that advertisers want to reach. We do stories that touch your heart and have some sort of deeper meaning that you will have for your life.

    And we almost always end the show with some stupid animal moment. Whether it’s a roller skating squirrel or Skeeter the Narcoleptic Dog — every time he got excited, he would conk out. Skeeter had a very timely end. He was crossing the street and got excited and feel asleep and got hit by a car. I don’t think we put that on TV, but that was actually what happened.

    CM: I didn’t realize you were such close friends with Joan Rivers until I learned you gave one of the eulogies at her funeral. The outpouring of affection for her was amazing.

    DN: Joan would have been blown away by this. I don’t think she had any idea of the depth of that affection. Joan Rivers was one of the biggest celebrities in the world and yet there was something about Joan, about her honesty, about her candor, the ups and downs of her life that everyone could relate to, even though they’ll never be at Buckingham Palace with Prince Charles.

    CM: Prince Charles liked her so much.

    DM: She is so honest. She doesn’t care if you are prince. She said all kinds of terrible stuff in front of him and he just laughed. In fact I will show you a picture. [She locates a photo on her cellphone of her and husband Carl with Prince Charles and Camilla.]

    I wanted to have something close. We were at Clarence House and she was saying something ridiculous. Carl and I are falling over laughing, and the Prince is thinking this is the funniest thing in the world.

    CM: When was it taken?

    DM: Maybe seven or eight years ago. It was several faces ago. She used to joke when [grandson)] Cooper was little he called her “Nana Newface.”

    People saw Joan struggle and they saw their own struggles in Joan and they saw how she rebuilt herself. And she wouldn’t take any crap from anybody. She lived life according to her own terms. I think we would all like to do that.

    CM: What did you learn from her?

    DN: More than anything else, Joan was a teacher. She taught us how to live life fearlessly. She taught us how to live life by our rules. She taught us how to dust ourselves off and pick ourselves up and keep on going again.

    But she also taught us to make sure that at the end — whenever that end should be — that there will be no question about what you want. Joan was very specific about what she considered a quality of life. And she gave a great deal of thought to it and she made sure that many people knew what she considered a better quality of life. And if it was clear [to daughter Melissa] there was no question that this is what mom wants.

    And that is a gift that family members can get. And now I’ve learned that from Joan.

    Deborah Norville (right) was close with Joan Rivers.

    Deborah Norville and Joan Rivers
    Photo courtesy of InsideEdition.com
    Deborah Norville (right) was close with Joan Rivers.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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