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    Movie Review

    Adam Sandler mines his dramatic chops in chaotic Uncut Gems

    Alex Bentley
    Dec 26, 2019 | 12:30 pm
    Adam Sandler mines his dramatic chops in chaotic Uncut Gems
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    The concept of the anti-hero is always something that makes the audience question their own morality. What does it say about us when we’re rooting for Bonnie & Clyde, Walter White, or Tony Soprano to succeed in their misdeeds? Of course, usually anti-heroes have at least shreds of redeeming qualities, something that can’t be said of the protagonist at the center of Uncut Gems.

    Howard Ratner (Adam Sandler) is a jewelry shop owner in New York who caters to high-end clients like NBA star Kevin Garnett. He’s also brash, confrontational, and a degenerate gambler who owes money all over town. He has a beautiful wife, Dinah (Idina Menzel), so naturally he’s carrying on an affair with one of the workers at his shop, Julia (Julia Fox).

    Howard has struck a shady deal for a raw opal from Africa that he hopes will land him big money in an auction, one in a series of high-stakes gambles that few others would take. But when Garnett takes a shine to the opal and borrows it for good luck during the playoffs, it sets off a chain of events where Howard keeps risking more and more to ensure he gets the win.

    Whether you find this movie pleasurable to watch will depend on your tolerance for chaos. Written and directed by Benny and Josh Safdie, the movie starts off with the pedal to the metal and never lets up. The preferred method of communication for Howard is profane yelling, and since he’s in virtually every frame of the movie, that's what we get for the entire 135-minute running time.

    Given that he has a steady stream of clients and has managed to convince not one but two beautiful women to have sex with him, Howard would seem to be a charismatic man. But that charisma is rarely on display in the film, where he chiefly comes off as out-of-control and unconvincing. It’s unclear why anyone would want to be around this guy, much less do business or have an affair with him.

    The entire story is full of similar insanity. Howard’s brother-in-law Arno (Eric Bogosian) uses goons to try to get Howard to pay a debt, although said goons are hit-and-miss with their enforcement techniques. Demany (LaKeith Stanfield), a go-between who procures clients like Garnett for a fee, gives the run-around to Howard, seemingly the only person willing to call him on his demeanor.

    The Safdie brothers have set the movie in 2012 seemingly just to fit Garnett into the story, and the time period and city in which it takes place bring up a few unanswerable questions. The biggest one is why Garnett, who’s shown playing for the Boston Celtics against the Philadelphia 76ers, makes multiple visits to New York during the playoff series. Even given his attachment to the gem and the relative proximity of Boston and Philadelphia, it seems a step too far to visit Howard on more than one occasion.

    This is a rare chance for Sandler, who’s known for his goofy comedies, to show some dramatic chops, and he’s certainly made some interesting choices. The character is irritating as hell, but that doesn’t necessarily equate to good acting. Stanfield is much better, showing yet another side of his talent and bolstering his already-stacked résumé. Garnett is pretty good in his first film role, although it’s not exactly a stretch to play himself.

    The Safdie brothers are out to make viewers into balls of stress when watching Uncut Gems, and there’s an argument to be made that their success in doing so makes it great filmmaking. Far be it from me to say that’s wrong, but I’ll pass on another experience like this one.

    Adam Sandler in Uncut Gems.

    Adam Sandler in Uncut Gems
    Photo courtesy of A24
    Adam Sandler in Uncut Gems.
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    Movie Review

    Dual murder plans go awry in bloodily funny Over Your Dead Body

    Alex Bentley
    Apr 24, 2026 | 9:00 am
    Jason Segel and Samara Weaving on Over Your Dead Body
    Photo courtesy of IFC Films
    Jason Segel and Samara Weaving on Over Your Dead Body.

    When dysfunctional couples are depicted in movies, about the worst that typically happens is an acrimonious divorce. But in the new comedy/thriller Over Your Dead Body, the husband-and-wife have already gone way past that point by the time they’re introduced to the audience, with their plans leaning toward murder.

    Dan (Jason Segel) is a low-level filmmaker relegated to directing pop-up ads, while Lisa (Samara Weaving) is an actor making do in small theater productions. The film finds them heading toward a rare getaway to a remote lake cabin, but it’s clear from the start that the married couple has been at odds for months, if not years. As the film begins, Dan clumsily drops hints at an alibi for his planned murder of Lisa to his ailing dad (Paul Guilfoyle) and others.

    His shoddy planning was already sussed out by Lisa, who turns the tables on him when he tries to attack her, revealing a plan of her own. The situation naturally heightens their shared enmity of each other, but their blind hatred turns out to reveal the presence of Pete (Timothy Olyphant) and Todd (Keith Jardine), two escapees from a nearby prison who were helped by guard Allegra (Juliette Lewis). What was once a shared murder plan turns into a fight for survival, forcing Dan and Lisa to work together.

    Directed by Jorma Taccone (The Lonely Island) and written by former SNL writers Nick Kocher and Briand McElhaney, the film aims to mine comedy out of darkness. Dan and Lisa’s ire for each other is palpable, and their interactions early in the film are uncomfortable. As the film turns increasingly violent with the introduction of other unsavory characters, most of the humor is derived from the creative ways people are attacked and the ultraviolence that results from them going after each other.

    It’s a little tough to get fully invested in the story when the filmmakers throw the audience directly into the plot with almost zero setup. There’s not even a cursory montage of Dan and Lisa being in love, so it’s hard to care a lot about their current hate for each other. Likewise, the presence of the prison guard and escapees is completely random, and the three of them aren’t utilized well in the story despite having a couple of well-known actors portraying them.

    The saving grace of the film, though, is the twists and turns it takes in the final act. Everyone on screen is put through the wringer, with each of them suffering multiple injuries or worse. The mayhem becomes so chaotic that it’s almost impossible to tell what’s going to happen next, which slightly makes up for the fact that the story as a whole is lackluster. Even though the audience knows they’re being manipulated, the sequences are entertaining enough to overcome that fact.

    The cast as a whole is solid. Segel (How I Met Your Mother, Shrinking) uses his comic sensibility to keep the proceedings light. Weaving (Ready or Not) has done multiple movies in this vein, so she knows how to navigate the comedy/thriller waters. Olyphant feels a little out of place, but he has a presence that elevates his part. Lewis goes a little too manic in her part, and Jardine ably embodies the dumb brute.

    The comedy history of Taccone, Segel, and Weaving keeps Over Your Dead Body as a positive experience even when the story doesn’t quite measure up. The film never becomes fully predictable, giving the audience a great dose of pandemonium that lifts it up despite its other faults.

    ---

    Over Your Dead Body is now playing in theaters.

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