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    Movie Review

    The Founder tarnishes origins of McDonald's golden arches

    Alex Bentley
    Jan 19, 2017 | 4:01 pm
    The Founder tarnishes origins of McDonald's golden arches
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    With almost 37,000 locations around the world, McDonald's is one of the most ubiquitous brands on Earth. The story of how it became that way, though, is one filled with greed, deception, and unchecked ambition, as detailed in The Founder.

    Michael Keaton plays Ray Kroc, a salesman in the early 1950s constantly on the hunt for his big break. He finds it when he sells a milkshake machine to Dick and Mac McDonald (Nick Offerman and John Carroll Lynch), two brothers who ran the original McDonald’s restaurant in San Bernardino, California.

    Impressed with their streamlined menu and assembly line process that cuts customer wait times down to almost nothing, Kroc convinces the brothers to let him franchise the restaurant back in his home state of Illinois. The two sides are at odds almost from the start, with Kroc’s desire to expand the chain as much as possible colliding with the brothers’ methodical nature.

    The film, directed by John Lee Hancock and written by Robert Siegel, may hit you differently depending on where you stand on possibly shady business practices. As depicted in the film, Kroc will let nothing stand in the way of his goals, not even a contract he signed with the brothers. And the brothers, perhaps too nice for their own good, are unable to stop him once he gets rolling.

    Kroc’s callous ways extend beyond the business. His constant drive keeps him apart from his wife, Ethel (Laura Dern), for weeks at a time, and when he is with her, he’s rarely “with” her. When Joan Smith (Linda Cardellini), the wife of a franchisee, catches his eye, she becomes just as much a quest for him as the expansion of McDonald’s.

    The story presents quite the dilemma for the moviegoer: How can you “root” for the main character, a man who’s a louse who only seems to be out for himself? It wouldn’t be nearly as difficult if his opposition was someone with similar ethics, but because the McDonalds appear to be good, decent men, Kroc’s bamboozling of them is extra tough to take.

    It’s actually quite a nuanced performance by Keaton. As played by him, it’s not hard to understand why people would trust Kroc. He’s enthusiastic, affable, and persuasive. Even when his motives turn darker, his Midwestern nature draws people in, often to their detriment. Not many actors can pull off that duality, but Keaton does it extremely well.

    As a film that shows the way business can often be, The Founder is compelling. You may not like the manner in which Ray Kroc made his fortune, but it sure is one hell of a story.

    Michael Keaton in The Founder.

    Michael Keaton in The Founder
    Photo by Daniel McFadden
    Michael Keaton in The Founder.
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    Movie Review

    Eye-popping I Love Boosters takes aim at fashion and social issues

    Alex Bentley
    May 22, 2026 | 3:00 pm
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters
    Photo courtesy of Neon
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters.

    Boots Riley’s first feature film, 2018’s Sorry to Bother You, was an auspicious and audacious debut that challenged viewers both with its subject matter and the visuals it contained. Even though it took eight years for him to put out his second film, Riley hasn’t lost his knack for outrageousness in the almost inexplicable I Love Boosters.

    At its core, the movie is about three women - Corvette (Keke Palmer), Mariah (Taylour Paige), and Sade (Naomi Ackie) - who survive in the world by boosting (aka stealing) high-end fashion and reselling it for more affordable prices. In the surreal world in which the film takes place, their primary target is Metro Designers, a shop that deals in monochromatic clothes and is led by the eccentric CEO Christie Smith (Demi Moore).

    The women’s felonious-but-low-stakes mission is up-ended by the appearance of Jianhu (Poppy Liu), who possesses a machine that shoplifts much better than they ever could. The only difference is that Jianhu is looking to expose the shoddy working conditions in the Chinese factories where Metro Designers’ clothes are made. Inspired, the women join forces on a quest that is as bizarre as it is righteous.

    Riley, who both wrote and directed the film, loves his over-the-top visuals. There are eye-popping elements in almost every scene of the film, from the clothes in the Metro Designers stores to the oddly-slanted floors of Smith’s office to the bold masks worn by the group during one heist. Every weird thing on screen serves a purpose, though, even the transformation of Pinky Ring Guy (LaKeith Stanfield) from an object of Corvette’s desire into a soul-sucker with an unusual method.

    While not quite as pointed as Sorry to Bother You, which had Black characters affecting “white” voices to be more appealing to the general public, the film does take aim at a variety of different social issues. The idea of wealth inequality is front-and-center, with Corvette and her friends forced to squat in an abandoned restaurant. The treatment of Chinese factory workers, fashion industry practices and excesses, and more crop up over the course of the film.

    The latter half of the film gets crazier, if that’s even possible. Jianhu’s machine introduces sci-fi elements into the story, with the same circular contraption able to transport, disintegrate, and transform objects or people. Combined with the visuals and storyline, the film becomes something that is both wildly entertaining and also somewhat incomprehensible.

    While the movie has a large cast, Palmer is inarguably the star. With her effervescent acting style and an overall inviting demeanor, she sells every bonkers turn the film takes. Each of the supporting actors gets a moment to shine, but Paige, Ackie, and Moore have the most impact. Stanfield is memorable in a creepy kind of way, but he’s been better in other films.

    I Love Boosters is one of the more outlandish and interesting films to come out in 2026, a long-awaited return from Riley that demonstrates his strong storytelling and filmmaking voice. Even if it’s not clear exactly what’s happening at every turn, the acting and the audacity of the visuals keeps the film extremely watchable.

    ---

    I Love Boosters is now playing in theaters.

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