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    Animal Movies

    Unlikely filmmaker pops into Dallas for screening of Speciesism documentary

    Teresa Gubbins
    Jan 21, 2014 | 10:08 am

    In the wake of Blackfish, the film about SeaWorld and its treatment of whales, documentaries about animals are having a moment. Here comes Speciesism: The Movie, a quirky film that considers whether animals deserve the same status as humans.

    Using the same light-hearted yet confrontational approach Michael Moore pioneered in Roger and Me, filmmaker Mark Devries shows up at various locations, including factory farms, and tries to talk his way in.

    "We actually did get into some farms," he says. "We convinced one to give us a guided tour. It was supposed to be a farm that was not as bad as a factory farm. The people who worked there were so used to what they were doing, they didn’t realize that most people seeing them would not consider it good treatment of animals."

    "I don't know if I could do it now, convince a factory farm to let me in," says filmmaker Mark Devries.

    Devries' footage precedes more recent exposes by groups such as Mercy for Animals and the Humane Society, showing cows and pigs enduring abuse. Those have been effective, prompting changes in policy by large companies such as Smithfield. But they've also ignited a backlash in the form of "ag-gag" legislation that bans anyone from taking photos or videos at a factory farm.

    "I don't know if I could do it now, convince someone to let me in," Devries says. "They're more wary of that type of thing."

    He uses his farm footage as way to discuss speciesism, a concept that has become a buzzword in the animal rights world. Speciesism says that humans are automatically more important simply because they're human, and other animals are less important.

    Devries, who made the film while still in college and is about to finish law school, seems an unlikely candidate for this project.

    "I never thought about our treatment of animals as an issue or a widespread problem until I got a mailer from PETA and grew curious about the subject," he says. "I didn't have any background in filmmaking, but I thought it would be valuable to present the issue in documentary form."

    Critical feedback would seem to bear that out. "The only people who, as a general group, don't get the film have been the critics," he says. "It's not film in the traditional sense. People who reviewed the film for artistic merit did not give it a positive review."

    He did manage to snag interviews with some of the primary figures in the movement, including author Peter Singer, biologist Richard Dawkins, University of Texas at El Paso professor Steven Best and livestock behavior professor Temple Grandin.

    The film is being shown at a series of special screenings around the country, including one in Dallas at The Magnolia on Thursday, January 23. Devries will make an appearance, and it's during these times when he feels the test of his film's worth.

    "People have told me the film has changed their lives, people who knew nothing about factory farming," he says.

    unspecified
    news/entertainment

    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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