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    Sports QA

    Serving up 10 questions to tennis star Taylor Fritz during inaugural Dallas Open

    Ken Hoffman
    Feb 9, 2022 | 10:57 am
    Taylor Fritz
    Taylor Fritz is the top seed in the Dallas Open.
    Photo by Quinn Rooney/Getty Images

    Tennis star Taylor Fritz is at the top of his game. The young Californian has cracked the Top 20 in the world rankings. He’s now the top-ranked American player. And he’s the top seed at this week’s inaugural Dallas Open at Southern Methodist University, the ATP's only indoor tournament in the U.S.

    Day sessions start at 12 pm, evening matches at 7 pm. The field also features America’s brightest stars including John Isner, Jack Sock, Reilly Opelka, Brandon Nakashima, Jensen Brooksby and Maxime Cressy. It continues through Sunday, February 13.

    We spoke via phone with Fritz, 24, at his home in Los Angeles last week. After warning him to bring his winter coat to Dallas, we served up 10 hard questions that he returned for clean winners.

    CultureMap: One year ago today, for the first time in tennis' open era, there were no American players in the Top 30 world rankings. Now you’re leading the resurgence of American tennis with three players in the Top 30. The U.S. has seven players in the Top 50 and 12 in the Top 100 — the most of any country. Was it a goal becoming our country’s No. 1?

    Taylor Fritz: Being the No. 1 American has always been a dream of mine. Sometimes I have to stop and think about it. I realize that it’s something I’ve worked my whole life toward, but I want to be ranked a lot higher. I’m happy being the No. 1 American, but I’m not happy being No. 19 in the world. I’d like to see an American at least in the Top 10 soon. I think we’re moving in the right direction.

    CM: The Dallas Open is your first time as a tournament’s No. 1 seed. What does that mean to you?

    TF: It is good for my confidence. It’s cool, yeah, the first time I’m the top seed at an ATP event. I feel that I’ve played really well the last couple of months. I think I’ve earned being the No. 1 seed and I deserve it.

    CM: One difference between being a recreational player and a touring pro, recreational players play tennis when they want to. You practice and play because you have to. What gets you to the practice court on days when you don’t feel like hitting a tennis ball?

    TF: It’s my motivation and my goals. It’s thinking about all the things that I want to accomplish, all the things I want to achieve. That’s what keeps it exciting for me and gets me through the days I don’t want to play. It’s a journey to become the best player I possibly can be, to see if I can win Grand Slams, to see if I can be the best player in the world. That’s my dream and what drives me.

    CM: In most sports, like Olympic events, the difference between the winner and the rest of the competitors is barely a split second. How big is the gap between the top tennis players and others in the Top 50?

    TF: It comes and goes at different times. I’d say that, on a normal day, Novak Djokovic is a lot better than the rest of the pack. He’s definitely the best. But the margins are very tight among the other top players. The outlier is Rafa Nadal on a clay court.

    CM: Who were your tennis heroes when you were a kid?

    TF: I really didn’t watch a ton of tennis when I was very young, but I did like Pete Sampras and Juan Martin del Potro. Delpo had such a big forehand. I wanted to play like him. If I was on a court and we were pretending to be pro players, I’d probably want to be Roger Federer or Delpo.

    CM: You have one of the biggest forehands in the game. Del Potro crushes the ball, too. Who has the hardest groundstrokes in tennis now?

    TF: I never got to play del Potro. But right now Nikoloz Basilashvili hits the ball really, really hard. I’d say it’s him.

    CM: With tennis pros playing well into their 30s, you get to face the players you watched when you were first got into the sport. Is that fun or intimidating?

    TF: It's a little bit of everything. When I was 18 and playing Roger Federer for the first time, it was like, “Wow!” I literally grew up watching this guy beat everybody. It’s pretty crazy. It was close in the third set and I thought that I had a chance to win. I think the thought of possibly beating Federer that day is what did me in. I lost the match. But it was an amazing experience. You have to take a step back and remember who these players are and what they mean to tennis.

    CM: You once hit a serve 149 miles per hour in an official match. You hit the fastest serve, 147.2 mph, at the U.S. Open in 2020. Those serves went in. How fast could you hit a serve if you didn’t care if it was in or out?

    TF: 149 mph. When I go for it, that’s the highest speed I can do. I can’t hit it any harder. I pretty much serve for pace. If it goes in, it goes in. I’m not holding back.

    CM: Fans enjoy watching you hit the ball insanely hard and flying around the court. When you play a match, are you thinking about entertaining the crowd?

    TF: Not at all. I play the game to win. I’m glad that some people find it entertaining. I do think it would bother me a little bit if I had a boring game to watch, though. But at the end of the day, I’m just out there to win. I’m not thinking of anything else like entertainment value. I’m competing to the best of my ability. I am fortunate that some people like watching me play.

    CM: Tennis may be the only sport where coaching isn’t allowed during play. Players can be penalized if their coach is caught offering instruction. Women’s tennis now allows coaching during court changes. Do you think it’s time for the men’s game to follow suit?

    TF: I think coaching absolutely should not be allowed. I couldn't be more against coaching on court. Tennis is an individual sport that’s very, very tactical. A huge part of tennis is figuring out your opponent and understanding what he’s doing and what you need to do to combat it. It's not fair bringing another person into the match to help. You should never have outside help. It's the mental side of competing and that’s a critical part of the sport.

    ---

    Dallas Open tickets and more information at dallasopen.com.

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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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