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    Movie Review

    Early Man comes up short of its goal as an animated film for the ages

    Alex Bentley
    Feb 16, 2018 | 3:50 pm
    Early Man comes up short of its goal as an animated film for the ages
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    As a British animation company, Aardman Animations naturally makes films that skew toward the mindset and aesthetics of that side of the pond. Some are subtle, some are more overt, but the ones that have been more successful have attempted to make the experience universal.

    You would think that their latest offering, Early Man, wouldn't be that provincial, as it promised to tell a story about how people of the Stone Age ran into trouble when the Bronze Age started. Director Nick Park and his team could have mined the anachronistic clash for all sorts of funny moments and interactions, with perhaps a few nods toward more modern jokes.

    Instead, the film is almost entirely about … football (aka soccer). There are plenty of gags about issues that early man might face (giant carnivorous ducks, anyone?). However, the bulk of the narrative involves Dug (Eddie Redmayne) attempting to whip his ragtag group of Stone Age people into proper football shape to take on the highly skilled Bronze Age team put together by Lord Nooth (Tom Hiddleston).

    It's clear in the way the film focuses on certain aspects of the game — prima donna players, erudite announcers, etc. — that it is aiming at a very specific, European audience. Soccer may be the most popular sport on the planet, but only certain people will be able to relate to the finer points of the movie.

    Unfortunately, this single-mindedness has a dulling effect on Aardman's normally reliable general humor. It's still possible to enjoy the dimwitted characters with their signature gap-toothed overbites, and the non-sequiturs that randomly pop up are a delight. But since they're in service of a plot that's less interesting than usual, it takes away from the overall product.

    The level of skill it takes to make Aardman's stop-motion animated films remains highly impressive, but the story of Early Man will likely prevent that artistry from reaching as broad an audience as possible.

    Dug (Eddie Redmayne) in Early Man.

    Dug (Eddie Redmayne) in Early Man
    Photo courtesy of Aardman Animations
    Dug (Eddie Redmayne) in Early Man.
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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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