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    Oscar 2015 Highlights

    Birdman beats Boyhood but Patricia Arquette owns Oscar spotlight

    Alex Bentley
    Feb 23, 2015 | 12:48 am

    Although Boyhood has been an awards season favorite in the run-up to the 2015 Academy Awards, in the end, Richard Linklater's gutsy 12-year experiment was overshadowed by another bravura piece of filmmaking, as Birdman edged it out in a tight race for Best Picture.

    Texas film Boyhood had been nominated for six Oscars but wound up only winning one: Best Supporting Actress for Patricia Arquette. Birdman also won Best Director for Alejandro Gonzalez Inarritu, Best Original Screenplay and Best Cinematography, tying The Grand Budapest Hotel for most awards of the night.

    One of the few big question marks of the night, Best Actor, went to Eddie Redmayne for The Theory of Everything. As expected, Julianne Moore won Best Actress for Still Alice, and J.K. Simmons won Best Supporting Actor for Whiplash.

    Because most of the big awards were predictable, most of the excitement came from host Neil Patrick Harris, who had previously been impressive in hosting the Tony Awards and Emmy Awards multiple times. His "Moving Pictures" opener, along with other small moments throughout the program, demonstrated why he's the pro's pro when it comes to hosting awards shows.

    The Grand Budapest Hotel, directed by Houston's Wes Anderson, won four awards, including Best Score, Production Design, Costume Design, and Makeup and Hair. Whiplash, which I considered the best film of the year, was the only other film to win multiple awards, winning Best Sound Mixing and Best Editing in addition to Simmons' trophy.

    Best moments of the show:

    • Patricia Arquette stood up for women's rights and equal pay in her acceptance speech, a popular if seemingly out-of-nowhere proclamation. It got quite the reaction, especially from Meryl Streep and Jennifer Lopez.
    • "Glory" from Selma was the sure winner for Best Song, and John Legend and Common's performance only cemented its status. David Oyelowo, snubbed for playing Martin Luther King Jr. in the film, broke hearts by crying at the song's beauty, emotion that carried over to the powerful speech by the two singers after they won the award.
    • The performance by Tegan & Sara and The Lonely Island of "Everything is Awesome" from The Lego Movie was also memorable, especially with the handing out of multiple Lego Oscars, a sly reference to a tweet by the film's co-director, Philip Lord.
    • Harris re-created a great Birdman moment, coming out in just his underwear. Bonus points for featuring a drum cameo by Miles Teller, who would've been nominated for his lead role in Whiplash in a less crowded year.
    • Lady Gaga performed a perfectly lovely and unexpectedly normal medley of songs from The Sound of Music.
    • Eddie Redmayne was giddy and spirited during his acceptance speech, a nice antithesis to the spate of serious acceptance speeches by others.

    Patricia Arquette took home Boyhood's lone Oscar, winning for Best Supporting Actress.

    Patricia Arquette at the 2015 Academy Awards
    Photo courtesy of ABC Craig Sjodin
    Patricia Arquette took home Boyhood's lone Oscar, winning for Best Supporting Actress.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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