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    Can't Control Love

    Sean Lowe does the unthinkable when The Bachelor heads to Thailand

    Jennifer Chininis
    Feb 25, 2013 | 10:42 pm

    Oh these two-hour shows. How many times must we hear Lindsay say amazing? Or that she’s scared to tell Sean she loves him?

    Or what about AshLee and her fear of abandonment? Note to producers: We got it, okay? We also get that she’s in love, that she’s found her soul mate, that she’s no longer broken.

    And Catherine. She’s so weird. And Sean is so hunky. And she’s so glad he accepts her for who she is.

    Sean looks away when AshLee starts to cry. Could it be? Will he send her home? Or is that just clever editing?

    All the girls pretend to worry about the fantasy suite, but they all say yes in the end, of course. That Sean. He’s a gentleman. He just wants to stay up and talk.

    After three dreamy dates — and three nights in the aforementioned fantasy suite — Sean admits to host Chris Harrison that he’s made up his mind about who he is sending home. He says he’s fallen in love, that he thinks he’ll get down on one knee and propose. But, first, someone has to go.

    Then the show trudges on to the inevitable video messages. Sean looks away when AshLee starts to cry. Could it be? Will he send her home? Or is that just clever editing?

    On the day of the rose ceremony, it rains. “It’s definitely setting the depressing mood,” Sean says just moments before he hands out the final two roses.

    “I do not want to have to send her home today. But I know I have to. I wanted to be the man who loved her forever. That’s what I really wanted. I just know that I’m not supposed to be with her.

    “I’m heartbroken because I know this is going to be difficult for her. And I’m worried that she won’t be okay once this is over today.”

    Okay. After that speech, we’re all thinking it’s AshLee. But that’s too easy, right? And so we wait for a twist.

    “It kills me inside that I might break your heart,” Sean says during the rose ceremony. “And I also hope that you realize how much you mean to me and how hard and incredibly difficult for me it was to make this decision.”

    Bleep! Lindsay says a bad word. But she gets a rose. Phew. One down.

    Then, Sean sits there, second rose in hand, for what feels like three hours.

    And then he says her name: Catherine. She takes his rose and breathes a sigh of relief.

    A rejected AshLee storms off. “She didn’t say goodbye to us,” Catherine says.

    “She’s pissed,” Lindsay says.

    AshLee walks ahead of Sean, then flips around and says, “Just stay here.”

    But he chases after her. “Can I just explain myself, please? I want you to go away with closure. I want you to know why I made my decision. I thought it was you, from the very beginning. I felt like our relationship was — there was a lot of intensity there.

    “This was honestly the hardest decision I had to make. I think the world of you. I don’t want you to ever doubt that. I did not want to hurt you.”

    She just stares at him. She doesn’t even blink. Then she turns and gets into the car.

    “This wasn’t a silly game to me,” she says. “This wasn’t about a joy ride. And about laughter and joking and having fun.” She’s wide-eyed and a little crazy. But no tears. Not yet.

    “I let him in, and I loved him,” she says, as the tears start to fall. “I just feel real heavy in my heart. It’s the ultimate reject.”

    Oh, AshLee. You will have your revenge — er, chance — as the next Bachelorette, perhaps?

    AshLee was the first to declare her love for Sean. A lot of good it did her.

    AshLee and Sean Lowe in The Bachelor
    Photo courtesy of ABC
    AshLee was the first to declare her love for Sean. A lot of good it did her.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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