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RIP Russ

Longtime Dallas radio DJ Russ Martin found dead at Frisco home

Teresa Gubbins
Feb 27, 2021 | 2:02 pm
DJ Russ Martin
He'd been on the air in Dallas for more than 30 years.
Photo courtesy of Russ Martin

Longtime Dallas DJ Russ Martin was found dead at his home in Frisco on February 27; he was 60.

According to a police report, Frisco police responded to a call at Martin's residence in the 6300 block of Douglas Avenue in Frisco, after a friend found him unresponsive. Martin was pronounced dead at the scene; the cause of death is yet to be determined, but foul play was not suspected.

Martin, who was born Russell Dale Martin on October 4, 1960 and grew up in Pleasant Grove, was a Dallas radio personality for more than 30 years. He rose to fame after joining rock station KEGL 97.1 "The Eagle," where he did the morning drive-time slot after The Howard Stern Show left the station in 1997.

He subsequently hosted The Russ Martin Show on KLLI Live 105.3 in Dallas until 2008, when KLLI switched to sports, then returned to the Eagle in 2010 to do the weekday afternoon show.

Martin also worked for the Satellite Music Network and worked part-time for Z-Rock.

Jeff Skin Wade, one half of the Ben & Skin Show which airs weekdays from 2-5 pm, shared a thoughtful memorial, saying:

"We're saddened by the passing of radio legend Russ Martin. Russ was a hilarious, beloved, and larger-than-life talk radio trailblazer in DFW for many years. When not making us all laugh, he showed tremendous heart by working tirelessly in our community to support first responders and their families when they needed it most. We were fortunate to work alongside one of the single most influential radio hosts in DFW history. Our deepest condolences go out to his family and friends, as well as his co-hosts and thousands of fiercely loyal RMS listeners."

Martin was a controversial figure, dubbed a "shock jock," who championed animals and contributed to charitable causes, particularly for first responders, including a foundation that raised money for fallen police officers and firefighters. He was also arrested for assault against a girlfriend in 2008, and was the victim of an armed robbery in 2015.

A big car buff, he had a collection of legendary cars that included the Gran Torino from Starsky & Hutch, the General Lee from Dukes of Hazzard, and a Batmobile.

The Eagle called for fans to share their memories on Twitter.

"It's with heavy hearts that we announce the passing of 97.1 The Eagle's Russ Martin," the radio station tweeted. "He will be dearly missed & we send our deepest condolences to his family & friends during this difficult time. We’d love to hear your favorite memory of Russ Martin below."

"I used to listen to his show on the drive home from work, and when Russ would go off on a tear he would have me laughing so hard that I was afraid I'd swerve off the road," said one fan.

Another said, "He was the talented and comical part of Dallas Radio. He did so much for the community with his work with animals and Police & Fire."

"I tuned in every day for 5 years on my way home from work," said one. "I was so excited to get my first car when I was 18 & just listen to him banter on about stuff. Definitely made my hour long drive much more bearable. Rest In Peace, Russ."

deaths celebrities
news/entertainment

Movie Review

How to Rob a Bank turns viral YouTube culture into messy crime caper

Alex Bentley
Nov 12, 2026 | 11:40 am
Nicholas Hoult in How to Rob a Bank
Photo courtesy of Amazon MGM Studios
Nicholas Hoult in How to Rob a Bank.

YouTube culture has made its way onto movie screens in a big way in 2026, with several content creators — most notably Kane Parson with Backrooms and Curry Barker with Obsession — making waves. So it’s only natural for movies to integrate the idea of YouTube content into their stories, as is the case in How to Rob a Bank.

The film throws the audience right into the action as Ryan (Nicholas Hoult), Emi (Anna Sawai), Vince (Pete Davidson), Hugo (Rhenzy Feliz), and other people wearing various animal masks commit their latest bank robbery, recording everything they do for their video channel. The hyper-stylized way in which they edit the videos is designed for maximum engagement, but also as a way to give the middle finger to authorities who have yet to catch them.

FBI Agent John West (John C. Reilly) is at a loss as to how to stop the group until he discovers an algorithm used by Reagan Gardner (Zoë Kravitz) that can comb social media and other things on the internet to triangulate anyone’s location. The cat-and-mouse game plays out as the criminal group tries to accomplish their mission of exposing banks and corporations for their corruption.

Directed by David Leitch (The Fall Guy) and written by Mark Bianculli, the film has a timely message that never quite lands. The rollicking nature of the robberies, their accompanying videos, and the fact that they give away some of the money to charity puts the audience on the side of the criminals. But when the film starts to delve into their maudlin personal stories, the shift in tones is jarring and not convincing.

Leitch and Bianculli also have difficulty figuring out how much to showcase certain characters. The robbers are composed of four main members, but there are at least two more of them who fade in and out of the story without explanation. Reagan is made to seem like an important character, but the technology she made is barely explained, and she too gets sidelined in a way that feels like the filmmakers left much of her story on the cutting room floor.

The filmmakers short circuit their own storytelling by trying to get the point too quickly. Instead of following the standard cops-and-robbers playbook that is unoriginal but still satisfying, they arrive at the usual end well before the movie finishes, and have to find ways to fill the time afterward. The film is much too long at 122 minutes, with much of the fun washed away by unnecessary digressions.

Hoult is a fine actor who should be a much bigger star by this point in his career. He’s convincing as the leader of this particular gang, but he never elevates the role. Reilly has his moments as an FBI agent, but he can’t seem to decide whether he wants to be serious or funny. Kravitz is not given much to do in her role, while Davidson is miscast in his. Lesser-knowns like Sawai and Feliz give good performances, but are overshadowed by the stars.

How to Rob a Bank works best when it leans into the anarchic nature of its main group, as the viral nature of the videos they create is solid commentary on both YouTube as a medium and the righteous anger many feel toward an unjust system. But Leitch and Bianculli can’t find a grip on the deeper parts of the story, leading to an up-and-mostly-down experience.

---

How to Rob a Bank opens in theaters on November 13.

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news/entertainment

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