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Filmmaker Spotlight

Filmmaking is a family affair for Dallas actress and director Augustine Frizzell

Jessica Tomberlin
Mar 4, 2014 | 10:40 am

Augustine Frizzell started working in Texas independent film as an actress over a decade ago, appearing in films like Ain’t Them Bodies Saints and Hellion. But over the years she’s had her hand in a number of roles both on screen and behind the camera. Now she can add writer/director to that list.

Frizzell’s short film, I Was a Teenage Girl, is included in the 2014 SXSW Texas Shorts competition, which kicks off this Friday, March 7.

“This is my fifth year to go [to South by Southwest], and it’s my absolute favorite festival,” she says.

Her husband is David Lowery, whose films have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena, is also a writer and actress.

This year is extra special for Frizzell, not only because she’ll be premiering her own short, but it also marks the first time she’ll be attending with a film in which she’s cast in a prominent role. Frizzell stars in Dallas-based filmmaker Toby Halbrooks’ short film Dig, also included in the Texas shorts lineup.

Before directing her own films, Frizzell worked in costume design and art direction. Though these various roles, she acquainted herself with the filmmaking process and the local film community.

“You know they say everyone should wait tables at least once in their life, and I feel like it’s kind of the same with filmmaking,” she says. “I think it’s important to get a feel for everyone’s job. Like with costuming — I have been the actor where I didn't want to wear a certain outfit, so I completely understand where the actor is coming from and how to make adjustments.

“I love movies, and if I can get a job in a movie I will take it. I don’t care what it is. I just love being on set and being around the people.”

It helps that her family feels the same way about making movies. Her husband is David Lowery, whose films — most notably Ain't Them Bodies Saints — have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena — a lead character in I Was a Teenage Girl — is also a writer and actress, so Frizzell has a built-in support system at home that she says extends into the local film community.

“It’s a great community,” she says. “The people really keep me here.”

Frizzell is no stranger to being surrounded by talented friends and family. Having come from a long line of singers on her dad’s side — she is the granddaughter of country music singer-songwriter Lefty Frizzell — she grew up dreaming about following in her family’s footsteps. But first she had to overcome a big obstacle: stage fright.

After high school, Frizzell decided to take an acting class in hopes of finding a cure. Not only did the class help with her stage fright, but she also landed her first acting gig.

“The guy who taught the class ran a murder mystery theater, and he ended up asking me to audition,” she says. “I got the role, and I ended up doing that for many years. It was really good practice for me, and it was fun. But it was very challenging, because it was really out of my comfort zone.”

Accepting this challenge eventually helped Frizzell discover her passion for acting.

“When you’re acting in a situation like [the murder mystery theater], you’re very much a part of the group, having to talk with people and be social,” she says. “With film or other theater acting, you’re completely removed. You’ll do a scene, and if it goes well afterward, there’s no memory of it. It’s so strange. It’s like entering into this other dimension, and that’s a really fantastic part of the process.”

Despite the fact that she loves working as an actress, I Was a Teenage Girl is just the beginning of Frizzell’s directorial pursuits.

“I have a feature that I really want to make, but I wanted to do a short film first for practice, because you don’t really want to just jump into a feature,” she says. “Hopefully this will be exactly what I need to get my next film made, and now I have a bit of credibility.”

Filmmaker Augustine Frizzell's directorial debut, I Was a Teenage Girl, premieres at SXSW.

Photo by Sergio Garcia
Filmmaker Augustine Frizzell's directorial debut, I Was a Teenage Girl, premieres at SXSW.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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