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Filmmaker Spotlight

Filmmaking is a family affair for Dallas actress and director Augustine Frizzell

Jessica Tomberlin
Mar 4, 2014 | 10:40 am

Augustine Frizzell started working in Texas independent film as an actress over a decade ago, appearing in films like Ain’t Them Bodies Saints and Hellion. But over the years she’s had her hand in a number of roles both on screen and behind the camera. Now she can add writer/director to that list.

Frizzell’s short film, I Was a Teenage Girl, is included in the 2014 SXSW Texas Shorts competition, which kicks off this Friday, March 7.

“This is my fifth year to go [to South by Southwest], and it’s my absolute favorite festival,” she says.

Her husband is David Lowery, whose films have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena, is also a writer and actress.

This year is extra special for Frizzell, not only because she’ll be premiering her own short, but it also marks the first time she’ll be attending with a film in which she’s cast in a prominent role. Frizzell stars in Dallas-based filmmaker Toby Halbrooks’ short film Dig, also included in the Texas shorts lineup.

Before directing her own films, Frizzell worked in costume design and art direction. Though these various roles, she acquainted herself with the filmmaking process and the local film community.

“You know they say everyone should wait tables at least once in their life, and I feel like it’s kind of the same with filmmaking,” she says. “I think it’s important to get a feel for everyone’s job. Like with costuming — I have been the actor where I didn't want to wear a certain outfit, so I completely understand where the actor is coming from and how to make adjustments.

“I love movies, and if I can get a job in a movie I will take it. I don’t care what it is. I just love being on set and being around the people.”

It helps that her family feels the same way about making movies. Her husband is David Lowery, whose films — most notably Ain't Them Bodies Saints — have helped propel the Dallas film scene into the spotlight. Her daughter, Atheena — a lead character in I Was a Teenage Girl — is also a writer and actress, so Frizzell has a built-in support system at home that she says extends into the local film community.

“It’s a great community,” she says. “The people really keep me here.”

Frizzell is no stranger to being surrounded by talented friends and family. Having come from a long line of singers on her dad’s side — she is the granddaughter of country music singer-songwriter Lefty Frizzell — she grew up dreaming about following in her family’s footsteps. But first she had to overcome a big obstacle: stage fright.

After high school, Frizzell decided to take an acting class in hopes of finding a cure. Not only did the class help with her stage fright, but she also landed her first acting gig.

“The guy who taught the class ran a murder mystery theater, and he ended up asking me to audition,” she says. “I got the role, and I ended up doing that for many years. It was really good practice for me, and it was fun. But it was very challenging, because it was really out of my comfort zone.”

Accepting this challenge eventually helped Frizzell discover her passion for acting.

“When you’re acting in a situation like [the murder mystery theater], you’re very much a part of the group, having to talk with people and be social,” she says. “With film or other theater acting, you’re completely removed. You’ll do a scene, and if it goes well afterward, there’s no memory of it. It’s so strange. It’s like entering into this other dimension, and that’s a really fantastic part of the process.”

Despite the fact that she loves working as an actress, I Was a Teenage Girl is just the beginning of Frizzell’s directorial pursuits.

“I have a feature that I really want to make, but I wanted to do a short film first for practice, because you don’t really want to just jump into a feature,” she says. “Hopefully this will be exactly what I need to get my next film made, and now I have a bit of credibility.”

Filmmaker Augustine Frizzell's directorial debut, I Was a Teenage Girl, premieres at SXSW.

Photo by Sergio Garcia
Filmmaker Augustine Frizzell's directorial debut, I Was a Teenage Girl, premieres at SXSW.
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Movie Review

Survival takes on new meaning in intense but hokey Whalefall

Alex Bentley
Oct 16, 2026 | 11:35 am
Austin Abrams in Whalefall
Photo courtesy of 20th Century Studios
Austin Abrams in Whalefall.

Austin Abrams has been a professional actor for 15 years, but the 30-year-old seems to just now be getting his due. After years of mostly supporting roles in films like Paper Towns, Brad’s Status, and Weapons, he has been charged with leading two films in 2026 where he’s largely acting by himself: First Resident Evil and now Whalefall.

Abrams plays Jay Gardiner, who has returned home to California a year after the death of his hard-ass father, Mitt (Josh Brolin). The two had a tempestuous relationship, and while his mom (Elisabeth Shue) and sisters (Jane Levy and Emily Rudd) reminisce fondly about him, Jay finds it difficult to come up with good memories. The two did share a connection with the ocean, and Jay decides to honor him by going scuba diving.

Ignoring warnings of whale activity in the area, Jay makes his way out into a notoriously dangerous part of the ocean near their home. Soon after he starts swimming, he encounters a sperm whale chasing after a giant squid. Jay inadvertently gets sucked into the enormous creature’s mouth and, ultimately, inside its body. Faced with a seemingly inescapable situation, Jay’s only hope lies in the lessons his father taught him.

Directed by Brian Duffield and adapted by Duffield and Daniel Kraus from Kraus’ book of the same name, the film is at its best when it depicts Jay struggling to survive within the whale. The claustrophobic nature of the setting and the various obstacles (multiple contracting chambers, the squid, and more) he faces make every scene inside the whale feel as intense and cover-your-eyes scary as any great horror movie.

Naturally, the entire movie can’t be about his survival efforts, and so the filmmakers toggle back and forth between Jay’s ordeal in the whale to memories of times with his father. Not so coincidentally, these remembrances come with subtle or overt wisdom from Mitt that would serve Jay well in his current situation. More often than not, these flashback scenes are so on-the-nose that they come off as cheesy instead of inspirational.

It’s also difficult to derive any big emotions from the story other than revulsion at the way Jay’s body is brutalized while he’s inside the whale. None of the characters in the film receive a notable introduction to the audience before big events start happening. It’s next-to-impossible to be invested in their stories when their personalities are being revealed in bits and pieces throughout the movie.

Abrams does well enough in bringing out the terror Jay feels in the whale and the sullenness/anger he has toward his father in other scenes. But whether it’s because his lines in the whale are hard to understand (he’s often talking around a scuba mouthpiece) or the disconnect the character has with father, there’s just something missing in his performance. Brolin’s performance is one-note, and Shue, Levy, Rudd, and John Ortiz don’t appear enough to make a big impact.

With Kraus onboard as the co-writer of the film, it may be the case that Duffield was not given leeway to change the story of Whalefall too much. What might have worked in the book doesn’t seem to translate equally to the film, and while Jay’s nightmare in the whale is effective, the rest of his story doesn’t come across as successfully.

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Whalefall is now playing in theaters.

austin abrams book to film scuba diving survival theaters whalefall movie review
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