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    Movie Review

    Disney’s Zootopia draws in adults and kids from start to finish

    Alex Bentley
    Mar 4, 2016 | 12:00 am
    Disney’s Zootopia draws in adults and kids from start to finish
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    Since 1995, Pixar has been the star of Disney animation, delivering time and again with only a few exceptions. But in the last 10 years, the other half of Disney’s animated output — Walt Disney Animation Studios — has proven it can make films just as memorable.

    Since 2007, the studio has been responsible for Bolt, The Princess & the Frog, Tangled, Wreck-It Ralph, Frozen, and Big Hero 6, a stretch that rivals Pixar’s success. The trend continues with Zootopia, an absolute delight of a movie that takes the tried-and-true premise of talking animals to another level.

    They do so not just by having anthropomorphic animals of all kinds, but also by creating a fully realized universe where almost every detail astounds. The hero of the film is Judy Hopps (voiced by Ginnifer Goodwin), a rabbit who has dreamt her entire life of being a police officer. Finally given her shot, she’s assigned to lowly parking meter duty instead of actually fighting crime.

    A chance run-in with a con artist fox named Nick Wilde (Jason Bateman) sets in motion a series of events that finds the two of them trying to track down a missing otter. That investigation opens up something bigger than they could have imagined, unraveling a conspiracy that has far-reaching implications.

    If that sounds heavy for an animated Disney film, it is and it isn’t. One of the biggest pleasures of Zootopia, as is the case with most great animated films, is how it appeals equally to kids and adults. The lush animation, cute animals, and other elements make it kid-friendly, but the relatively complex plot, pop culture references, and somewhat scary sequences make it enjoyable for adults too.

    Heck, at one point, the filmmakers — led by veterans Byron Howard and Rich Moore — even bring in a not-so-lightly veiled allusion to the dangers of racism and fear-mongering. However, they do so in a way that’s completely consistent with the world of the film, making the important message palatable for younger viewers.

    Although I normally say that having celebrities voice animated characters is a waste of time, both Goodwin and Bateman, along with Jenny Slate as Bellwether the sheep, bring a little something extra to the movie. Other stars like Idris Elba, J.K. Simmons, Bonnie Hunt, Tommy Chong, Octavia Spencer, Alan Tudyk, and Shakira all deliver nice performances, but their star power does little to enhance the film.

    It’s easy to tell when a studio and its filmmakers care about the quality of their product, and the output from both sides of Disney has gotten as reliable as a Swiss clock. Zootopia is another stellar movie from a studio that just knows how to do things right.

    Jason Bateman plays Nick Wilde and Ginnifer Goodwin plays Judy Hopps in Zootopia.

    Scene from Zootopia
    Photo courtesy of Walt Disney Studios Motion Pictures
    Jason Bateman plays Nick Wilde and Ginnifer Goodwin plays Judy Hopps in Zootopia.
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    Soccer Fever

    Dallas radio station The Ticket to expand soccer show during World Cup

    Alex Bentley
    May 12, 2026 | 3:42 pm
    The KickAround hosts Andy Swift and Peter Welpton
    Photo courtesy of Cumulus Media
    The KickAround hosts Andy Swift and Peter Welpton will be working overtime during the 2026 World Cup.

    The long-running radio soccer program The KickAround, which currently airs on Cumulus Media’s Sportsradio 96.7 and 1310 The Ticket every Saturday, will expand to a nightly broadcast during the upcoming 2026 FIFA World Cup.

    According to a release, every night during the quadrennial competition - which runs from June 11 to July 19 - hosts Andy Swift and Peter Welpton will provide recaps of the day’s matches, previews of upcoming fixtures, and real-time analysis of the biggest stories shaping the tournament.

    Coverage will include an enhanced focus on the U.S. Men’s National Team, with select match days featuring live, on-location broadcasts and fan events tied to U.S. games, they say.

    They'll be joined by longtime contributor and European soccer journalist Lars Sivertsen in studio to give the show an international perspective.

    In all, the program will produce 36 shows and 44 hours of original programming throughout the tournament.

    The KickAround started as a daily program during the 2014 World Cup in Brazil. Its success led to it becoming a weekly program later that year, and the show has since returned in expanded daily form for the World Cup every four years.

    With the United States serving as the main host of the 2026 World Cup, and with nine matches being played at AT&T Stadium in Arlington, the program expansion makes more sense than ever.

    "Interest this year is at an all-time high with key tournament games being played in Dallas-Fort Worth," said Jeff Catlin, Program Director, Sportsradio 96.7 and 1310 The Ticket, in a statement. "The KickAround will be a destination for Ticket listeners and both soccer fans and casuals.”

    The KickAround will air weeknights at 7 pm in addition to its regular 2-4 pm Saturday slot and select Sunday broadcasts. Special programming is also planned for the tournament final, including both a pregame preview show and post-match recap.

    For a complete programming schedule and to stream The Ticket, fans can go to theticket.com.

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