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    Movie Review

    Deliciously evil horror film Fresh is good to the last bite

    Alex Bentley
    Mar 4, 2022 | 3:50 pm
    Daisy Edgar-Jones in Fresh.play icon
    Daisy Edgar-Jones in Fresh.
    Photo courtesy of Searchlight Pictures

    Dating, especially in the modern era, can be hell, as the new horror film Fresh attests. Before five minutes have gone by in the film, its lead character, Noa (Daisy Edgar-Jones), has gone on one disastrous first date and been sexually harassed by another man while scrolling through her dating app.

    Her best friend, Mollie (Jojo T. Gibbs), wants Noa to cool it on the dating front, but that’s thrown out the window when Noa meets Steve (Sebastian Stan) at her local grocery store. The meet-cute turns into multiple dates in rapid succession, and it’s not long before the new couple decides to take a weekend trip together.

    A flimsy excuse by Steve leads to them staying the first night at his house, where Noa makes an unexpected discovery. The tagline of the film, which says it’s about “one woman’s defiant battle to survive her new boyfriend’s unusual appetites” hints at the twist, but the truth is the film goes much further than most people’s imaginations ever could.

    Directed by Mimi Cave and written by Lauryn Kahn, the film toes the line between normality and insanity extremely well. What’s revealed about Steve is horrific and gets even worse as the film goes along, but his character is so even-keeled that it’s terrifyingly easy to get as sucked into his charm as Noa. The juxtaposition continues throughout, making the ghastly moments all the more effective.

    The filmmakers constantly keep the audience on their toes, including with the title and credits appearing 33 minutes into the film, a bold and kind of funny choice. Humor is doled out in small measures at various points, not so much that the film becomes a full-on comedy but enough so that it doesn’t affect the tone when a character jokes about something.

    The film plays on different horror tropes but transcends most of them. Part of this is that the story is somewhat of a slow burn as Noa tries to get away from Steve. The film’s commentary about modern dating and toxic masculinity makes it a sort of cousin to 2020’s Promising Young Woman, although it pushes even more buttons than that film did, which is saying something.

    It’s too bad the film is going directly to Hulu, as one could imagine it playing very well in theaters. The filmmakers do drop the ball on a couple of side plot points toward the end, almost as if connecting parts were edited out accidentally. But the strength of the main story keeps the tension high until the film’s last moments.

    Edgar-Jones, appearing in her first big project following her breakout role on Hulu’s Normal People, is ideal for the role. She appears innocent and naïve enough to fall into Steve’s trap but can turn on the strength when needed. Stan, aside from his role Hulu’s Pam & Tommy, has rarely been a lead, but he always makes the most of his opportunities, including here.

    There are many moments in Fresh that are hard to stomach, but those who aren’t turned off by such scenes will find a lot to enjoy. There’s a lot of Hulu corporate synergy going on with the film’s casting, but when the two main actors are this good, that’s something easy to forgive.

    Daisy Edgar-Jones in Fresh.

    Daisy Edgar-Jones in Fresh
    Photo courtesy of Searchlight Pictures
    Daisy Edgar-Jones in Fresh.
    movies
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    Movie Review

    Rom-com You, Me & Tuscany layers chaos and clichés with Italian charm

    Alex Bentley
    Apr 9, 2026 | 11:18 am
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany
    Photo by Giulia Parmigiani/Universal Pictures
    Halle Bailey and Regé-Jean Page in You, Me & Tuscany.

    The romantic comedy has become an endangered species in movie theaters, as most of those that are released these days go to streamers like Netflix. While there have been a few recent successful rom-coms in theaters, they are few and far between. All of which is to say that a movie like the new You, Me & Tuscany faces an uphill battle before it’s even released.

    Halle Bailey (The Little Mermaid) stars as Anna, a former culinary school student who’s struggling in the wake of her mother's death. When she has a chance meeting with an Italian man named Matteo (Lorenzo de Moor) in New York, her dream of going to the Italian region of Tuscany is reignited. Using her last $500 and a plane ticket her mom bought her, she makes her way to Italy looking for an adventure.

    With nowhere to stay and knowing Matteo’s villa is unoccupied, she finds a key and makes herself at home. When she finds an engagement ring soon before she’s discovered by Matteo’s family, she decides to pretend to be his fiancée. The more time she spends with them, the bigger the lie becomes, especially when she starts falling for Matteo’s adopted brother, Michael (Regé-Jean Page).

    Directed by Kat Coiro and written by husband-and-wife team Ryan and Kristin Engle, the film at times feels like it’s not even trying to be good. While the set-up of the premise is okay, the story quickly turns into an eye-rolling mess when Anna shows up in Italy. Not one bit of the character’s story is believable, and even though Michael catches her in an early lie, every member of the family accepts her at face value despite the abundant red flags.

    Of course, many rom-coms are not based in reality, and the filmmakers lean into the genre’s tropes, almost as if they were saying, “We know this makes no sense - just roll with it!” Surprisingly, the gambit works for the most part, as the odd pairing of an American woman, an English-Italian man, and his fully Italian family is enjoyable despite the many groan-worthy moments they produce. The sweet way in which the family brings in a woman still going through grief almost balances out the shoddy way in which the story is told.

    Naturally, there are precisely zero surprises about where the plot is heading, as Anna and Michael grow closer despite knowing they should resist the other. Strangely, though, the filmmakers don’t go all-in on the budding relationship, choosing to slow-roll things save for one notable sexy scene in a vineyard. Coiro and the Engles play up the family aspect as much as the romance aspect, and that choice allows the film to survive for longer than it should have.

    Bailey, a singer-turned-actor, has not yet found her stride on the acting side of things. Her line deliveries are often stilted and her timing is off in key moments. This doesn’t help her chemistry with older Page, who seems to be getting by on vibes and looks alone. The most enjoyable actors in the film are all Italian, including Marco Calvani, Isabella Ferrari, and Paolo Sassanelli.

    There are glimpses of a fully successful film in You, Me & Tuscany, enough to keep it watchable for its entire 104-minute running time. But then they have the Italian grandmother say a gobsmacking line like “If you wanna tap-a that ass, you should tap-a that ass,” and you remember exactly what type of film you’re watching.

    ---

    You, Me & Tuscany opens in theaters on April 10.

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