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    From Dusk Till Dawn

    Filmmaker Robert Rodriguez banks on his vampire cult classic to revolutionize TV

    Ryan Lakich
    Mar 11, 2014 | 8:44 am
    Filmmaker Robert Rodriguez banks on his vampire cult classic to revolutionize TV
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    The new TV show From Dusk Till Dawn: The Series, which premieres March 11, is a spin-off of the 1996 cult classic from Robert Rodriguez and Quentin Tarantino. But more important, it’s a bold first step for Rodriguez’s new cable network, El Rey, which targets a young, English-speaking Latino audience.

    The series, a network original, looks to do more than just separate itself from its source material: It hopes to leave a lasting effect as El Rey’s introduction to the world.

    Filmed at Troublemaker Studios in East Austin, it may be easy to consider the series just another reboot. But Rodriguez and his cast say it’s a unique chance to explore a larger world only hinted at in the film’s finale.

    "If the film was the short story, I want to retell the novel," Rodriguez says of From Dusk Till Dawn: The Series.

    On the walls of the studio’s meeting room hang various forms of memorabilia from previous Rodriguez and Troublemaker flicks, the most prominent of which is a matte painting that served as the film’s final shot (a hidden Aztec temple that was the foundation of the vampire-infested Titty Twister strip club). The painting was the first source of inspiration for Rodriguez and his team of writers when the series entered production.

    "When Quentin first told me about the script that took place in Mexico, I thought that we could bring in a lot of some kind of ancient vampire-type culture in Aztec or Mayan mythology," Rodriguez says. "I always knew there was something really rich there, as that temple sort of suggested. So when we thought of doing our first series for El Rey, From Dusk Till Dawn has always been a fan favorite.

    "But instead of just making it required viewing for people to watch the first one or anything, I want to retell it. If the film was the short story, I want to retell the novel."

    In order for the story to carry over to later seasons, the characters require different motivations and fates than the film. And Rodriguez and his team of writers have included ideas that are either brand-new or have been kicked around since the first film, adding to a larger world.

    The final shot of the film (that pulls back to reveal the temple), adds "story value," Rodriguez says, so the audience can easily imagine other stories. "They kind of see it in their heads," he says. "Well, now we’re making a version of it they can see."

    To essentially rewrite a beloved horror film is a tall order. The cast also has some big shoes to fill from a film that starred George Clooney, Tarantino, Salma Hayek and plenty more. But any stress that the actors might feel is eclipsed by their excitement at being an integral part of El Rey Network’s first signature scripted series — and also making Rodriguez’s vision come to life.

    Wilmer Valderrama, who plays an original character created for the series, says that Rodriguez "has created a platform for all of us to perform how we know we can and to express ourselves the best we could." He also understands how El Rey is making a firm statement of its personality from the beginning.

    "This is straight-up who we are. You’re either going to love it — or, if you don’t, that’s totally cool. But if you love it, this is your home," Valderrama says. "And to be on board of this initial first line of fire as we launch this brand-new destination, a brand-new movement on television, I’m not surprised of the coalition of people that Robert has put together.

    "Everyone in this cast and everyone in the network that’s coming on board has somehow touched pop culture in one way or another — and reinvented it together now. And that’s really fun."

    Zane Holtz, who takes over the role of Richie Gecko that was performed by Tarantino in the film, expresses the same excitement for being one of the first faces to represent a new network.

    "It’s probably the best opportunity you can be given as an actor on television. It’s do or die, basically. … To be at the forefront and to be part of something as it’s coming together is incredible."

    Eiza Gonzalez and Zane Holtz star in From Dusk Till Dawn: The Series.

    Eiza Gonzalez and Zane Holtz in From Dusk Till Sawn the Series on El Rey Network
    Photo courtesy of El Rey Network
    Eiza Gonzalez and Zane Holtz star in From Dusk Till Dawn: The Series.
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    New Theater

    Premieres lead the way in Dallas Theater Center's 2026-27 season

    Alex Bentley
    Mar 27, 2026 | 2:00 pm
    Aigner Mizzelle and Okieriete Onaodowan in the off-Broadway production of The Monsters
    Photo courtesy of Manhattan Theatre Club
    The Monsters, which started off-Broadway, will make its regional premiere as part of Dallas Theater Center's 2026-27 season.

    The 2026-2027 season for Dallas Theater Center will feature six productions, including three world premieres, a regional premiere, a returning favorite, and a to-be-determined sixth production.

    The inaugural season of incoming Enloe/Rose Artistic Director, Jaime Castañeda, will be marked by a renewed commitment to new work at Dallas Theater Center.

    That starts with with the world premieres of three new shows:

    • The Cold War thriller Reykjavik86 by Gabe McKinley, which brings the 1986 nuclear summit between Ronald Reagan and Mikhail Gorbachev to life on stage. It will be the initial production of the season, running September 11-27, 2026 at Wyly Theatre.
    • The dark comedy musical Kill Local, with a book by Mat Smart and music and lyrics by Liza Anne, is about Sheila and her sister, Abigail, who work together for their mother’s small family business, which just so happens to be assassins. It features killer songs about blood ties, revenge, and how hard it is to get unstuck. It will run March 26-April 11, 2027 in the Wyly Studio Theatre
    • The Making of a Saint by KJ Sanchez is theatrical exploration of faith and family in which KJ, a documentary writer/performer, sets out to understand the story of Sister Blandina, whom KJ's brother is helping to canonize. It will be the final scheduled show of the season, running May 14-June 6, 2027 in the Wyly Studio Theatre.

    Joining them will be the regional premiere of The Monsters by Ngozi Anyanwu, about a scrappy young fighter named Lil who is ready to enter the ring. She reconnects with her brother Big, an accomplished fighter in the local MMA scene and tries to earn his respect.

    The production, which just finished a critically acclaimed Off-Broadway run on March 22, runs October 9-November 1, 2026 in the Wyly Studio Theatre.

    A yet-to-be-named fifth production, which will be announced on June 1, will run February 5-21, 2027 in the Kalita Humphreys Theater.

    All of those productions will be part of the season subscriptions. Dallas Theater Center's annual holiday production of A Christmas Carol, running November 27-December 27, 2026 at Wyly Theatre, can be added on.

    “New work is the engine of the American Theater, and Dallas Theater Center will be a laboratory for artists who have something urgent and honest to express today,” said Enloe/Rose Artistic Director Jaime Castañeda in a statement. "These plays are about the now, and they are events for the stage that are in direct conversation with the audience."

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season, including Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, Zachary J. Willis, and Bri Woods, who is the Linda and Bill Custard SMU Meadows Actor.

    Subscriptions for the 2026-27 season are available now, and can be purchased online at DallasTheaterCenter.org or by calling the DTC Box Office at 214-522-8499.

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