If St. Patrick’s Day is up there on the list of holidays you love to celebrate, then perhaps you should consider doing it in another city. According to WalletHub, Dallas is the fourth worst place in America for St. Patrick’s Day parties.
Dallas ranks No. 97 out of 100. Only San Jose, California; Birmingham, Alabama; and San Bernadino, California were unluckier.
For its findings, WalletHub’s number crunchers looked at metrics within four categories: St. Patrick’s Day traditions, cost, safety and accessibility, and weather. Traditions include parades and festivals as well as number of Irish pubs and restaurants. Cost comprises everything from St. Paddy’s Day party tickets to beer and potatoes (yes, really).
Dallas doesn’t rank in the bottom five for any particular metric, but we are the 10th worst in the overall weather category. Huh.
Fort Worth comes in at No. 80. The best place in Texas to celebrate St. Patrick’s Day? Laredo, apparently, but it only takes the No. 37 slot.
Plano and San Antonio are almost as bad as Dallas, ranking Nos. 89 and 90, respectively. And here we thought Plano won everything!
Even Austin makes a subpar showing, at No. 66. Even scarier, Austin is one of the five worst cities for most DUI-related fatalities per capita. So are Lubbock and Corpus Christi, for that matter.
So what are the best cities to celebrate this day of green beer and leprechauns? Boston is No. 1, followed by Buffalo, New York; Omaha, Nebraska; and Philadelphia and Pittsburgh in Pennsylvania.
The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.
It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.
Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).
Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.
But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.
Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.
Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.
Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.
