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    Movie magic

    The Incredible Burt Wonderstone conjures big laughs but little magic

    Alex Bentley
    Mar 15, 2013 | 12:00 am
    The Incredible Burt Wonderstone conjures big laughs but little magic
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    At one point or another in most children’s lives, the concept of magic has been the source of endless wonderment. Whether it’s something as simple as pulling a rabbit out of a hat or complex as David Copperfield making the Statue of Liberty disappear, purveyors of prestidigitation can be utterly compelling.

    If you expect to be awed by illusions in The Incredible Burt Wonderstone, however, prepare to be disabused of that notion. Oh, there are plenty of displays of magic, but the film is more interested in the foibles of the magicians themselves than wowing you with their tricks.

    Although there is a general story to the film, in reality the framework is just there to set up the next gag.

    Steve Carell plays the titular Burt Wonderstone, whose childhood fascination with magic led him to become one of Las Vegas’ premier acts, alongside longtime friend Anton Marvelton (Steve Buscemi).

    Although we get brief glimpses of their rise, most of the film details their fall. The pair is challenged by both Burt’s egotism and a street magician named Steve Gray (Jim Carrey) who performs tricks that tend to disgust more than amaze.

    Three other people are the source of either help or hindrance along the way, including Rance Holloway (Alan Arkin), an old-timer who gave Burt his initial inspiration; Jane (Olivia Wilde), an assistant who longs to be a magician herself; and Doug Munny (James Gandolfini), the owner of the casino where Burt and Anton put on their show.

    Although there is a general story to the film, in reality the framework is just there to set up the next gag. Thankfully, there are some genuinely laugh-out-loud moments throughout the film. As Gray, obviously modeled on Criss Angel, ups the ante more and more with his outrageous stunts, the film gets increasingly over-the-top — and thus funnier and funnier.

    But funny sequences can really only carry the film so far. Director Don Scardino is a TV veteran, which may help explain the episodic feel of the film. He often jumps quickly between scenes, getting a laugh and then moving on. But that leaves the movie feeling choppy and, worse, disjointed as several ideas are abandoned shortly after they’re introduced.

    Carell, aided by some top-notch makeup, costumes and eyebrow shaping, carries the film from beginning to end. His Burt is a mixture of the cluelessness of Michael Scott on The Office and narcissistic tendencies evident in many a celebrity.

    Carrey, for once, is the second banana, and his role is mostly geared toward showing off his talent for physical comedy. Buscemi and Wilde are fine in their roles, but it’s Arkin who steals the show in his limited scenes, delivering deadpan responses that never fail to elicit a laugh.

    The Incredible Burt Wonderstone is a collection of hilarious scenes with very little filler to hold them all together. That doesn’t mean it’s not enjoyable for what it is, but it’ll likely leave you with one final trick. Once you leave the theater — poof! — it’s gone from your memory.

    Steve Carell showing off his character's magnificent hair inThe Incredible Burt Wonderstone.

    The Incredible Burt Wonderstone
    Photo courtesy of New Line Cinema
    Steve Carell showing off his character's magnificent hair inThe Incredible Burt Wonderstone.
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    Movie Theater News

    Dallas' historic Inwood Theatre extends run with new 3-year lease deal

    Alex Bentley
    Jul 17, 2026 | 1:14 pm
    Inwood Theater
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    Dallas' storied Inwood Theatre will remain open for at least three more years after its operator, Landmark Theatres, reached a short-term lease agreement with its landlord.

    The deal extends the life of the nearly 80-year-old movie theater, at 5458 West Lovers Lane, for three years while leaving its long-term more uncertain.

    The theater's future has been somewhat in flux since February 2024 when it was temporarily locked out for defaulting on its lease payments.

    The lockout was in effect for less than a week before the theater reopened on February 24, 2024.

    Later that year, a judge in New York ordered Cohen Media Group, which owns Landmark Theatres, to auction off its properties after it defaulted on a loan.

    The resulting auction garnered zero bids for Landmark Theatres, and the theater chain has continued operating without incident in the time since.

    Now, as part of the lease extension, Landmark is investing in the guest experience at Inwood Theatre, with several upgrades already underway and expected to be completed by the end of July, according to a release.

    Improvements include the installation of leather reclining seats in the main theater, replacing the existing LoveSac couches, refinishing the theater’s original entryway terrazzo, and replacing poster cases with new LED display cases.

    Additional enhancements are planned over the next two years.

    The Inwood Theatre, which first opened in 1947, is one of the few remaining theaters from the 1940s still in operation today and has long served as a cultural cornerstone in Dallas.

    It is noted for its distinctive Art Deco architecture and curated film programming, which includes a monthly midnight screening of The Rocky Horror Picture Show, which is believed to be the longest-running midnight movie showing in the nation.

    “The Inwood Theatre has been a beloved part of the Dallas community for nearly eight decades and remains one of the neighborhood’s most recognizable and cherished landmarks,” said Corinne Hoffman of L&B Realty Advisors, which owns Inwood Village, in a statement.

    “We value the history and character it brings to Inwood Village. Like many long-standing entertainment venues, continued care and reinvestment help ensure it can keep delivering the experience patrons know and love. We look forward to seeing the impact that the improvements at Inwood Theatre have for generations to come.”

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