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    Movie magic

    The Incredible Burt Wonderstone conjures big laughs but little magic

    Alex Bentley
    Mar 15, 2013 | 12:00 am
    The Incredible Burt Wonderstone conjures big laughs but little magic
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    At one point or another in most children’s lives, the concept of magic has been the source of endless wonderment. Whether it’s something as simple as pulling a rabbit out of a hat or complex as David Copperfield making the Statue of Liberty disappear, purveyors of prestidigitation can be utterly compelling.

    If you expect to be awed by illusions in The Incredible Burt Wonderstone, however, prepare to be disabused of that notion. Oh, there are plenty of displays of magic, but the film is more interested in the foibles of the magicians themselves than wowing you with their tricks.

    Although there is a general story to the film, in reality the framework is just there to set up the next gag.

    Steve Carell plays the titular Burt Wonderstone, whose childhood fascination with magic led him to become one of Las Vegas’ premier acts, alongside longtime friend Anton Marvelton (Steve Buscemi).

    Although we get brief glimpses of their rise, most of the film details their fall. The pair is challenged by both Burt’s egotism and a street magician named Steve Gray (Jim Carrey) who performs tricks that tend to disgust more than amaze.

    Three other people are the source of either help or hindrance along the way, including Rance Holloway (Alan Arkin), an old-timer who gave Burt his initial inspiration; Jane (Olivia Wilde), an assistant who longs to be a magician herself; and Doug Munny (James Gandolfini), the owner of the casino where Burt and Anton put on their show.

    Although there is a general story to the film, in reality the framework is just there to set up the next gag. Thankfully, there are some genuinely laugh-out-loud moments throughout the film. As Gray, obviously modeled on Criss Angel, ups the ante more and more with his outrageous stunts, the film gets increasingly over-the-top — and thus funnier and funnier.

    But funny sequences can really only carry the film so far. Director Don Scardino is a TV veteran, which may help explain the episodic feel of the film. He often jumps quickly between scenes, getting a laugh and then moving on. But that leaves the movie feeling choppy and, worse, disjointed as several ideas are abandoned shortly after they’re introduced.

    Carell, aided by some top-notch makeup, costumes and eyebrow shaping, carries the film from beginning to end. His Burt is a mixture of the cluelessness of Michael Scott on The Office and narcissistic tendencies evident in many a celebrity.

    Carrey, for once, is the second banana, and his role is mostly geared toward showing off his talent for physical comedy. Buscemi and Wilde are fine in their roles, but it’s Arkin who steals the show in his limited scenes, delivering deadpan responses that never fail to elicit a laugh.

    The Incredible Burt Wonderstone is a collection of hilarious scenes with very little filler to hold them all together. That doesn’t mean it’s not enjoyable for what it is, but it’ll likely leave you with one final trick. Once you leave the theater — poof! — it’s gone from your memory.

    Steve Carell showing off his character's magnificent hair inThe Incredible Burt Wonderstone.

    The Incredible Burt Wonderstone
    Photo courtesy of New Line Cinema
    Steve Carell showing off his character's magnificent hair inThe Incredible Burt Wonderstone.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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