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Movies Galore

Bonnie and Clyde takes top billing at Dallas International Film Festival

Alex Bentley
Mar 14, 2017 | 10:12 am

The full schedule of films for the 2017 Dallas International Film Festival has been released, and it's one that will devote time to honoring film's past as much as its present and future.

Taking place March 30 through April 9 at various locations around Dallas, the 11th edition of the festival will be headlined by a special 50th anniversary screening of Bonnie and Clyde on opening weekend, as well as Centerpiece screenings of Brett Haley’s The Hero and Mark Palansky’s Rememory, both of which premiered at the Sundance Film Festival earlier this year. In all, the festival will feature 122 films from 31 countries, including 75 features and 47 shorts.

The screening of Bonnie and Clyde is part of a festival-long salute to the films of 1967. Other films from that year that will be screened include Guess Who's Coming to Dinner, which will include an appearance by star Katharine Houghton; Camelot; How to Succeed in Business Without Really Trying; Cool Hand Luke; David Holzman's Diary;​ and The Jungle Book.

The Hero stars Sam Elliot as an aging actor who has to wrestle with the conflicting emotions of a cancer diagnosis and a budding relationship with a much younger woman. The film also features Laura Prepon, Krysten Ritter, Nick Offerman, and Katharine Ross. Rememory stars Peter Dinklage as a man using a new technology to mine his memory for a traumatic incident in his past in order to come to terms with it. The cast also includes Martin Donovan, Julia Ormand, and Anton Yelchin in one of his final roles.

Honored this year with the L.M. “Kit” Carson Maverick Award will be writer/director David Gordon Green, who has had several of his films featured at the festival, including Snow in 2004, Joe in 2014, and Manglehorn in 2015. Green will receive the award during the DFS Honors, participate in a special conversation, and screen his 2008 comedy Pineapple Express.

The festival will also have four world premieres, including Craig Elrod’s Mustang Island, about a man’s attempt to woo his girlfriend back after a breakup on New Year’s Eve; Russ Kendall’s documentary Man in the Camo Jacket, about Mike Peters' journey from rock star to advocate for cancer patients around the world; Jameson Brooks’ Bomb City, about a controversial hate crime that takes place in a small, conservative Texas town.; and Micah Barber’s Into the Who Knows!, a family-friendly selection that follows a boy and his best friend, Felix the Fox, as they escape summer camp to embark on a big mystical adventure.

Other notable films include The Lost City of Z, starring Charlie Hunnam, Tom Holland, Sienna Miller, and Robert Pattinson; The Promise, starring Oscar Isaac, Charlotte Le Bon, and Christian Bale; Abacus: Small Enough to Jail, a documentary by Steve James; Whose Streets?, a documentary about how the killing of 18-year-old Mike Brown inspired a social movement; and an outdoor screening of 2016's live action Pete's Dragon.

Venues for festival screenings and other events include Dallas City Performance Hall, Angelika Film Center Dallas, Magnolia Theatre, Main Street Garden, The Highland, SMU Meadows Museum, and Texas Theatre.

Full festival passes are now on sale. Dallas Film Society members can exclusively purchase individual screening tickets, which cost $12 apiece, online at diff2017.dallasfilm.org through Wednesday, March 15. Online ticket sales open to the public on Thursday, March 16. A physical box office, located at 3636 McKinney Ave. Suite 130, in West Village, will open on Monday, March 20.

Bonnie and Clyde will be the opening night film for the 2017 Dallas International Film Festival.

Faye Dunaway and Warren Beatty in Arthur Penn's Bonnie and Clyde
Photo courtesy of the Alamo Drafthouse
Bonnie and Clyde will be the opening night film for the 2017 Dallas International Film Festival.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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