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    Oldies But Goodies

    Prog-rock kings Yes play Fragile in its entirety for summer 2014 concert tour

    Teresa Gubbins
    Mar 24, 2014 | 10:16 am
    Yes band
    Yes band members, from left: Steve Howe, Geoff Downes, Jon Davison, Alan White and Chris Squire.
    Photo courtesy of Yes

    Prog-rock band Yes is mounting a summer 2014 tour with a unique theme: The 35-date excursion will feature the band performing its groundbreaking 1971 album Fragile in its entirety for the first time.

     

    The concert tour includes a stop in Grand Prairie at Verizon Theatre on Wednesday, August 6.

     

    The band will also perform in its entirety the 1972 album Close to the Edge. They'll follow that with an encore consisting of their greatest hits and tracks from a new album, Heaven and Earth, which comes out July 8.

     

    Yes started the "album-in-its-entirety" theme on its 2013 tour when it performed three classic albums in one concert: The Yes Album, Close to the Edge and Going for the One.

     

    The tour begins in the Northeast on July 8 in Boston, then crosses through the Midwest and down into the South. It ends on the West Coast, wrapping August 24 at the Greek Theatre in Los Angeles.

     

    The current lineup includes bassist Chris Squire, guitarist Steve Howe, drummer Alan White, keyboardist Geoff Downes and singer Jon Davison.

     

     Fragile was considered to be Yes' breakthrough album in America. It peaked at No. 4 on the Billboard Album and has sold more than 2 million copies. It had some of their most memorable hits, including "Roundabout," "Long Distance Runaround" and "Heart of the Sunrise."

     

    It also marked their first collaboration with artist Roger Dean on the cover; Dean has designed most of the band's album covers and logos.

     

    Tickets go on sale Friday, March 28, with special packages such as near-stage seating and a band meet-and-greet.

     

    Spend "An Evening with Yes" this summer in the following cities:

     

    Tue 7/8 Boston, MA Blue Hills Bank Pavilion
    Wed 7/9 New York, NY Radio City Music Hall
    Fri 7/11 Wallingford, CT Toyota Oakdale Theatre
    Sat 7/12 Westbury, NY NYCB Theatre at Westbury
    Sun 7/13 Newport, RI Newport Yachting Center
    Tue 7/15 Washington, DC Warner Theatre
    Wed 7/16 Hampton, NH Hampton Beach Casino Ballroom
    Fri 7/18 Salamanca, NY Seneca Allegany Casino
    Sat 7/19 Philadelphia, PA Tower Theater
    Sun 7/20 Munhall, PA Carnegie Music Hall
    Tue 7/22 Rochester Hills, MI Meadow Brook
    Wed 7/23 Northfield, OH Hard Rock Live Northfield Park
    Fri 7/25 Madison, WI Overture Hall
    Sat 7/26 Chicago, IL Copernicus Center
    Mon 7/28 Nashville, TN Ryman Auditorium
    Tue 7/29 Louisville, KY Louisville Palace
    Wed 7/30 Atlanta, GA Symphony Hall
    Fri 8/1 Hollywood, FL Seminole Hard Rock Live
    Sat 8/2 St. Petersburg, FL Mahaffey Theater
    Sun 8/3 Orlando, FL Bob Carr Performing Arts Centre
    Tue 8/5 Houston, TX Bayou Music Center
     Wed 8/6 Grand Prairie, TX Verizon Theatre at Grand Prairie
    Thu 8/7 Kansas City, MO Arvest Bank Theatre at The Midland
    Sat 8/9 Denver, CO Paramount Theatre
    Sun 8/10 TBA
    Tue 8/12 Mesa, AZ Ikeda Theatre at Mesa Arts Center
    Wed 8/13 Albuquerque, NM Legends Theater at Route 66 Casino
    Fri 8/15 Las Vegas, NV The Joint at Hard Rock Hotel & Casino
    Sat 8/16 Anaheim, CA City National Grove of Anaheim
    Mon 8/18 San Diego, CA Humphrey’s Concerts By the Bay
    Tue 8/19 San Jose, CA City National Civic
    Thu 8/21 Tulalip, WA Tulalip Amphitheatre
    Fri 8/22 Grand Ronde, OR Spirit Mountain Casino
    Sat 8/23 Lincoln, CA Thunder Valley Casino Resort
    Sun 8/24 Los Angeles, CA Greek Theatre

     

    unspecified
    news/entertainment

    Movie review

    Early days of pandemic become a powder keg in tense movie Eddington

    Alex Bentley
    Jul 18, 2025 | 12:47 pm
    Joaquin Phoenix and Pedro Pascal in Eddington
    Photo courtesy of A24
    Joaquin Phoenix and Pedro Pascal in Eddington.

    The coronavirus pandemic had a profound impact on the entire world, one that has been shown in various ways by movies and TV shows. However, even though a number of productions have attempted to show what life was like during the early days of the pandemic, few have tried to truly reckon with the way lockdowns and restrictions changed people.

    Filmmaker provocateur Ari Aster does just that in Eddington, set in a fictional small town in New Mexico in early 2020 that proves to be a microcosm of the debates taking place worldwide at that time. Sheriff Joe Cross (Joaquin Phoenix) is not a fan of mask mandates or other restrictions imposed by the government, while mayor Ted Garcia (Pedro Pascal) tries to lead by example in an effort to keep his community safe.

    The men butt heads not just on how to deal with the pandemic, but also over a personal history involving Joe’s wife, Louise (Emma Stone). When news of the murder of George Floyd in Minnesota makes its way to town, it starts a slow simmer among the town’s youth population, putting even more stress on Joe and his small department. Conspiracy theories, white guilt, partisan politics, cults, and more combine to make the community into a powder keg that threatens to explode at the slightest provocation.

    Aster (Midsommar, Beau is Afraid) takes aim at all sides in a film that’s part satire and part thriller. No matter how each viewer reacted to the pandemic, the film offers at least a character or two that will come close to representing their viewpoint. Although opinions may differ, it seems clear that Aster is not portraying one side as “right” or more righteous than the other. What he is doing is demonstrating just how much was happening in a short period of time, and how those things could negatively affect anyone.

    On the flip side, the film also challenges viewers with viewpoints that may not match their own, which can make for an uncomfortable experience at times. The reactions various characters have to certain events range from rational to wholly unexpected, and Aster seems to delight in keeping the audience on their toes the entire time. This is especially true when violence rears its ugly head, resulting in some intense and upsetting scenes.

    Not everything in the film lands, though. A subplot involving Louise and Vernon (Austin Butler), a cult leader who preys on her fears, feels tacked on, with no relation to the film as a whole. In fact, the character of Louise is a misfire in general, one whose purpose makes little sense. Aster also lets (asks?) some actors speak in almost inaudible tones at various points in the film, a frustrating experience in a film as dialogue-heavy as this one.

    Phoenix loves to dig into off-kilter characters, and this one ranks high on that scale. Even if you don’t enjoy what his character does, it’s hard to fault the performance that brings him to life. Most of Pascal’s scenes are with Phoenix, and while he matches Phoenix’s energy, the lower key nature of his character leaves him overshadowed. The nature of the film means few others make an impact, although Deidre O’Connell as Joe’s passive-aggressive mother-in-law and William Belleau as Officer Jiminiz Butterfly stand out in their scenes.

    Few of us would volunteer to go back to the baffling days of early 2020, but Eddington does a great job of examining what was happening at the time and how events united some and divided others. It’s not a feel-good film, but it is one that will make viewers re-examine their reactions at the time and how those influenced the current reality.

    ---

    Eddington is now playing in theaters.

    coronavirus pandemicfilmmovies
    news/entertainment
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