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Movie Review

Godzilla vs. Kong offers monstrous destruction but little humanity

Alex Bentley
Mar 30, 2021 | 1:17 pm
Godzilla vs. Kong offers monstrous destruction but little humanity
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The return of the Godzilla franchise from American filmmakers has been a mixed bag so far. 2014’s Godzilla pulsed with energy and a good story, while 2019’s Godzilla: King of the Monsters had an incoherent plot and action sequences. That movie, along with 2017’s Kong: Skull Island, set up the ultimate monster face-off, Godzilla vs. Kong.

In many ways, the new film borrows from the best and worst impulses of the previous two Godzilla movies. On the bad side, there is just way too much going on with the plot and too many characters to track. There’s Bernie Hayes (Brian Tyree Henry), a conspiracy-loving podcaster who works for Apex Cybernetics, a mysterious company led by the nefarious Walter Simmons (Demián Bichir) whose headquarters Godzilla attacks early in the film. There’s Madison Russell (Millie Bobby Brown), one of only two returning characters, who joins forces with Bernie to investigate Apex, along with her friend Josh (Julian Dennison).

On the Kong side, there’s scientist Ilene Andrews (Rebecca Hall), who lives on Skull Island to study the great ape and keep him under control. Her daughter, Jia (Kaylee Hottle), is deaf and has forged a connection with Kong through sign language. After the Godzilla attack, kaiju researcher Nathan Lind (Alexander Skarsgård) is convinced by Simmons to approach Andrews and persuade her to let Kong out of captivity to save the world from Godzilla’s destruction, a quest that involves concepts like the “Hollow Earth” and “gravitational inversion.”

On the plus side, the filmmakers, led by director Adam Wingard, know what audiences have come to see — Godzilla and King Kong in action — and they don’t make us wait long to see them. The first look at Kong comes two minutes in, first look at Godzilla comes 10 minutes in, and they return to each regularly throughout the film, bringing lots of chest beating, roars, and destruction with them.

Just like King of the Monsters, there’s almost no point in trying to figure out the human-level plot mechanics. All you really need to know is that Godzilla, who saved humanity from other kaiju in the previous film, is now being viewed as evil by many, and Kong is the only one who can make things right again. They only directly clash a few times throughout the film, but each one is thrilling and, thankfully, not muddled by fast-moving action where it’s difficult to understand what’s happening.

The filmmakers attempt to keep things grounded by showing Kong’s connection with Jia, a technique that mostly works. It’s not as easy to relate to Godzilla, but they throw in a few scenes that show it as more than just a mindless monster. Unfortunately, that all goes out the window in the climactic sequence, in which innumerable buildings get destroyed, likely causing the deaths of thousands of people. The destruction is to be expected to a certain degree, but the way it’s presented, with no introspection about the human toll, comes off as callous and shallow entertainment.

The film is obviously CGI-heavy, but the filmmakers seem to have gone a hybrid route in how it’s employed. The look of the monsters is high-tech and detailed, but there appears to be an homage to the lo-fi method of the original Godzilla movies, as many buildings look like practical models being smashed. Given that they’re being ruined by the CGI monsters, it’s surely just smoke and mirrors, but it’s a fun concept nonetheless.

Most of the acting in the film is, shall we say, not subtle. For instance, Henry, who’s been great in the FX show Atlanta and almost everything else he’s been in, is reduced to wild rants that don’t do him any favors. Only Hall and Hottle are allowed to be low-key, and it’s the reason that they wind up being the heart of the film.

Godzilla vs. Kong is far from a good movie, but it’s actually an improvement over the abominable King of the Monsters. For moviegoers who are starved for blockbuster entertainment, it does the trick as long as you’re willing to leave your brain and most of your humanity at the door.

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Godzilla vs. Kong debuts in theaters and on HBO Max on March 31.

Godzilla and King Kong in Godzilla vs. King Kong.

Godzilla and King Kong in Godzilla vs. Kong
Photo courtesy of Warner Bros. Pictures and Legendary Pictures
Godzilla and King Kong in Godzilla vs. King Kong.
movies
news/entertainment

Rolling a strike

High 5 Exchange bowling and entertainment mega-center rolls into Allen

Stephanie Allmon Merry
Sep 4, 2026 | 12:58 pm
High 5 Exchange
Facebook/High 5 Exchange Austin
The High 5 Exchange in Austin has bowling galore.

A new family entertainment destination is rolling into Allen, bringing bowling, laser tag, miniature golf, virtual reality, and more. Called High 5 Exchange, the venue has broken ground at 2361 Quail Covey Rd. in The Farm in Allen.

It is expected to open in 2027, according to a release.

High 5 Exchange comes from a family entertainment company founded by husband-and-wife team Scott and Jenny Emley. They opened the first location in the Lakeway area of Austin more than a decade ago; a second Austin location followed a few years later.

Their roots are in Austin - Scott Emley played football for UT Austin - but the couple recently relocated to McKinney. There's also a location under construction in Mansfield.

The entertainment mega-center in Allen will combine indoor and outdoor attractions, dining, and rooms for parties and other group events.

High 5 Exchange Austin Tasty-looking tacos at High 5 in Austin.Facebook/High 5 Exchange Austin

Bowling will be the major draw, with 24 lanes supplied by QubicaAMF. The lineup will include 16 traditional tenpin lanes equipped with EDGE String pinspotters, HyperBowling, and Neoverse, along with eight Fly'n Ducks duckpin lanes, the release says. The combination will give guests the choice between traditional full-length bowling and duckpin bowling, which uses a smaller ball.

"Bowling has a unique ability to bring different generations, interests and skill levels together," said Jody Pastula, director of new business development, U.S., for QubicaAMF, in a statement. "By offering both tenpin and Fly'n Ducks duckpin bowling, High 5 Allen is creating more ways for guests to participate and share the experience. We are pleased to be part of a project designed around connection, variety and repeat visits."

Beyond bowling, High 5 Allen will feature laser tag, a virtual reality arena, an arcade gaming floor, escape rooms, an immersive experience from Creative Works called "Limitless," and outdoor miniature golf. The venue will also have dedicated spaces for birthday parties, corporate gatherings, and private events, along with food and beverage service.

While details on the food and beverage program have not yet been announced, the Austin locations feature a full-service bar and a menu of "American classics with a gourmet twist."

High 5 Exchange Allen Rendering of High 5 Exchange at The Farm in Allen.Rendering courtesy of High 5 Exchange

High 5 Exchange will be part of The Farm in Allen, a 135-acre mixed-use development at the southeast corner of the Sam Rayburn Tollway and Alma Drive. Developed by Allen-based JaRyCo Development in partnership with the Johnson family, The Farm combines residential, office, dining, retail, and entertainment components.

"Allen and the surrounding communities have been part of our vision for this project from the beginning," said Scott Emley, co-founder and CEO of High 5 Exchange, in a statement. "The Farm brings together homes, workplaces, parks, dining and entertainment in a way that fits how people want to connect.

"We are excited to create a place where a family can spend an afternoon, coworkers can gather after work, and friends can celebrate the moments that matter."

entertainment and dining bowling allen
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