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Meet Joe

Joe sets new benchmark for Texas filmmaker David Gordon Green

Ryan Lakich
Apr 3, 2014 | 10:57 am
Joe sets new benchmark for Texas filmmaker David Gordon Green
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Despite the fact that David Gordon Green is now a member of the Texas Film Hall of Fame, has directed a hit comedy with Seth Rogen and James Franco and has worked on the hit HBO comedy Eastbound & Down, his latest film, Joe, feels like you’re discovering a new artist.

It’s not like Joe, which screens at the Dallas International Film Festival on April 4, is a major departure from Green’s previous work. It displays some of his favorite tricks, such as filming in a rural setting, portraying the growth of unlikely friendships and characters striving to overcome a troubled past. But a mix of opposing tones and a unique blend of actors result in an exciting new creation.

Joe displays some of Green’s favorite tricks. But a mix of opposing tones and a unique blend of actors result in an exciting new creation.

The film follows Joe Ransom (Nicolas Cage), an ex-con with hidden rage that he struggles to keep in check. When a teenager named Gary (Tye Sheridan) moves into town with his family of drifters, Joe finds himself making an unlikely friend, while also trying to protect Gary from the danger of his abusive, alcoholic father.

It’s easy to see the film as a dark and foreboding drama, but the Southern Gothic tone plays together with some legitimately funny moments that break the tension. Joining the amazing duo of Cage and Sheridan on screen is an extensive cast that creates a believable rural Texas environment. If you can count the number of traffic lights in your hometown, you’ll feel right at home in Joe.

You may laugh at the way Joe’s team of workers shoot the bull or his special fatherly bonding time with Gary, but suspense and darkness quickly surface to switch emotional gears on the viewer. While the darkness functions as an example of how sleepy small towns belie the horror that lurks below the surface, it also serves as a reflection of Joe’s inner struggle. He’s a man who wants to work hard and enjoy a simple life, but when pushed around enough, his rage boils over and wreaks major havoc in its wake.

And Cage is the perfect fit for his character. He has a cult following among film buffs for his notorious talent with explosive and insane outbursts on screen. Yes, people will applaud Cage for being more subdued in Joe, but don’t think that his special brand of crazy won’t find a way to shine through.

But Cage isn’t the only actor shining on screen. Sheridan, a Texas native who has worked with Matthew McConaughey and Terrence Malick in his young career, can be seen as a foil for the gruff Joe with his more youthful and exuberant personality. But he’s also similar to Joe, in that he is struggling to repress his frustrations with the world and his family.

Joe isn’t a revolutionary film for the director and his actors, but there’s still a sense that it’s an important stepping stone for everyone involved. Both troubling and humorous, Joe signals that Green still has plenty of tricks up his sleeve.

Nicolas Cage and Tye Sheridan in Joe, a film by David Gordon Green.

Nicolas Cage and Tye Sheridan in Joe
Photo by Linda Kallerus
Nicolas Cage and Tye Sheridan in Joe, a film by David Gordon Green.
unspecified
news/entertainment

Movie Review

Horrific filmmaking makes DC villain Clayface less appealing

Alex Bentley
Oct 22, 2026 | 1:01 pm
Tom Rhys Harries and Naomi Ackie in Clayface
Photo by Parisa Taghizadeh
Tom Rhys Harries and Naomi Ackie in Clayface.

The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

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Clayface opens in theaters on October 23.

movies film clayface
news/entertainment

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