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    Sweets News

    Candytopia queen shares secrets about new exhibit opening in Dallas

    Teresa Gubbins
    Apr 4, 2019 | 11:33 am
    Candytopia
    Candy + utopia = Candytopia.
    Photo courtesy of Candytopia

    The candy-themed pop-up called Candytopia is about to make its Dallas debut, and you can bet your cowboy hat it's going to come loaded with Texas stereotypes.

    The installation will open on April 5 in the former TreeHouse space at 8021 Walnut Hill Ln. at The Hill, the mixed-use retail and restaurant development at Walnut Hill Lane and US 75.

    Candytopia was born in 2018 in Santa Monica, followed by runs in San Francisco, New York, Atlanta, and Minneapolis. The marshmallowy mini-theme park features more than a dozen rooms with larger-than-life interactive art installations and sensory experiences.

    According to Jackie Sorkin, global candy artist/Candytopia co-founder — which her PR people emphasize is her full title — the Dallas installation will reprise some of the most popular attractions from past locations, along with new elements inspired by local culture and landmarks unique to the city.

    "We'll have Western flair, sports team love, and of course, we had to tackle some big Texas icons, too," Sorkin says.

    In other words, something on the Dallas Cowboys, something on the State Fair of Texas, and something with cowboy boots.

    The installation has numerous rooms and "experiences," along with bowls of samples to take such as candy bracelets and Pixie Stix. There are vibrant sculptures made entirely of candy, plus colorful, interactive tableaus that provide backdrops for photo opps galore.

    Environments include everything from the confetti room, featuring flying unicorn pigs that "fart" confetti, to a "marshmallow pit" made of faux marshmallows — basically a pool of "marshmallows" you jump into and submerge yourself.

    While the candy aspect gives it a kiddy vibe, there's artistry that targets adults, with candy paintings of the Mona Lisa, Van Gogh's The Starry Night, and pop cultural touchstones such as Prince and a portrait of Gene Wilder as Willy Wonka.

    Candytopia chose Dallas because of its location in the South, Sorkin says.

    "We want to spread candy love across the USA and are doing so quickly," she says. "We love the South and are currently experiencing such a fabulous run with our Atlanta location in Buckhead. Texas just seemed like the right fit for our next stop. We know everything is bigger here, and we are BIG dreamers with wildly sweet new creations made just for the Dallas audience."

    Sorkin says she's always been into sweets. "I was obsessed with Willy Wonka as a kid and watched the movie every day after school," she says. "I loved candy, chocolate, treats, and sweets. This is truly my dream job now."

    They use hundreds of different types of candy throughout Candytopia. "We source it from all over the United States as well as internationally," she says. "We utilize incredible candy confectioners from around the globe."

    And the lifespan of sugar survives from one city to the next.

    "We like to think of ourselves as the new traveling circus," she says. "We break down and pack up over a dozen semi-trucks and move to our next secret location."

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

    moviesfilm
    news/entertainment

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