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    Movie Review

    Silence is deafening and terrifying in A Quiet Place

    Alex Bentley
    Apr 5, 2018 | 3:00 pm
    Silence is deafening and terrifying in A Quiet Place
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    The element of silence, accompanied by menacing noises, has long played a crucial role in many horror movies. Fans can likely come up with multiple memories of characters trying to be quiet while navigating creaking floorboards or hearing creatures scuttling nearby.

    Those fleeting moments are ratcheted up to an almost unbearable degree in A Quiet Place. Co-written, directed by, and starring John Krasinski, it’s set in a world where much of the human population has been decimated by creatures that hunt using only sound.

    The film centers on one family — father Lee (Krasinski), mother Evelyn (Emily Blunt), sister Regan (Millicent Simmonds), and son Marcus (Noah Jupe) — who have devised many ways to avoid making unnecessary noises. They include lining pathways with sand, using soft materials when at all possible, and, most importantly, speaking almost entirely in sign language. That last part comes more easily for them as Regan (and Simmonds herself) is deaf.

    Unlike other films that try to overly explain their stories, A Quiet Place drops the audience directly into the middle of an ongoing saga, giving only minor clues, such as newspaper headlines, to indicate how the family and the world at large got to be in their situation.

    To say that the movie is “silent” would be inaccurate, as sound effects and music play a big part in it. But the film contains perhaps 10-15 spoken lines of dialogue, making it the quietest film to hit screens in quite some time. In fact, the audience at my screening had at least 15-20 deaf people in attendance, who by all indications enjoyed the film as much as the hearing members of the crowd.

    All of this silence serves the movie extremely well. Not only are you afraid of anybody on the screen making a noise, but the lack of sound transfers over to the audience wanting to be as still and silent as possible. When characters are put into situations where screaming would be the norm, their inability to give in to that impulse somehow makes the scenes all the more terrifying.

    Special note should be made of the design of creatures in the film. Krasinski and his designers seem to have taken the best parts of other scary beings and combined them into one completely horrifying beast. Krasinski isn’t shy about showing close-ups of its intimidating features like razor sharp teeth and claws, making it extremely memorable.

    All four actors do well in the film, but it’s Blunt who makes the biggest impression. Her character is put through the wringer, and her ability to emote without sound in such a way that you understand everything going on in her mind is astounding. Simmonds is as good as she was in 2017’s Wonderstruck; here’s hoping she continues to lead the way for deaf actors. Krasinski still has trouble shaking his natural jovial persona, but he does a solid enough job. His skills in putting together the film as a whole cancel out any acting shortcomings.

    A Quiet Place is a film that will satisfy horror fans, but its family drama also gives it a broader appeal. Either way, it’s a quietly chilling experience that you won’t soon forget.

    Emily Blunt in A Quiet Place.

    Emily Blunt in A Quiet Place
    Photo courtesy of Paramount Pictures
    Emily Blunt in A Quiet Place.
    movies
    news/entertainment

    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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