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    Movie Review

    Gifted displays a lot of heart and some intelligence

    Alex Bentley
    Apr 6, 2017 | 3:33 pm
    Gifted displays a lot of heart and some intelligence
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    Displaying human intelligence in a movie can be a tricky proposition. You want to show enough to demonstrate how the particular person thinks on a higher plain than the average human, but not so much that his or her intellect becomes so daunting as to be incomprehensible.

    That’s the challenge in Gifted, in which 7-year-old Mary (McKenna Grace) has a genius-level aptitude toward mathematics, something immediately recognized by her first-grade teacher, Bonnie (Jenny Slate). Mary's uncle, Frank (Chris Evans), who has had custody of Mary since the death of her mother, understands her innate skills but is determined she have as normal a childhood as possible, resisting the temptation to put her in a school for the gifted.

    When Mary’s grandmother, Evelyn (Lindsay Duncan), who has been all but absent from Mary’s life, catches wind of Frank’s plan, she swoops in to start a custody battle. As both she and Mary’s mother were also extremely adept at mathematics, Evelyn wants to ensure Mary’s abilities don’t go to waste, even if it means uprooting her from the only life she’s ever known.

    The film, directed by Marc Webb and written by Tom Flynn, relies heavily on the natural cuteness of Grace to sell Mary’s story. Unlike some other child actors, Grace actually acts like your typical child, even when she’s coming up with answers to mathematical equations that boggle the mind. Her toothless grin and blonde hair go a long way toward making her relatable.

    The family dynamic in the film is also strong, if sometimes baffling. Frank’s background is kept hazy for much of the film, but even when he makes decisions that seem counterintuitive, there’s no denying the love he feels for Mary, nor that he believes he’s making those decisions for the right reasons. Frank’s earnestness also sells a budding relationship with Bonnie and friendship with his neighbor, Roberta (Octavia Spencer).

    Still, there are elements that could have been improved. When Frank’s history is fully revealed, it only brings up more questions instead of clarity — questions that are then never sufficiently answered. The result of the custody battle also makes things cloudy, putting a somewhat sinister tone on the film for a short spell.

    It’s nice to see Evans in a non-Captain America role, even if he’s not at his most dynamic. He and Grace balance each other nicely, and there’s never a moment where their relationship is unbelievable. Slate and Duncan do well in their roles, but Spencer’s part is somewhat embarrassing, through no fault of hers. It’s one that exists seemingly to shoehorn in some diversity, and it stands out like a sore thumb every time she appears.

    The conclusions that Gifted comes to undercut the story to a degree, but the journey that the film goes on is an affecting one. You may not be any smarter after watching the movie, but you won’t be any dumber for the experience, either.

    McKenna Grace in Gifted.

    McKenna Grace in Gifted
    Photo by Wilson Webb
    McKenna Grace in Gifted.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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