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Movie Review

Richard Linklater proves plotless prowess yet again with Everybody Wants Some!!

Alex Bentley
Apr 8, 2016 | 12:00 am
Richard Linklater proves plotless prowess yet again with Everybody Wants Some!!
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The one thing that has always separated writer/director Richard Linklater from his fellow filmmakers is his ability to make small, seemingly inconsequential moments feel important. Many of his movies — Dazed and Confused, the Before… series, Boyhood — deal in the day-to-day minutiae of their characters, with big events either absent or happening off-screen.

He’s back in that vein again with Everybody Wants Some!!, a “spiritual sequel” to Dazed and Confused set in 1980 as the members of a college baseball team reassemble in the days before classes start for a new year. The focus is mostly on Jake (Blake Jenner), an incoming freshman pitcher, but the film is so chock-full of colorful characters that almost everyone gets a chance to shine.

In true Linklater fashion, almost nothing of import actually happens. The players, which share two off-campus houses, immediately bond over their shared love of baseball, alcohol, and women, and not necessarily in that order. They go to a variety of clubs, host parties, and generally act like college kids enjoying their first taste of freedom away from home.

Even though the film is almost nonstop drinking, partying, and chasing girls, it feels much more interesting than your average college-set movie. That’s mostly because Linklater takes the time to let his characters talk, turning them into three-dimensional people instead of your standard archetypes. Many of the characters exhibit clichéd behavior, but because we get to know them, they’re never reduced to just their quirks.

The film is also packed wall-to-wall with songs from 1978-1980, so much so that you could almost consider it a musical. Some, such as “My Sharona,” have been greatly overused in other movies, but given the time period, feel more authentic here. “Rapper’s Delight” is given a showcase by having members of the team sing along to it, and it’s a moment that’s both cheesy and joy-inducing, since few could resist doing the same so soon after the song’s release.

In fact, the movie as a whole is a complete pleasure from beginning to end. It never matters that there’s no real story; Linklater includes so many fun moments that they add up to a whole that’s way more fascinating than your typical plot-driven movie.

Like Dazed, the cast consists of actors with few known credits to their name. In addition to Jenner (who's known mainly for showing up at the tail end of Glee), standouts include Glen Powell as Finnegan, the wizened member of the team; Tyler Hoechlin as the cocky and ultra-competitive McReynolds; and J. Quinton Johnson, one of the team’s few black players.

Everybody Wants Some!! will likely not get the same type of praise as Boyhood, but it’s equally impressive in its ability to create a fully realized world and interesting characters. Linklater is a master of plotless movies, and film fans are all the richer for it.

Blake Jenner and Glen Powell in Everybody Wants Some!!

Blake Jenner and Glen Powell in Everybody Wants Some!!
Photo by Van Redin
Blake Jenner and Glen Powell in Everybody Wants Some!!
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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