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    Movie Review

    Tigertail journeys through time to reveal layers of love and regret

    Alex Bentley
    Apr 10, 2020 | 9:00 am
    Tigertail journeys through time to reveal layers of love and regret
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    The choices we make in our lives can have far-reaching consequences, though sometimes the impact of a decision can take years to manifest or understand. Most of us regret at least one choice we’ve made, and it’s often the path not taken that causes the most disappointment.

    That cycle of feelings is at the heart of Tigertail, the new Netflix movie written and directed by Alan Yang (known for his work on Master of None, among others). The obviously personal story follows Pin-Jui (Hong-Chi Lee), a Taiwenese factory worker who lives with his mother and dreams of moving to the United States. He has a woman he loves, but an arranged marriage that would facilitate the trip to America changes the course of his life.

    Years later, Pin-Jui (Tzi Ma) now lives alone and has a fraught relationship with his daughter, Angela (Christine Ko). The film toggles back and forth among multiple stages in Pin-Jui’s life as he contemplates the choices he’s made and how well he’s treated his various loved ones and himself.

    Yang, inspired by a trip he took to Taiwan with his father, set out to make a movie about the way that a lack of communication in families can change the way each member perceives the other. Pin-Jui wants nothing more than to become a success to give his mother a better life, but doesn’t really listen to what she wants. When he’s older, he can’t understand what his daughter is doing with her life, having grown up in a completely different culture.

    It’s clear where Yang wants to take the story and, befitting his Emmy-winning TV work, he lays everything out and connects the pieces effectively. But, perhaps fittingly given the hidden emotions of the characters, the film fails to establish a true emotional connection. The regrets of Pin-Jui are understandable, but Yang may have been too sparing in his storytelling to allow the audience all the way in.

    Tzi-Ma, a familiar face in American movies and TV for decades, is an ideal choice to play the older Pin-Jui. He has a natural world-weary look to his face that fits the character well, and his interactions with the equally-good Ko speak volumes even when they’re silent. Lee is given the task of playing the character the most, and the success the film does have is because of how he sets up the evolution of Pin-Jui.

    Tigertail is a well-made movie that could have used a more fleshed-out story to fully reach its potential. Still, in a world with few new movies coming out, it’s well worth the time of anyone looking for something fresh to watch at home.

    Tzi-Ma and Christine Ko in Tigertail.

    Tzi-Ma and Christine Ko in Tigertail
    Photo by Sarah Shatz/Netflix
    Tzi-Ma and Christine Ko in Tigertail.
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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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